The sequel to The Motorcycle Diaries, this book is Ernesto Che Guevera's journal documenting the young Argentine's second trip through Latin America, revealing the emergence of a committed revolutionary. These letters, poetry, and journalism document young Ernesto Guevara's second Latin American journey following his graduation from medical school in 1953. Together, these writings reveal how the young Argentine is transformed into a militant revolutionary. After traveling through Bolivia, Peru, Ecuador, and Central America, Ernesto witnesses the 1954 US-inspired coup in Guatemala, which has a profound effect on his political awareness. He flees to Mexico where he encounters Fidel Castro, marking the beginning of a political partnership that profoundly changes the world and Che himself. Includes a foreword by Alberto Granado, Che's companion on his first adventures in Latin America on a vintage Norton motorcycle, and features poems written by young Ernesto inspired by his experiences along with facsimiles of pages from his diary.

Ernesto 'Che' Guevara's epic, revolution-inducing journey through Latin America was captured in his classic work, The Motorcycle Diaries. His second trip through the continent reveals the emergence of a revolutionary icon, captured in these writings - his diary entries, poetry, journalism and letters. Together, they document his life after leaving medical school, travelling through Peru, Bolivia and Ecuador and his witnessing of the US-inspired coup in Guatemala before travelling to Mexico where he encounters Fidel Castro.

A New York Times bestseller With a new introduction by The Motorcyle Diaries filmmaker Walter Salles, and featuring 24 pages of photos taken by Che. The Motorcycle Diaries is Che Guevara's diary of his journey to discover the continent of Latin America while still a medical student, setting out in 1952 on a vintage Norton motorcycle together with his friend Alberto Granado, a biochemist. It captures, arguably as much as any book ever written, the exuberance and joy of one person's youthful belief in the possibilities of humankind tending towards justice, peace and happiness. After the release in 2004 of the exhilarating film of the same title, directed by Walter Salles, the book became a New York Times and international bestseller. This edition includes a new introduction by Walter Salles and an array of new material that was assembled for the 2004 edition coinciding with the release of the film, including 24 pages of previously unpublished photos taken by Che, notes and comments by his wife, Aleida Guevara March, and an extensive introduction by the distinguished Cuban author, Cintio Vitier. "A journey, a number of journeys. Ernesto Guevara in search of adventure, Ernesto Guevara in search of America, Ernesto Guevara in search of Che. On this journey, solitude found solidarity. 'I' turned into 'we.'"—Eduardo Galeano "As his journey progresses, Guevara's voice seems to deepen, to darken, colored by what he witnesses in his travels. He is still poetic, but now he comments on what he sees, though still poetically, with a new awareness of the social and political ramifications of what's going on around him."—January Magazine "Our film is about a young man, Che, falling in love with a continent and finding his place in it." —Walter Salles, director of the film version of The Motorcycle Diaries "All this wandering around 'Our America with a Capital A' has changed me more than I thought." —Ernesto Che Guevara, from The Motorcycle Diaries

Full of high drama and comedy, The Motorcycle Diaries is the story of a ramarkable road journey in the words of a 23-year-old medical student known as "Che'". There are fights and serious drinking, but also moving examples of Guevara's idealism and solidarity with the oppressed, in this vivid record of what for others would have been the adventure of a lifetime. Guevara fought alongside Fidel Castro in the three-year guerilla war in Cuba and later became mMinister for Industry. In 1966 he established a guerilla base in Bolivia. He was captured and killed in 1967.

Publisher Description

This classic anthology on Latin America shows the Argentine-born revolutionary's cultural depth, rigorous intellect, and intense emotional engagement with a continent and its people. In a letter to his mother in 1954, a young Ernesto Guevara wrote, “The Americas will be the theater of my adventures in a way that is much more significant than I would have believed.” In The Awakening of Latin America we have the story of those adventures, charting Che’s evolution from an impressionable young medical student to the “heroic guerrilla,” assassinated in cold blood in Bolivia. Spanning seventeen years, this anthology draws on from his family’s personal archives and offers the best of Che’s writing: examples of his journalism, essays, speeches, letters, and even poems. As Che documents his early travels through Latin America, his involvement in the Guatemalan and Cuban revolutions, and his rise to international prominence under Fidel Castro, we see how his fervent commitment to social justice shaped and was shaped by the continent he called home.

Technology and Gendered Genre Evolution in Latin America: Writers, Bloggers, Activists, and Floggers analyzes the link between gender and technology to explain the mechanisms underlying the association of specific genders with literary genres. Kelly Suero argues that as the democratic effect of the internet affords one the potential to obtain a space of adequate representation, Latin American women—in particular, Argentine women—have come to use technology as a medium through which to obtain a voice through the genres of cyberliterature and cyberculture. Increasing numbers of Argentine women are making an impact on both the literary and virtual spheres as they take technology to new, unexplored areas, such as the flogger youth movement led by Agustina Vivero, and the Abuelas de Plaza de Mayo’s discovery of the ability of DNA mitochondrial analysis to help find missing grandchildren from Argentina’s last dictatorship. As technology continues to influence a free Argentine society, Argentinian women will keep utilizing the medium to become innovative voices in fields previously unavailable to them. Scholars of Latin American studies, media studies, gender and women’s studies, and cultural studies will find this book particularly useful.

Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.

Providing an extensive introduction to cultural studies in general, regardless of chronological or geographic focus, and presenting provocative, essential readings from Latin American writers of the last two centuries, Reframing Latin America brings much-needed accessibility to the concepts of cultural studies and postmodernism. From Saussure to semiotics, the authors begin by demystifying terminology, then guide readers through five identity constructs, including nation, race, and gender. The readings that follow are presented with insightful commentary and encompass such themes as "Civilized Folk Marry the Barbarians" (including José Martí's "Our America") and "Boom Goes the Literature: Magical Realism as the True Latin America?" (featuring Elena Garro's essay "It's the Fault of the Tlaxcaltecas"). Films such as Like Water for Chocolate are discussed in-depth as well. The result is a lively, interdisciplinary guide for theorists and novices alike.

"The Japanese Empire and Latin America provides a comprehensive analysis of the complicated relationship between Japanese migration and capital exportation to Latin America and the rise and fall of the empire in the Asia-Pacific region. It explains how Japan's presence influenced the cultures and societies of Latin American countries and also explores the role of Latin America in the evolution of Japanese expansion. Together, this collection of essays presents a new narrative of the Japanese experience in Latin America by excavating trans-Pacific perspectives that shed new light on the global significance of Japan's colonialism and expansionism. The chapters cover a variety of topics, such as economic expansion, migration management, cross-border community making, the surge of pro-Japan propaganda in the Americas, the circulation of knowledge, and the representation of the "other" in Japanese and Latin American fictions. By focusing on both government action and individual experiences, the viewpoints examined create a complete analysis, including the roles the empire played in the process of settler identity formation in Latin America. While the colonialist and expansionist discourses in Japan set a stage for the beginning of Japanese migration to Latin America, it was the vibrant circulation of information between East Asia and the Americas that allowed the empire to stay at the center of the cultural life of communities on the other side of the globe. The empire left an enduring mark on Latin America that is hard to ignore. This volume explores long-neglected aspects of the Japanese global expansion; and thus, moves our understanding of the empire's significance beyond Asia and rethinks its legacy in global history"--