Annotation For many readers of Jacques Derrida, the philosopher's work since the appearance ofThe Post Cardin 1987 has been enriched by a new set of concerns and questions. InLater Derrida, Herman Rapaport offers four extended essays that examines Derrida's work of the past fifteen years. Drawing on his own deep familiarity with theory and with Derrida's work in particular, he shows what Derrida has to say on such subjects as postcolonialism, monolingualism, trauma, memory, and the archive. Of particular interest to readers of Derrida will be Rapaport's explanation of the concepts ofGemeinschaft(sect, society, etc.) andGesellschaft(democracy, globalization, etc.) in the French philosopher's work. The essays also consider Derrida's relation to the work of Trinh Minh-ha, Gayatri Spivak, Artaud, and Heidegger. This lucid book will be a necessary companion to all readers of Derrida's writing.

The rubric "The Late Derrida," with all puns and ambiguities cheerfully intended, points to the late work of Jacques Derrida, the vast outpouring of new writing by and about him in the period roughly from 1994 to 2004. In this period Derrida published more than he had produced during his entire career up to that point. At the same time, this volume deconstructs the whole question of lateness and the usefulness of periodization. It calls into question the "fact" of his turn to politics, law, and ethics and highlights continuities throughout his oeuvre. The scholars included here write of their understandings of Derrida's newest work and how it impacts their earlier understandings of such classic texts as Glas and Of Grammatology. Some have been closely associated with Derrida since the beginning--both in France and in the United States--but none are Derrideans. That is, this volume is a work of critique and a deep and continued engagement with the thought of one of the most significant philosophers of our time. It represents a recognition that Derrida's work has yet to be addressed--and perhaps can never be addressed--in its totality.

This collection of essays introduces the ideas of philosopher Jacques Derrida who exerts a huge influence on literary criticism.

This book offers a new materialist interpretation of Derrida's later work, including his engagements with religion and politics. It argues that there is a shift from a context or background motor scheme of writing to what Derrida calls the machinic, and Catherine Malabou calls plasticity.

For many readers of Jacques Derrida, the philosopher's work since the appearance of The Post Card in 1987 has been enriched by a new set of concerns and questions. In Later Derrida, Herman Rapaport offers four extended essays that examines Derrida's work of the past fifteen years. Drawing on his own deep familiarity with theory and with Derrida's work in particular, he shows what Derrida has to say on such subjects as postcolonialism, monolingualism, trauma, memory, and the archive. Of particular interest to readers of Derrida will be Rapaport's explanation of the concepts of Gemeinschaft (sect, society, etc.) and Gesellschaft (democracy, globalization, etc.) in the French philosopher's work. The essays also consider Derrida's relation to the work of Trinh Minh-ha, Gayatri Spivak, Artaud, and Heidegger. This lucid book will be a necessary companion to all readers of Derrida's writing.

Table of Contents -- Acknowledgments -- Abbreviations -- Introduction, by Olivia Custer, Penelope Deutscher, and Samir Haddad -- Part I: Openings -- 1. The Foucault-Derrida Debate on the Argument Concerning Madness and Dreams, by Pierre Macherey -- 2. Looking Back at History of Madness, by Lynne Huffer -- 3. Violence and Hyperbole: From "Cogito and the History of Madness" to The Death Penalty, by Michael Naas -- Part II: Surviving the Philosophical Problem: History Crosses Transcendental Analysis

Philosopher, film star, father of “post truth”—the real story of Jacques Derrida Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps, Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.

Hegel After Derrida provides a much needed insight not only into the importance of Hegel and the importance of Derrida's work on Hegel, but also the very foundations of postmodern and deconstructionist thought. It will be essential reading for all those engaging with the work of Derrida and Hegel today and anyone seeking insight into some of the basic but neglected themes of deconstruction.

In "Cultural Graphology" Juliet Fleming explains the consequences of Jacques Derrida s thoughts about writing to those interested in the history of the book. She is especially interested in Derrida s writing in tandem with bibliography, to open new ways of thinking about the print culture of early modern England and the literary writing that got caught up in it. Fleming uses a deep reading of Derrida to analyze ignored forms of writing, of parts of books that are not writing, and of uses of books that she challenges us to think of as alternative and overlooked forms of reading. In particular, she thinks through printers errors and Shakespeare s blots; the printers flowers that ornamented early modern books; semantic elements that form "not" words, but parts of words (letters, syllables, and spaces); and early modern decoupage, or the cutting up of books. Fleming uses these examples drawn from early modern print culture to demonstrate how some of the governing assumptions of bibliography might be loosened and re-configured in the wake of Derrida s thought, and she demonstrates in a new way the consequence in Derrida s oeuvre of his career-long commitment to the topic of writing."

This is a comprehensive investigation into the theme of time in the work of Jacques Derrida, showing how temporality is one of the hallmarks of his thought. Joanna Hodge compares and contrasts Derrida's arguments concerning time with those of Kant, Husserl, Augustine, Heidegger, Levinas, Freud, and Blanchot.