Peter Orner zeroes in on the strange ways our memories define us: A woman's husband dies before their divorce is finalized; a man runs for governor of Illinois and loses much more than an election; two brothers play beneath the infamous bridge at Chappaquiddick. Employing the masterful compression for which he has been widely praised, Orner presents a kaleidoscope of individual lives viewed in startling, intimate close-up. Whether writing of Geraldo Rivera's attempt to reveal the contents of Al Capone's vault or of a father and daughter trying to outrun a hurricane, Orner illuminates universal themes. In stories that span considerable geographic ground -- from Chicago to Wyoming, from Massachusetts to the Czech Republic -- he writes of the past we can't seem to shake, the losses we can't make up for, and the power of our stories to help us reclaim what we thought was gone forever. "A ravishing collection, full of wisdom, grief, beauty, and especially surprise." -- Anthony Doerr, author of The Shell Collectors

This National Book Critics Circle Award is “an entrancing attempt to catch what falls between: the irreducibly personal, messy, even embarrassing ways reading and living bleed into each other, which neither literary criticism nor autobiography ever quite acknowledges.” —The New York Times “Stories, both my own and those I’ve taken to heart, make up whoever it is that I’ve become,” Peter Orner writes in this collection of essays about reading, writing, and living. Orner reads and writes everywhere he finds himself: a hospital cafeteria, a coffee shop in Albania, or a crowded bus in Haiti. The result is a book of unlearned meditations that stumbles into memoir. Among the many writers Orner addresses are Isaac Babel and Zora Neale Hurston, both of whom told their truths and were silenced; Franz Kafka, who professed loneliness but craved connection; Robert Walser, who spent the last twenty-three years of his life in a Swiss insane asylum, working at being crazy; and Juan Rulfo, who practiced the difficult art of silence. Virginia Woolf, Eudora Welty, Yasunari Kawabata, Saul Bellow, Mavis Gallant, John Edgar Wideman, William Trevor, and Václav Havel make appearances, as well as the poet Herbert Morris--about whom almost nothing is known. An elegy for an eccentric late father, and the end of a marriage, Am I Alone Here? is also a celebration of the possibility of renewal. At once personal and panoramic, this book will inspire readers to return to the essential stories of their own lives.

Alexander Popper can't stop remembering. Four years old when his father tossed him into Lake Michigan, he was told, Sink or swim, kid. In his mind, he's still bobbing in that frigid water. The rest of this novel's vivid cast of characters also struggle to remain afloat: Popper's mother, stymied by an unhappy marriage, seeks solace in the relentless energy of Chicago; his brother, Leo, shadow boss of the family, retreats into books; paternal grandparents, Seymour and Bernice, once high fliers, now mourn for long lost days; his father, a lawyer and would-be politician obsessed with his own success, fails to see that the family is falling apart; and his college girlfriend, the fiercely independent Kat, wrestles with impossible choices. Covering four generations of the Popper family, Peter Orner illuminates the countless ways that love both makes us whole and completely unravels us. A comic and sorrowful tapestry of memory of connection and disconnection, Love and Shame and Love explores the universals with stunning originality and wisdom.

A new collection of short stories from the woman Rick Moody has called "the best prose stylist in America" Her stories may be literal one-liners: the entirety of "Bloomington" reads, "Now that I have been here for a little while, I can say with confidence that I have never been here before." Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in "A Small Story About a Small Box of Chocolates," a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends. What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

Hope Deferred asks the question: How did Zimbabwe, a country with so much promise—a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, and an independent judiciary—come so close to collapse? In their own words, Zimbabweans tell their stories of losing their homes, land, livelihoods, and families as a direct result of political violence. They describe being tortured in detention, firebombed at work, or beaten up or raped to “punish” votes for the opposition. Those forced to flee to neighboring countries recount their escapes: cutting through fences, swimming across crocodile-infested rivers, and entrusting themselves to human smugglers. This book includes. Zimbabweans of every age, class, and political conviction—from farm laborers and academics to doctors and artists—ordinary people surviving the fragmentation of a once-thriving nation.

To those outside it, Pilsen is a vast barrio on the south side of Chicago. To Alexai Galaviz-Budziszewski, it is a world of violence and decay and beauty, of nuance and pure chance. It is a place where the smell of cooking frijoles is washed away by that of dead fish in the river, where vendettas are a daily routine, and where a fourteen-year-old immigrant might hold the ability bring people back from the dead. Simultaneously tough and tender, these stories mark the debut of a writer poised to represent his city's literature for decades to come.

In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (/~i~New York Times) takes the short story to new heights. Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments. Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar, or a family's memories of the painful mystery surrounding a neglected uncle's demise, Orner reveals how our fleeting decisions between kindness and abandonment chase us across time. These stories are anchored by a poignant novella that delivers not only the joys and travails of a forty-year marriage, but an entire era in a working-class New England city. Bristling with the crackling energy of life itself, Maggie Brown & Others marks the most sustained achievement to date for "a master of his form" (New York Times). A New York Times Notable Book A Chicago Tribune Notable Book An Oprah Magazine Best Book of 2019 Kirkus Reviews Best Short Fiction of 2019 Longlisted for the Simpson/Joyce Carol Oates Prize

For fans of The 7 1⁄2 Deaths of Evelyn Hardcastle and David Mitchell, a genre bending, time twisting alternative history that asks whether it's worth changing the past to save the future, even if it costs you everyone you've ever loved. Joe Tournier has a bad case of amnesia. His first memory is of stepping off a train in the nineteenth-century French colony of England. The only clue Joe has about his identity is a century-old postcard of a Scottish lighthouse that arrives in London the same month he does. Written in illegal English-instead of French-the postcard is signed only with the letter “M,” but Joe is certain whoever wrote it knows him far better than he currently knows himself, and he's determined to find the writer. The search for M, though, will drive Joe from French-ruled London to rebel-owned Scotland and finally onto the battle ships of a lost empire's Royal Navy. Swept out to sea with a hardened British sea captain named Kite, who might know more about Joe's past than he's willing to let on, Joe will remake history, and himself. From bestselling author Natasha Pulley, The Kingdoms is an epic, romantic, wildly original novel that bends genre as easily as it twists time.

Set in Namibia just after independence in the early 1990s, Peter Orner's first novel is a chronicle of the long days, short loves, and cold nights at Goas, an all-boys Catholic primary school so deep in the veld that "even the baboons feel sorry for us." Though physically isolated in semi-desert beneath a relentless sun, the people of Goas create an alternate, more fertile universe through the stories they tell each other. The book's central character is Mavala Shikongo, a combat veteran who fought in Namibia's long war for independence against South Africa. She has recently returned to the school -- with a child, but no husband. Mavala is modern, restless, and driven, in sharp contrast to conservative Goas. All the male teachers (including a bumbling but observant volunteer from Cincinnati) try not to fall in love with her. Everyone fails -- immediately and miserably. This extraordinary first novel explores the history of a place through the stories of its people. But above all it's about the fleetingness of love and the endurance of fellowship.

Just south of Boston in Milton, Massachusetts, Andre Battel is growing away from his Jamaican family, discovering genuine prowess on the basketball court, and eventually falling into dealing drugs for the local street gang, Team Seven. But when Andre and his crew fall behind on payments, dire and violent consequences await. Around Andre swirls a cast of characters and voices: Ruby, a hardworking medical secretary; Nina, his older sister; Eddy, his mostly-not-there father; and Reggie and Smoke, the kingpins of competing drug crews. As these individual lives clash and come together, the novel weaves an intricate and unflinching portrait of a black family, a black community, and one young man poised between youthful innocence and ambiguous experience.