No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside -" as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes after World War II, the lavoirs were abandoned, and with them three hundred years of women's gathering and conversation. In spite of the efforts of preservationists, hundreds of them have faced abandonment, vandalism, and decay. Through stunning duotone photographs, thoughtful sketches, and detailed watercolors, Mireille Roddier safeguards these places of haunting beauty. Her text outlines the history, politics, health, water technology, and social background of the buildings and unveils them as an important architectural type worthy of our study, admiration, and protection.

This book examines how, over the past 300 years or so, women have adapted their work methods, means of subsistence and daily routine to fulfil their dual role as carers and breadwinners. From the industrial revolution, which ended agrarian-based subsistence and meant an exodus towards the cities for many families, to the digital revolution, which redefined the work environment, working hours and even in some cases biological functions, women have succeeded in meeting the challenge of changing work practices, social expectations and economic and family needs. Although women’s work, both past and present, is a much-researched area, this volume sheds new light on the subject by combining the approach of historians, sociologists, and language and culture specialists, and applying it to different countries. Drawing upon original fieldwork and little-known archives, the book will be of interest not only to an academic audience, but to anyone wanting to know more about gender, family, and labour issues across Europe between the 19th and 21st centuries.

How often did our ancestors bathe? How often did they wash their clothes and change them? What did they understand cleanliness to be? Why have our hygienic habits changed so dramatically over time? In short, how have we come to be so clean? The Clean Body explores one of the most fundamental and pervasive cultural changes in Western history since the seventeenth century: the personal hygiene revolution. In the age of Louis XIV bathing was rare and hygiene was mainly a matter of wearing clean underclothes. By the late twentieth century frequent - often daily - bathing had become the norm and wearing freshly laundered clothing the general practice. Cleanliness, once simply a requirement for good health, became an essential element of beauty. Beneath this transformation lay a sea change in understandings, motives, ideologies, technologies, and practices, all of which shaped popular habits over time. Peter Ward explains that what began as an urban bourgeois phenomenon in the later eighteenth century became a universal condition by the end of the twentieth, touching young and old, rich and poor, city dwellers and country residents alike. Based on a wealth of sources in English, French, German, and Italian, The Clean Body surveys the great hygienic transformation that took place across Europe and North America over the course of four centuries.

For twenty-five years, John Micklewright rushed through France in his haste to get to Italy. In this journey of re-discovery, he travels the slow way, on foot, on paths, tracks and byways from the Channel to the Alps – from the coast of Normandy to the flanks of Mont Blanc.