She named it Laws of the Bandit Queens after Phoolan Devi, an Indian woman who rebelled from childhood against everything her culture demanded of her." "After two years of photography sessions and interviews in every thinkable location, from a rooftop in New York City to the women's ward of a prison, Ali's work is done. The result is a fun and inspiring collection of portraits - in words and pictures. Each of these incredible women offers a law for women and girls to live by."--BOOK JACKET.

What are the consequences when law's stories and images migrate from the courtroom to the court of public opinion and from movie, television and computer screens back to electronic monitors inside the courtroom itself? What happens when lawyers and public relations experts market notorious legal cases and controversial policy issues as if they were just another commodity? What is the appropriate relationship between law and digital culture in virtual worlds on the Internet? In addressing these cutting edge issues, the essays in this volume shed new light on the current status and future fate of law, truth and justice in our time.

In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.

In June 1992, author Roy Moxham did a very strange thing: he wrote to a bandit in an Indian jail. Phoolan Devi was the controversial and charismatic 'Bandit Queen' hailed as a modern-day Robin Hood in the villages surrounding Delhi. In revenge for her own gang rape, her followers killed 20 high-caste Indians, which led to her surrender and imprisonment. Struck by her story and appalled by her plight, Roy Moxham helped Phoolan Devi obtain justice, offered her encouragement when she became an MP in India on her release, and travelled with her for several years before she was finally gunned down in 2001. Based on the diaries that documented their extraordinary friendship, Moxham offers a fascinating portrait of a remarkable woman and reveals the hidden face of India.

Enduring cruel poverty and degradation, Phoolan Devi survived the humiliation and horrifying gang rape to claim retribution for herself and all low-caste women of the Indian plains. In a three-year campaign which rocked the government, she delivered justice to rape victims and stole from the rich to give to the poor, before negotiating surrender on her own terms. Throughout her years of imprisonment without trial Phoolan Devi remained a beacon of hope for the poor and downtrodden, and in 1996, admist both popular support and media controversy, she was elected to the Indian Parliament. For over a decade journalists, biographers and film-makers have found the power and scope of Phoolan Devi's myth irresistible. Now finally she tells the story of her life through her eyes and in her own voice.

Jesse and the Bandit Queen is an intriguing, many sided saga about the stormy relationship between Jesse James and Belle Starr. Interwoven into the play are tales of their outlaw contemporaries and of the people close to Jesse and Belle friends, foes, family and lovers. The two actors switch in and out of various roles to present a sweeping spectrum of the American West legend, myth and reality.

The essays in this volume explore the relatively new field of women and law from interdisciplinary, feminist perspectives and help to develop an understanding of feminist legal studies in India. As a collection, the book offers insights about women and law as addressed by feminists from the standpoint of both legal and non-legal disciplines. Individually, the different essays explore the legal terrain through historical and cultural analyses of issues such as women’s human rights, gender discrimination, feminist legal scholarship, prostitution, conjugality and the representation of female outlaws in cinema. This varied and contextualised approach explodes the understanding of law as an objective, external, neutral truth. Instead, each writer lays open the contradictory nature of law and shows how it frequently becomes a site of political and ideological struggle.

Chapter 1 Introduction -- chapter 2 New Cosmologies: Mapping the Postcolonial Feminist Legal Project -- chapter Liberal internationalism and the capabilities approach -- chapter 3 Erotic Disruptions: Legal Narratives of Culture, Sex and Nation in India -- chapter Narratives of culture, sex, nation -- chapter The Bandit Queen -- chapter Homosexuality -- chapter 4 The Tragedy of Victimisation Rhetoric: Resurrecting the 'Native' Subject in International/Postcolonial Feminist Legal Politics -- chapter Cultural essentialism -- chapter 'Death by culture' -- chapter 5 The Other Side of Universality: Cross-Border Movements and the Transnational Migrant Subject -- chapter Colonial subjects and the meaning of 'universality' -- chapter The Other in the contemporary moment -- chapter (b) Equating migration with trafficking.

When trust fund baby-turned-waitress Allie and her friends accidentally open a Door to Hell in the basement of Sally's Diner, they don't realize the havoc it will wreak on their Brooklyn neighborhood. Of course, the upside to murder-happy demons coming through the Door all the time is that Allie gets her own sexy and mysterious demon hunter: the dark-eyed, leather-clad, Stetson-wearing Ryan.Ryan teaches Allie everything he knows about fighting the creatures of the underworld-but refuses to give in to the sexual tension that simmers between them. Allie has almost given up on taking her relationship with Ryan to the next level when there's a surge in demonic activity... and the Door disappears.Now Allie and Ryan have to travel through Hell, literally, to try to stop Hell from taking over the Earth. They may not survive the trip, but Allie is about to discover something very important: Mortal peril is a total turn-on.