Provides short biographies of Latino American writers and journalists and information on their works.

With this new Latino literary collection Erika M. Martínez has brought together twenty-five engaging narratives written by Dominican women and women of Dominican descent living in the United States. The first volume of its kind, Daring to Write offers readers a wide array of works on a range of topics, including love and family, identity and belonging, immigration and the meaning of home. The resonant voices in this compilation reveal experiences that have been largely invisible until now. The volume opens with a foreword by Julia Alvarez and includes short stories, novel excerpts, memoirs, and personal essays and features work by established writers such as Angie Cruz and Nelly Rosario, alongside works by emerging writers. Narratives originally written in Spanish appear in English for the first time, translated by Achy Obejas. An important contribution to Latino/a studies, these writings will introduce readers to a new collection of rich literature. Contributors: Marivell Contreras, Kersy Corporan, Angie Cruz, Rhina P. Espaillat, Delta Eusebio, Noris Eusebio-Pol, Yalitza Ferreras, Carolina González, Farah Hallal, Ángela Hernández, Juleyka Lantigua-Williams, Ana-Maurine Lara, Erika M. Martínez, Miriam Mejía, Riamny Méndez, Jeannette Miller, Sheilly Núñez, Jina Ortiz, Sofia Quintero, Dulce María Reyes Bonilla, Lissette Rojas, Nelly Rosario, Ludin Santana, Leonor Suarez, and Sherezada (Chiqui) Vicioso

This book offers a critical and practical guide for journalists reporting on issues affecting the Latinx community. Reporting on Latino/a/x Communities emphasizes skills and best practices for covering topics such as economics, immigration and gender. The authors share honest stories about challenges Latino/a/x journalists face in newsrooms, including imposter syndrome and lack of representation in news, along with strategies to face and tackle systematic barriers. Stories from leaders in the media industry are also featured, including journalists and media professionals from ABC News, Los Angeles Times, Alt.Latino at NPR, and mitú. Additionally highlighted are experimental and non-traditional new initiatives and outlets leading the future of news media for Latino/a/x audiences. This book is an invaluable guide for any student or journalist interested or involved in the news media and questions of Latino/a/x representation.

Latin American Adventures in Literary Journalismexplores the central role of narrative journalism in the formation of national identities in Latin America, and the concomitant role the genre had in the consolidation of the idea of Latin America as a supra-national entity. This work discusses the impact that the form had in the creation of an original Latin American literature during six historical moments. Beginning in the 1840s and ending in the 1970s, Calvi connects the evolution of literary journalism with the consolidation of Latin America’s literary sphere, the professional practice of journalism, the development of the modern mass media, and the establishment of nation-states in the region.

Winifred Bryan Horner Outstanding Book Award Winner Occupying Our Space sheds new light on the contributions of Mexican women journalists and writers during the late nineteenth and early twentieth centuries, marked as the zenith of Mexican journalism. Journalists played a significant role in transforming Mexican social and political life before and after the Revolution (1910–1920), and women were a part of this movement as publishers, writers, public speakers, and political activists. However, their contributions to the broad historical changes associated with the Revolution, as well as the pre- and post-revolutionary eras, are often excluded or overlooked. This book fills a gap in feminine rhetorical history by providing an in-depth look at several important journalists who claimed rhetorical puestos, or public speaking spaces. The book closely examines the writings of Laureana Wright de Kleinhans (1842–1896), Juana Belén Gutiérrez de Mendoza (1875–1942), the political group Las mujeres de Zitácuaro (1900), Hermila Galindo (1896–1954), and others. Grounded in the overarching theoretical lens of mestiza rhetoric, Occupying Our Space considers the ways in which Mexican women journalists negotiated shifting feminine identities and the emerging national politics of the late nineteenth and early twentieth centuries. With full-length Spanish primary documents along with their translations, this scholarship reframes the conversation about the rhetorical and intellectual role women played in the ever-changing political and identity culture in Mexico.

"Emmy Award-winning NPR journalist Maria Hinojosa shares her personal story interwoven with American immigration policy's coming-of-age journey at a time when our country's branding went from "The Land of the Free" to "the land of invasion.""--

Gabriela Polit Dueñas analyzes the work of five narrative journalists from three countries. Marcela Turati, Daniela Rea, and Sandra Rodriguez from Mexico, Patricia Nieto from Colombia, and María Eugenia Ludueña from Argentina produce compelling literary works, but also work under dangerous, intense conditions. What drives and shapes their stories are their affective responses to the events and people they cover. The book offers an insightful analysis of the emotional challenges, the stress and traumatic conditions journalists face when reporting on the region’s most pressing problems. It combines ethnographic observations of the journalists’ work, textual analysis, and a theoretical reflection on the ethical dilemmas journalists confront on a daily basis. Unwanted Witnesses puts forward a necessary discussion about the place contemporary journalists occupy in the field of production, and how the risks they run speak directly about the limits of our democracies.

"También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they'll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy--two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia's husband's tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia--trains that make their way north toward the United States, which is the only place Javier's reach doesn't extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to? American Dirt will leave readers utterly changed when they finish reading it. A page-turner filled with poignancy, drama, and humanity on every page, it is a literary achievement."--

“Dazzling." —Marcela Valdes, The New York Times Book Review (Editors' Choice) "A spellbinding novel by one of the best writers of the Americas." —Junot Díaz, author of This is How You Lose Her From the author of the award-winning The Black Cathedral, a darkly magical tale of a haunted young dreamer, born in the wrong body and time, who believes himself to be a doomed prophetess from ancient Greek mythology. Ten-year-old Rauli lives in a world that is often hostile. His older brother is violent; his philandering father doesn’t understand him; his intelligence and sensitivity do not endear him to the other children at school. He loves to read, especially Greek myths, but in Cuba in the 1970s, novels and gods can be dangerous. Despite the signs that warn Rauli to repress and fear what he is, he knows three things to be true: First, that he was born in the wrong body. Second, that he will die, aged eighteen, as a soldier in the Cuban intervention in Angola. And third, that he is the reincarnation of the Trojan princess Cassandra. Moving between Rauli’s childhood and adolescence, between the Angolan battlefield, the Cuban city of Cienfuegos, and the shores of ancient Troy, Marcial Gala’s Call Me Cassandra tells of the search for identity amid the collapse of Cuba’s utopian dreams. Burdened with knowledge of tragedies yet to come, Rauli nonetheless strives to know himself. Lyrical and gritty, heartbreaking and luminous, Rauli’s is the story of the inexorable pull of destiny.

Examines how the boundaries of the Latina/o public sphere and representations of gender are negotiated through mass media in twentieth and twenty-first century literature.