Latawnya and her sisters take a walk into the woods where they meet four horses from town who take drugs and drink alcohol. Unlike her sisters, Latawnya must learn the hard way that drugs are bad.

'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.

Ranging from America’s insatiable consumerism and household economies to literary subjects and America’s attitude toward waste, here Berry gracefully navigates from one topic to the next. He speaks candidly about the ills plaguing America and the growing gap between people and the land. Despite the somber nature of these essays, Berry’s voice and prose provide an underlying sense of faith and hope. He frames his reflections with poetic responsibility, standing up as a firm believer in the power of the human race not only to fix its past mistakes but to build a future that will provide a better life for all.

Setting out to tell the story of a mysterious cowboy--a stranger in town with a terrible secret--Christine Montalbetti is continually sidetracked by the details that occur to her along the way, her CinemaScope camera focusing not on the gunslinger's grim and determined eyes, but on the insects crawling in the dust by his boots. A collection of the moments usually discarded in order to tell even the simplest and most familiar story, "Western" presents us with the world behind the clich's, where the much-anticipated violence of the plot is continually, maddeningly delayed, and no moment is too insignificant not to be valued. Montalbetti's daring theft of movie technique and subversion of a genre where women are usually relegated to secondary roles--victims, prostitutes, widows, schoolmarms--makes Western a remarkable wake for the most basic of American mythologies.

Mexico is in a state of siege. Since President Felipe Calderon declared a war on drugs in December 2006, more than 38,000 Mexican have been murdered. During the same period, drug money has infused over $130 billion into Mexico's economy, now the country's single largest source of income. Corruption and graft infiltrate all levels of government. Entire towns have become ungovernable, and of every 100 people killed, Mexican police now only investigate approximately five. But the market is booming: In 2009, more people in the United States bought recreational drugs than ever before. In 2009, the United Nations reported that some $350 billion in drug money had been successfully laundered into the global banking system the prior year, saving it from collapse. How does an "extra" $350 billion in the global economy affect the murder rate in Mexico? To get the story and connect the dogs, acclaimed journalist John Gibler travels across Mexico and slips behind the frontlines to talk with people who live in towns under assault: newspaper reporters and crime-beat photographers, funeral parlor workers, convicted drug traffickers, government officials, cab drivers and others who find themselves living on the lawless frontiers of the drug war. Gibler tells hair-raising stories of wild street battles, kidnappings, narrow escapes, politicians on the take, and the ordinary people who fight for justice as they seek solutions to the crisis that is tearing Mexico apart. Fast-paced and urgent, To Die in Mexico is an extraordinary look inside the raging drug war, and its global implications. John Gibler is a writer based in Mexico and California, the author of Mexico Unconquered: Chronicles of Power and Revolt (City Lights Books, 2009) and a contributor to País de muertos: Crónicas contra la impunidad (Random House Mondadori, 2011). He is a correspondent for KPFA in San Francisco and has published in magazines in the United States and Mexico, including Left Turn, Z Magazine, Earth Island Journal, ColorLines, Race, Poverty, the Environment Fifth Estate, New Politics, In These Times, Yes! Magazine, Contralínea and Milenio Semanal. "Gibler's front-line reportage coupled with first-rate analysis gives an uncommonly vivid and nuanced picture of a society riddled and enervated by corruption, shootouts, and raids, where murder is the 'most popular method of conflict resolution.' . . . At great personal risk, the author unearths stories the mainstream media doesn't—or is it too afraid—to cover, and gives voice to those who have been silenced or whose stories have been forgotten."—Publishers Weekly, starred review "Gibler argues passionately to undercut this 'case study in failure.' The drug barons are only getting richer, the murders mount and the police and military repression expand as 'illegality increases the value of the commodity.' With legality, both U.S. and Mexican society could address real issues of substance abuse through education and public-health initiatives. A visceral, immediate and reasonable argument."—Kirkus Reviews "Gibler provides a fascinating and detailed insight into the history of both drug use in the US and the 'war on drugs' unleashed by Ronald Reagan through the very plausible—but radical—lens of social control. . . . Throughout this short but powerful book, Gibler accompanies journalists riding the grim carousel of death on Mexico's streets, exploring the realities of a profession under siege in states such as Sinaloa and just how they cover the drugs war."—Gavin O’Toole, The Latin American Review of Books

While trying to retrieve his new book from a thieving alien, Polo has a series of adventures and eventually helps the alien and his people.

The thrilling debut from comedy writer and stand up star, Will Smith – a novel about loneliness, about not belonging and about the corroding effects of keeping secrets. ‘John le Carré meets 'Middlemarch’ Independent

A man's character is revealed by his actions. Author Michael Little suffered a near-fatal brain hemorrhage, which left him unable to speak intelligibly, crippled, blind, and senseless. Michael refused to be defined by his injury, choosing instead to let his struggle and recovery speak for him. Stranger in the Mirror is the story of one man's journey through his dark night of soul to enlightenment. Michael shows us that our lives are full of choices and our limitations are often self-imposed. Facing tragedy with humor, grit and grace, Michael found redemption. In writing this remarkable book, he shows the way for all of us, to reassess and redirect our lives in a more positive meaningful direction. Stranger in the Mirror is a highly literate book that may send some readers scrambling for their dictionary. The author isn't showing off, but he is careful to use the words he means, and mean what he writes. This joyous book is a dazzling tour de force, filled with humor and wisdom. It is sure to inspire courage and bring hope to stroke and brain injured survivors and their families. Michael shows all of us we, too, can have the happy ending we deserve. This powerful book will lift you to new heights where the air is thinner. This is the owner's manual stroke and brain injury survivors need. Brain injury needn't be the end. It can be a beginning. More than half this wonderful book is of a medical nature; what families and survivors should know to help them move forward. The balance focuses on the author's struggles, his blunders, and his insights into a brain damaged world. "The author should be immensely proud. This book is good medicine. You ll laugh out loud!" said author Mark Twain.

When his friend Yamagoo the jelly fish is sad, Meno the space alien calls Wishi, who grants wishes, to find a friend that can live in the water with Yamagoo.