Buck Duane's father was a gunfighter who died by the gun and, in accepting a drunken bully's challenge, Duane himself was forced into the life of an outlaw. He roamed the dark trails of southwestern Texas, living in outlaw camps, until he met the one woman who could help him overcome his past: a girl named Jennie Lee.

Funny, sad, full of wonderful characters and the word-perfect dialogue of which he is the master, McMurtry brings the Thalia saga to an end with Duane confronting depression in the midst of plenty. Surrounded by his children, who all seem to be going through life crises involving sex, drugs, and violence; his wife, Karla, who is wrestling with her own demons; and friends like Sonny, who seem to be dying, Duane can't seem to make sense of his life anymore. He gradually makes his way through a protracted end-of-life crisis of which he is finally cured by reading Proust's Remembrance of Things Past, a combination of penance, and prescription from Dr. Carmichael that somehow works. Duane's Depressed is the work of a powerful, mature artist, with a deep understanding of the human condition, a profound ability to write about small-town life, and perhaps the surest touch of any American novelist for the tangled feelings that bind and separate men and women.

Prepare for the last days with this updated edition of Duane S. Crowther's best-selling book, Prophecy: Key to the Future. In this new edition, discover how current conditions can be related to the fulfillment of last-days prophecies. Study extensive evidence of numerous future events that have been spoken of by the mouths of the prophets in this best-selling classic. Prophecy: Key to the Future is a must-have for every Latter-day Saint and Christian everywhere.

"The Lone Star Ranger" is a 1915 Western novel by American author Zane Grey. Set in Texas, the story revolves around the exploits of a band of Texas Rangers and Buck Duane, an outlaw on a quest for redemption. A classic example of Western fiction, "The Lone Star Ranger" would make for a worthy addition to any bookshelf and is not to be missed by lovers of the genre. Pearl Zane Grey (1872 - 1939) was an American writer most famous for his adventure novels of the Western genre. Other notable works by this author include: "Riders of the Purple Sage" (1912), "The Last Trail" (1906), and "The Lone Star Ranger" (1915). Grey continues to be widely read, and his novels and short stories have been adapted for the screen more than a hundred times. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction and biography of the author.

“An enigmatic getaway driver chases, and is chased by, cops and mobsters” in this action-packed hard-boiled thriller debut (Kirkus Reviews). Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible—and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor’s hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its way toward its explosive conclusion. One thing’s for sure: this cast of characters wakes up in a much different world by novel’s end—if they wake up at all. Praise for The Wheelman “If you are partial to fast-paced thrillers that present this world as an unforgiving, blood-soaked wasteland, you should love Duane Swierczynski’s first novel. Swierczynski’s novel, like those of [Elmore] Leonard, offers an undertow of humor beneath the churning sea of man’s inhumanity.” —The Washington Post “[A] promising debut. . . . The gripping tale of a heist gone wrong.” —Robert Wade, San Diego Union-Tribune “A great heist story in the rich tradition of Richard Stark’s Parker novels and Stanley Kubrick’s The Killing . . . keeps readers holding their breath to see what’s going to happen next. It is clearly the work of a maturing writer who is possessed of a keen style and abundant talent.” —Philadelphia Inquirer

It is the twenty-third century. On the planet Vulcan, a crisis of unprecedented proportion has caused the convocation of the planet's ruling council -- and summoned the U.S.S. Enterprise™ from halfway across the galaxy, to bring Vulcan's most famous son home in its hour of need. As Commander Spock, his father Sarek, and Captain James T. Kirk struggle to preserve Vulcan's future, the planet's innermost secrets are laid before us, from its beginnings millions of years ago to its savage prehistory, from merciless tribal warfare to medieval court intrigue, from the exploration of space to the the development of o'thia -- the ruling ethic of logic. And Spock -- torn between his duty to Starfleet and the unbreakable ties that bind him to Vulcan -- must find a way to reconcile both his own inner conflict and the external dilemma his planet faces...lest the Federation itself be ripped asunder. Diane Duane, author of three previous bestselling STAR TREK novels and an episode of the new STAR TREK NEXT GENERATION® television series, as well as countless other bestselling science fiction and fantasy novels, has crafted a tale of unprecedented scope and imagination, at once a generations-spanning historical novel and a thrilling science fiction adventure.

One of Entertainment Weekly’s "Most Beautiful Books of the Year" The renaissance of Larry McMurtry, “an alchemist who converts the basest materials to gold” (New York Times Book Review), continues with the publication of Thalia. Larry McMurtry burst onto the American literary scene with a force that would forever redefine how we perceive the American West. His first three novels— Horseman, Pass By (1961),* Leaving Cheyenne (1963), and The Last Picture Show (1966)— all set in the north Texas town of Thalia after World War II, are collected here for the first time. In this trilogy, McMurtry writes tragically of men and women trying to carve out an existence on the plains, where the forces of modernity challenge small- town American life. From a cattleranch rivalry that confirms McMurtry’s “full- blooded Western genius” (Publishers Weekly) to a love triangle involving a cowboy, his rancher boss and wife, and finally to the hardscrabble citizens of an oil- patch town trying to keep their only movie house alive, McMurtry captures the stark realities of the West like no one else. With a new introduction, Thalia emerges as an American classic that celebrates one of our greatest literary masters. *Just named in 2017 by Publishers Weekly the #1 Western novel worthy of rediscovery.

With her client's husband somewhere between this world and the next, attorney Alexia Lindale makes an everlasting choice. The youngest son of a family consumed by greed, Baxter Richardson lingers on this earth in a coma. His wife wants him dead to protect her secrets. His brother wants him dead to gain control of the family empire. And though Baxter's father fights to keep him alive, even he has ulterior motives. But Baster has a surprising ally. A classically trained painist, Ted Morgan believes music can be used as prayer. And Ted's divinely-inspired playing has been slowly pulling Baxter back from the brink of death. Attorney Alexia Lindale represents Baxter's wife, Rena, but has no idea that she and her client are being played in a game that has higher stakes than a single legal case. As Baxter grows stronger, the more endangered he becomes. As Alexia navigates her responsibilities to her client, her relationship with the gifted musician, and her new relationship with God, she must discern the truth as it pertains to life, death, and life everlasting.

The concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large. Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Brégent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States' relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.