Philip D. Beidler, who served as an armored cavalry platoon leader in Vietnam, sees less and less of the hard-won perspective of the common soldier in what America has made of that war. Each passing year, he says, dulls our sense of immediacy about Vietnam’s costs, opening wider the temptation to make it something more necessary, neatly contained, and justifiable than it should ever become. Here Beidler draws on deeply personal memories to reflect on the war’s lingering aftereffects and the shallow, evasive ways we deal with them. Beidler brings back the war he knew in chapters on its vocabulary, music, literature, and film. His catalog of soldier slang reveals how finely a tour of Vietnam could hone one’s sense of absurdity. His survey of the war’s pop hits looks for meaning in the soundtrack many veterans still hear in their heads. Beidler also explains how “Viet Pulp” literature about snipers, tunnel rats, and other hard-core types has pushed aside masterpieces like Duong Thu Huong’sNovel without a Name. Likewise we learn why the movieThe Deer Hunterdoesn’t “get it” about Vietnam but whyPlatoonandWe Were Soldierssometimes nearly do. As Beidler takes measure of his own wartime politics and morals, he ponders the divergent careers of such figures as William Calley, the army lieutenant whose name is synonymous with the civilian massacre at My Lai, and an old friend, poet John Balaban, a conscientious objector who performed alternative duty in Vietnam as a schoolteacher and hospital worker. Beidler also looks at Vietnam alongside other conflicts—including the war on international terrorism. He once hoped, he says, that Vietnam had fractured our sense of providential destiny and geopolitical invincibility but now realizes, with dismay, that those myths are still with us. “Americans have always wanted their apocalypses,” writes Beidler, “and they have always wanted them now.”

The glow of 1945 persists as a kind of beacon for American society, symbolic of an era when good and evil were easily defined. This image is at the center of Philip D. Beidler's entertaining look at the way World War II reshaped American popular culture. The legend of the "Good War" was fostered by wartime propaganda and reinforced in the aftermath of victory through books, the news media, movies, songs, and television. Beidler captures the aura of the times as he chronicles the production histories of more than a dozen projects with wartime themes, examining how books and plays evolved into films, how stars were considered and selected, technical problems and personality conflicts during production, and the public's reactions. From the upbeat tempo of the musical South Pacific to the weary disillusionment of The Best Years of Our Lives, from the patriotic nostalgia of Life's Picture History of World War II to the moral ambiguity of From Here to Eternity, a powerful mythology of the war developed. As a consequence, the line between fact and fiction has blurred for the war generation and its inheritors, and Hollywood's version of the Good War has become enshrined as historical fact in the nation's collective memory.

The Pulitzer Prize–winning author shares an “exceptionally nuanced, tender, funny, tragic, and utterly transfixing portrait” of one man’s troubled century (Booklist, starred review). At 115 years old, former newspaperman Sam Cunningham is also the last surviving veteran of World War I. As he prepares to die in a Chicago nursing home, the results of the 2016 presidential election come in—and he finds himself in a wide-ranging conversation with a surprising God. As the two review Sam’s life, the grand epic of the twentieth century comes sharply into focus. Sam grows up in Louisiana under the flawed morality of an abusive father. Eager to escape, Sam enlists in the army while still underage. Though the hardness his father instilled in him helps him make it out of World War I alive, it also prevents him from contending with the emotional wounds of war. Back in the United States, Sam moves to Chicago to begin a career as a newspaperman that will bring him close to the major historical turns of the twentieth century. There he meets his wife and has a son, whose fate counters Sam’s at almost every turn. As he contemplates his relationships—with his parents, his brothers in arms, his wife, his editor, and most importantly, his son—Sam is amazed at what he still has left to learn about himself after all these years.

This is a famous educational text by Gilbert J. Hunt presenting an account of the War of 1812 in the style of the King James Bible. It starts with President James Madison and the congressional declaration of war and then describes the Burning of Washington, the Battle of New Orleans, and the Treaty of Ghent.

The author of Black Hawk Down vividly recounts a pivotal Vietnam War battle in this New York Times bestseller: “An extraordinary feat of journalism”. —Karl Marlantes, Wall Street Journal In Hue 1968, Mark Bowden presents a detailed, day-by-day reconstruction of the most critical battle of the Tet Offensive. In the early hours of January 31, 1968, the North Vietnamese launched attacks across South Vietnam. The lynchpin of this campaign was the capture of Hue, Vietnam’s intellectual and cultural capital. 10,000 troops descended from hidden camps and surged across the city, taking everything but two small military outposts. American commanders refused to believe the size and scope of the siege, ordering small companies of marines against thousands of entrenched enemy troops. After several futile and deadly days, Lieutenant Colonel Ernie Cheatham would finally come up with a strategy to retake the city block by block, in some of the most intense urban combat since World War II. With unprecedented access to war archives in the United States and Vietnam and interviews with participants from both sides, Bowden narrates each stage of this crucial battle through multiple viewpoints. Played out over 24 days and ultimately costing 10,000 lives, the Battle of Hue was by far the bloodiest of the entire war. When it ended, the American debate was never again about winning, only about how to leave. A Los Angeles Times Book Prize Finalist in History Winner of the 2018 Marine Corps Heritage Foundation Greene Award for a distinguished work of nonfiction

An infantryman's riveting letters from the Vietnam War are preserved for fifty years by his family and combined with poetry written by his sister as she lives through the war at home on the campus of University of Wisconsin-Madison from 1968- '69.

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.

Bill Carter, executive producer of CNN’s docuseries The Story of Late Night and host of the Behind the Desk: Story of Late Night podcast, details the chaotic transition of The Tonight Show from host Jay Leno to Conan O’Brien—and back again. In 2010, NBC’s CEO Jeff Zucker, had it all worked out when he moved Jay Leno from behind the desk at The Tonight Show, and handed the reins over to Conan O'Brien. But his decision was a spectacular failure. Ratings plummeted, affiliates were enraged—and when Zucker tried to put everything back the way it was, that plan backfired as well. No one is more uniquely suited to document the story of a late-night travesty than veteran media reporter and bestselling author, Bill Carter. In candid detail, he charts the vortex that sucked in not just Leno and O'Brien—but also Letterman, Stewart, Fallon, Kimmel, and Ferguson—as frantic agents and network executives tried to manage a tectonic shift in television’s most beloved institution.