The Lao-Tai people have created the exquisitely woven fabrics which have captivated textile connoisseurs. This book reveals the uses of these beautiful textiles with their intriguing motifs.

"Part travelogue, part silk-weaving primer, this is a tender portrait of an American family's travels in Laos's Houaphon Province. As they learn about the ancient silk weaving traditions in the hill tribe community of Xam Tai, so too they gain an appreciation for the strong sense of well-being in Lao culture. Over the past decade, Beck and Hirschstein have developed deep connections with the villagers of Xam Tai who produce the finest, most intricate, most traditional silks in the world. The weavers raise their own fiber from silkworms, dye it using local natural dyes, and weave the patterns of their ancestors into healing cloths, ceremonial textiles, and daily wear. Hirschstein and Beck provide an in-depth and rare view into the everyday lives, cultures, and craft of Lao silk weavers"--Front cover French flap.

"Patricia Cheesman's understanding and commitment to the textiles arts of Laos and Thailand in particular has, over the intervening years, produced a wealth of resources for the newcomer and the better informed, for the art historian and for those interested in the practical aspects of weaving and dyeing. Of course the two cannot truly be separated, but Patricia Cheesman's background as a practising crafts person illuminates her publications. When she began to write on Lao and Tai textiles, there was little available on the topic. Today there is a wealth of material--in Thai and English for those seeking to understand something of the technical and cultural foundations of arguably the region's most dynamic art form. There is, however, always a place for a publication such as this, born out of a long involvement with the textiles and their creators. As she has done before, Patricia Cheesman concentrates on bringing clarity, recognition and cultural understanding to yet another set of the region's traditional textiles in an engaging and accessible style." --from the Foreword by Robyn Maxwell, senior curator of Asian art, National Gallery of Australia

H'mong Batik: A Textile Technique from Laoscelebrates the artistry of Blue H'mong women, as it is expressed in their batik. The painstaking methods by which they created traditional skirts, the importance of the skirts in the major lie events of marriage and death, and the bonds formed between women as one thought another are all explored with great sensitivity. Illustrations recognize the achievements of individual batik artists, and a legend on the origin of batik adds a spiritual dimension.

This Book Studies The Iconography Of The Design Elements Typically Employed By Craftspersons Of Tai Textiles From The Laos, Lan Na And Isan Areas. With Numerous Splendid Illustrations Of The Designs, It Deals With Their Art Of Weaving, Various Textile Forms To Be Found In The Region And The Suitable And Inherently Powerful Motifs Woven.

"First published in 2012 by Tilleke & Gibbins International Ltd. ... in association with Serindia Publications, Inc.,,"--T.p. verso.

Hmong story cloths provide a visual documentation of the historical and cultural legacy of the Hmong people from the country of Laos. The Hmong first began making the story cloths during their time in refugee camps, and featured here are 48 vibrant story cloths that provide a comprehensive look at their lives and culture. The creation of a story cloth begins with the selection of fabric and images outlined onto the fabric. Long satin stitches of multi-colored threads fill in the image, while details are applied with intricate satin stitches and borders pieced together and hand-stitched. Topics include history, traditional life in Laos, Hmong New Year, folk tales, and neighboring people. The quality and diversity of content of the story cloths build upon one another to provide a holistic understanding of the Hmong culture and history. Augmented with personal stories and artifacts, this book is perfect for history buffs and textile artisans alike.

* AWARDED BEST ANTHOLOGY BY THE ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND * How has Asia been imagined, represented and transferred both literally and visually across linguistic, geopolitical and cultural boundaries? This book explores the shifting roles of those who produce, critique and translate creative forms and practices, for which distinctions of geography, ethnicity, tradition and modernity have become fluid. Drawing on accounts of modern and contemporary art, film, literature, fashion and performance, it challenges established assumptions of the cultural products of Asia. Special attention is given to the role of cultural translators or 'long-distance cultural specialists' whose works bridge or traverse different worlds, with the inclusion of essays by three important artists who share personal accounts of their experiences creating and showing artworks that negotiate diverse cultural contexts. With contributions from key scholars of Asian art and culture, including art historian John Clark and anthropologist Clare Harris, alongside fresh voices in the field, Asia Through Art and Anthropology will be essential reading for students and scholars of anthropology, art history, Asian studies, visual and cultural studies. ---------------------------------------------------------------------------------------------------------- The publication of the color plates of works by Phaptawan Suwannakudt and Savanhdary Vongpoothorn is funded by the Australian Government.

Whether fighting for the environment, human rights, education, health, or cultural preservation, a new generation of activist grandmothers across the world are using their strength, wisdom, and hearts to make a difference. An unheralded grandmothers' movement is changing the world. Insurgent grandmothers are using their power to fight for a better future for grandchildren everywhere. And they are succeeding. Grandmother Power profiles activist grandmothers in fifteen countries on five continents who tell their compelling stories in their own words. Grandmothers in Canada, Swaziland, and South Africa collaborate to care for AIDS orphans. Grandmothers in Senegal convince communities to abandon female genital mutilation. Grandmothers in India become solar engineers and bring light to their villages while those in Peru, Thailand, and Laos sustain weaving traditions. Grandmothers in Argentina teach children to love books and reading. Other Argentine grandmothers continue their 40-year search for grandchildren who were kidnapped during the nation's military dictatorship. Irish grandmothers teach children to sow seeds and cook with fresh, local ingredients. Filipino grandmothers demand justice for having been forced into sex slavery during World War II. Guatemalan grandmothers operate a hotline and teach parenting. In the Middle East, Israeli grandmothers monitor checkpoints to prevent abuse and the UAE's most popular television show stars four animated grandmothers who are surprised by contemporary life. Indigenous grandmothers from thirteen countries conduct healing rituals to bring peace to the world. Gianturco's full-color images and her heroines' amazing tales make Grandmother Power an inspiration for everyone, and it cements the power of grandmothers worldwide. Please visit http://globalgrandmotherpower.com/ for additional information. All author royalties will be donated to the Stephen Lewis Foundation's Grandmothers to Grandmothers campaign, which provides grants to African grandmothers who are raising AIDS orphans.