The John S. Williams plantation in Georgia was operated largely with the labor of slaves--and this was in 1921, 56 years after the Civil War. Williams was not alone in using "peons," but his reaction to a federal investigation was almost unbelievable: he decided to destroy the evidence. Enlisting the aid of his trusted black farm boss, Clyde Manning, he began methodically killing his slaves. As this true story unfolds, each detail seems more shocking, and surprises continue in the aftermath, with a sensational trial galvanizing the nation and marking a turning point in the treatment of black Americans.

"Richly textured historical fiction with the urgency of a mystery novel. Fergus knows certain things, deep in the bone: horses, hunting, the folkways of rural places, and he weaves this wisdom into a stirring tale.” – Geraldine Brooks, author of March and People of the Book and Horse Lay This Body Down, the third Gideon Stoltz Mystery, takes place in 1837 during one of the most horrific periods in pre-Civil War America, when human beings were considered chattel and both northern and southern states grew rich from slave labor. A Pennsylvania sheriff like Gideon could choose to uphold the federal Fugitive Slave Act of 1793 or defy that racist law at great peril. In this hard-hitting, action-packed novel, Gideon tries to protect a boy who has fled north from a Virginia plantation – and pays dearly for his principles. Written with the vivid, atmospheric prose that imbues the whole series, the life and times of an early American backwoods town and its hardscrabble citizens will grip readers as Gideon and his wife True solve a murder, bust a kidnapping ring, and help one unforgettable boy who courageously chooses freedom above all else.

Rosey E. Pool (1905–71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London “salon” with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life. A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider—one poet was amazed that “one so removed” was interested in the Black cause—she saw herself as part of a transatlantic struggle against oppression. For Pool, the “yellow Jew stars” the Nazis forced her to wear “were our darker skins.” Rosey E. Pool’s life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pool’s life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.

"As this true story unfolds, each detail seems more shocking: a young man forced to methodically kill his friends; his calm, unresisting compliance; men chained together, two by two, weighted down with rocks, and slowly driven to the bridges where they would be thrown over, alive and terrified; men ordered to dig their own graves."--BOOK JACKET.

A celebration of African American life and culture brings together four hundred years of folklore, traditional tales, recipes, proverbs, legends, folk songs, and folk art.

Documenting multiple aspects of slavery and its development in North America, this collection provides more than one hundred excerpts from personal accounts, songs, legal documents, diaries, letters, and other written sources. The book assembles a remarkable portrayal of the day-to-day connections between, and among, slaves and their owners across more than two centuries of subjugation and resistance, despair and hope. Beginning with a chronicle of the origins of slavery in the British colonies of North America, the collection traces the growth of the system to the antebellum period and includes accounts of slave revolts, auctions, slave travel and laws, and family life. Intimate as well as comprehensive, the documents reveal the individual views, goals, and lives of slaves and their masters, making this engaging work one of the most respected catalogs of firsthand information about slavery in North America.

Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad songs capture the feelings of their creators perfectly; of crushed hopes, keen sorrow and a dull daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand the words breathe a trusting faith in the life after to which their eyes seem constantly turned

Rosey E. Pool (1905–71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London “salon” with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life. A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider—one poet was amazed that “one so removed” was interested in the Black cause—she saw herself as part of a transatlantic struggle against oppression. For Pool, the “yellow Jew stars” the Nazis forced her to wear “were our darker skins.” Rosey E. Pool’s life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pool’s life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.

Beloved spirituals include such lasting favorites as All God's Children Got Shoes, Balm in Gilead, Deep River, Down by the Riverside, Ezekiel Saw the Wheel, Gimme That Ol'-Time Religion, He's Got the Whole World in His Hand, Roll, Jordan, Roll, Sometimes I Feel Like a Motherless Child, Steal Away to Jesus, Swing Low, Sweet Chariot, This Train, Wade in the Water, We Are Climbing Jacob's Ladder, Were You There When They Crucified My Lord? and many more. Excellent for sing-alongs, community programs, church functions, and other events.