Despite the all-pervading influence of television ninety per cent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. It's a background to all our lives: we wake up to our clock radios, we have the radio on in the kitchen as we make the tea, it's on at our workplaces and in our cars. From Listen With Mother to the illicit thrill of tuning into pirate stations like Radio Caroline; from receiving a musical education from John Peel or having our imagination unlocked by Douglas Adams' The Hitchhiker's Guide to the Galaxy; from school-free summers played out against a soundtrack of Radio One and Test Match Special to more grown-up soundtracks of the Today programme on Radio 4 and the solemn, rhythmic intonation of the shipping forecast – in many ways, our lives can be measured in kilohertz. Yet radio is changing because the way we listen to the radio is changing. Last year the number of digital listeners at home exceeded the number of analogue listeners for the first time, meaning the pop and crackle and the age of stumbling upon something by chance is coming to an end. There will soon be no dial to turn, no in-between spaces on the waveband for washes of static, mysterious beeps and faint, distant voices. The mystery will be gone: we'll always know exactly what it is we're listening to, whether it's via scrolling LCD on our digital radios, the box at the bottom of our TV screen or because we've gone in search of a particular streaming station. And so, as the world of analogue listening fades, Charlie Connelly takes stock of the history of radio and its place in our lives as one of the very few genuinely shared national experiences. He explores its geniuses, crackpots and charlatans who got us to where we are today, and remembers its voices, personalities and programmes that helped to form who we are as individuals and as a nation. He visits the key radio locations from history, and looks at its vital role over the past century on both national and local levels. Part nostalgic eulogy, part social history, part travelogue, Last Train To Hilversum is Connelly's love letter to radio, exploring our relationship with the medium from its earliest days to the present in an attempt to recreate and revisit the world he entered on his childhood evenings on the dial as he set out on the radio journey of a lifetime.

Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's 'Rock & Roll' said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was 'ga ga', even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented 'The Last DJ'. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.

In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through time and space to the distant past, the infinite future and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.

These conference proceedings update the use of computer-based techniques, promoting their general awareness throughout the business management, design, manufacture and operation of railways and other advanced passenger, freight and transport systems.

Why are computers difficult to use? It is so easy to design a userfriendly computer. Don't blame technicians, designers and managers. Blame cognitive psychology. The conclusions are based on experiments with train ticket vending machines and trains indicators. A typical European view on the application of cognitive psychology.

The definitive guide to one of Europe's most intriguing countries. Find tips on exploring everything the Netherlands has to offer, from the museums and canals of Amsterdam to the reedy marshes and lagoons of the Biesbosch. This guidebook features color photography on every region, full-color maps, and sections on van Gogh and Rembrandt, cycling, and beer. The chapter on Amsterdam makes it easier than ever to visit this buzzing, style-conscious capital. At every step, The Rough Guide to the Netherlands picks out the best hotels, cafés, and restaurants across every price range, giving you clear, balanced reviews and honest, first-hand opinions. You'll find insider tips on where the locals spend their time, as well as advice on how to make your money go further. Make the most of your time with The Rough Guide to the Netherlands. Series Overview: For more than thirty years, adventurous travelers have turned to Rough Guides for up-to-date and intuitive information from expert authors. With opinionated and lively writing, honest reviews, and a strong cultural background, Rough Guides travel books bring more than 200 destinations to life. Visit RoughGuides.com to learn more.

Erik Smalhout was born a child of privilege in the Netherlands East Indies. Smalhout’s father sent his unruly son to a boarding school in Australia, just months before the Japanese seized the Netherlands East Indies in early 1942. While young Smalhout adapted to life in rural Australia, his sister and father back home were placed in Japanese prison camps, an experience that proved fateful for his father and changed his sister’s life forever. Serendipity followed him through induction in the WWII Dutch military, his postwar service on merchant ships circling the globe, and eventually to the most southern place on earth: the Mississippi Delta. Smalhout spent the rest of his life adapting to challenging circumstances time after time: first as a progressive Dutchman in the American South, then as an IRS agent in the nation’s second-largest financial center, and finally as a man who, due to a diagnosis of Alzheimer’s, often could not identify himself. Motherland, Fatherland, Whateverland: Searching for Home is Smalhout’s memoir, edited by his granddaughter, Erika Berry, and supported with pictures and documents that he saved throughout his lifetime. Smalhout’s story reminds readers that place is secondary to experience and that no matter where we are or what fortunate or unfortunate circumstances placed us there, an eternal curiosity for humanity will help us find a place in the world.