This study explores the work of Frank Mundell, a late-Victorian author for the Sunday School Union. Mundell focused on heroism and represented various kinds of heroic deeds and figures, regardless of gender, in his books. Writing for educative, as well as entertaining, purposes, he avoided the use of didacticism and he endeavoured to combine the traditional and the modern in the stories he chose to tell. Mundell’s favourite format was that of the prosopography, putting together several heroic lives or incidents. He was careful to dedicate each of his volumes to one topic in particular, thus distinguishing the different types of heroic deeds from one another. His writings belong to four series, or collections, each highlighting a specific version of heroism, from instances of the mundane performed in a familial context to extraordinary deeds. He wrote about such bold acts as those featuring in the stories of brave firemen fighting devouring flames, fearless sailors in tempestuous seas, determined miners risking their lives to save their comrades, or intrepid explorers facing perils in the wide world. This book analyses each of his publications, highlighting the elements belonging to his representation of heroism as a whole.

This collection of essays looks at everyday heroes and heroines--ordinary men, women, and children who are honored for actual or imagined feats. Comparing the United States, Germany, and Britain, it asks both when this particular hero type first emerged and how it was discussed and depicted in political discourse, mass media, literature, film, and other forms of popular culture. Looking across fields of study, countries, and centuries, this book sheds new light on the many social, cultural, and political functions that our everyday heroes have served.

Heroism in the 19th and early 20th centuries is synonymous with military endeavours, imperial adventures and the 'great men of history'. There was, however, another prominent and influential strand of the idea which has, until now, been largely overlooked. This book seeks to address this oversight and establish new avenues of study by revealing and examining 'everyday' heroism; acts of life-risking bravery, undertaken by otherwise ordinary individuals, largely in the course of their daily lives and within quotidian surroundings. Adopting an interdisciplinary approach, John Price charts and investigates the growth and development of this important discourse, presenting in-depth case studies of The Albert Medal and the Carnegie Hero Fund alongside a nationwide analysis of heroism monuments and an exploration of radical approaches to the concept. Unlike its military and imperial counterparts, everyday heroism embraced the heroine and this study reflects that with an examination of female heroism. Discovering why certain individuals or acts were accorded the status of being 'heroic' also provides insights into those that recognized them. Heroism is a flexible and malleable constellation of ideas, shaped or constructed along different lines by different people, so if you want to identify the characteristics of a group or society, much can be learnt by studying those it holds up as heroic. Consequently, Everyday Heroism: Victorian Constructions of the Heroic Civilian provides valuable and revealing evidence for a wide range of social and cultural topics including; class, gender, identity, memory, celebrity, and literary and visual culture.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.

In this lively study of the development and transformation of voices of female offenders in nineteenth-century England, Anne Schwan analyzes a range of colorful sources, including crime broadsides, reform literature, prisoners' own writings about imprisonment and courtroom politics, and conventional literary texts, such as Adam Bede and The Moonstone. Not only does Schwan demonstrate strategies for interpreting ambivalent and often contradictory texts, she also provides a carefully historicized approach to the work of feminist recovery. Crossing class lines, genre boundaries, and gender roles in the effort to trace prisoners, authors, and female communities (imagined or real), Schwan brings new insight to what it means to locate feminist (or protofeminist) details, arguments, and politics. In this case, she tracks the emergence of a contested, and often contradictory, feminist consciousness, through the prism of nineteenth-century penal debates. The historical discussion is framed by reflections on contemporary debates about prisoner perspectives to illuminate continuities and differences. Convict Voices offers a sophisticated approach to interpretive questions of gender, genre, and discourse in the representation of female convicts and their voices and viewpoints.

La Gumas powerful, firsthand account depicts the dedicated South African people who risked their lives in the underground movement against apartheid. The main characters, Beukes and Elias, are among others determined to undermine apartheids blatant oppression and demeaning tactics. The authors knack for rich descriptions and weaving the past with the present transports readers to the grind of working in an underground political organization and the challenges of confronting hardships, change, and injustice on a daily basis.

Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with: evasive, contradictory, and easily distracted by his still-running “business concerns”—which Kif worries may involve hiring hitmen from their shared office. Worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy. As the deadline draws near, Kif becomes increasingly unsure if he is ghostwriting a memoir, or if Ziggy is rewriting him—his life, his future, and the very nature of the truth. By turns comic, compelling, and finally chilling, First Person is a haunting look at an age where fact is indistinguishable from fiction, and freedom is traded for a false idea of progress.

Progress requires the conquest of nature. Or does it? This startling new account overturns conventional interpretations of Marx and in the process outlines a more rational approach to the current environmental crisis. Marx, it is often assumed, cared only about industrial growth and the development of economic forces. John Bellamy Foster examines Marx's neglected writings on capitalist agriculture and soil ecology, philosophical naturalism, and evolutionary theory. He shows that Marx, known as a powerful critic of capitalist society, was also deeply concerned with the changing human relationship to nature. Marx's Ecology covers many other thinkers, including Epicurus, Charles Darwin, Thomas Malthus, Ludwig Feuerbach, P. J. Proudhon, and William Paley. By reconstructing a materialist conception of nature and society, Marx's Ecology challenges the spiritualism prevalent in the modern Green movement, pointing toward a method that offers more lasting and sustainable solutions to the ecological crisis.

A unique analysis of strategy in organizations that shows how successful strategies may result without planning or design.