This book, first published in 1991, has two related goals. The first is to explicate Rousseau’s conception of subjectivity; the second is to trace the influence of that conception on his theory of freedom. It argues that Rousseau’s conception of subjectivity provides us with a basis for understanding both his analysis of the ‘social problem’ of advanced civil societies, and the solutions he proposes to this problem.

Rousseau and Nietzsche: Toward an Aesthetic Morality offers a vivid depiction of the problems and potential of modernity through the words of two of its most poignant voices. The book focuses upon the modern self's desire to individuate while facing the ethical responsibility to integrate into the world. Katrin Froese elegantly juxtaposes Nietzsche's drive for extraordinary individualism with Rousseau's call for the dependable citizen, demonstrating that where Nietzsche's aestheticism embraces the limitless and irreconcilable longings of a divided being, Rousseau's approach emphasizes the imposition of limits to ensure that harmony and contentment prevail. Going beyond conventional scholarship, the work emphasizes the similarities at the heart of Rousseau's notion of morality and Nietzsche's aestheticism: the moral vision that underlies Nietzsche's notion of art and the aesthetic understanding prevalent in Rousseau's moral system. This stunning new work of political philosophy will be of great use to scholars of political thought and readers seeking to understand what made Rousseau and Nietzsche's thought so decidedly modern.

The book explores the characteristic features and political consequences of social interaction when the parties' intentions are transparent, and when they are opaque. The author develops a theory of association and uses it to elucidate, assess and extend Rousseau's views of human nature, civil society, the market economy and the republican state.

“Between the earliest and the latest of the works included here, we have two hundred and fifty years of vigorous and adventurous philosophizing,” Monroe Beardsley writes in his Introduction to this collection. “If the modern period can be only vaguely or arbitrarily bounded, it can at least be studied, and we can ask whether any dominant themes, overall patterns of movement, or notable achievements can be found within it. This question is one that is best asked by the reader after he has read, or read around in, these works.” This Modern Library Paperback Classic also includes a newly updated Bibliography.

This comprehensive volume identifies and analyzes the significant ideas and institutions that shaped the Western educational heritage. The author examines how worldwide events have impacted education in Europe, North America, and beyond. The third edition incorporates fresh material about the ancient world, European exploration and colonization of North America and India, as well as updated chapters on education in the United Kingdom, France, Germany, and Russia. This edition has an expanded treatment of Carl Jung, a new section on Margaret Naumburg and her Walden School, and enhanced analysis of many other theorists. It concludes with broadened coverage of nineteenth, twentieth, and twenty-first century American education, including many educators new to the third edition. Each chapter contains a new feature: Reflection, Discussion, and Research. From Plato and Aristotle to John Dewey, leading educators raised perennial concepts about education and truth, meaning, and value that remain relevant today. In the progression from antiquity to the present, some issues are marked by change and others by continuity—all of which are important to consider, discuss, and research further.

Arguing that the question of Jean-Jacques Rousseau's relationship to the Enlightenment has been eclipsed and seriously distorted by his association with the French Revolution, Graeme Garrard presents the first book-length case that shows Rousseau as the pivotal figure in the emergence of Counter-Enlightenment thought. Viewed in the context in which he actually lived and wrote—from the middle of the eighteenth century to his death in 1778—it is apparent that Rousseau categorically rejected the Enlightenment "republic of letters" in favor of his own "republic of virtue." The philosophes, placing faith in reason and natural human sociability and subjecting religion to systematic criticism and doubt, naively minimized the deep tensions and complexities of collective life and the power disintegrative forces posed to social order. Rousseau believed that the ever precarious social order could only be achieved artificially, by manufacturing "sentiments of sociability," reshaping individuals to identify with common interests instead of their own selfish interests.

Previously published as a special issue of the Critical Review of Social and Political Philosophy, this collection offers a thought-provoking critique of the role of the concept of reasonableness in liberal political theory, focusing on the proposed relationship between reasonableness and the establishment and preservation of a just and stable liberal polity. The essays explore the explicit and implicit use of the idea of reasonableness, presenting an analysis that incorporates normative and empirical observations and employs a number of different analytical approaches, including liberalism, feminism, environmentalism, Marxism, and communitarianism. This unique book provides in a single volume a critique that engages not only a vast array of issues but also a diversity of critical perspectives. It not only rectifies a deficiency in the existing scholarship, but also addresses the issues of socio-political justice and stability, offering new, insightful critiques that respond to the increasingly complex circumstances and conflicts that confront life in contemporary pluralistic societies. Reasonableness in Liberal Political Philosophy will be a valuable resource for those interested in liberal political theory and its potential usefulness in helping to secure a just and stable polity.

This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.

"Explores the concept of the social contract and how it shapes citizenship. Argues that the modern social contract is an account of the ethical and cultural conditions upon which modern citizenship depends"--Provided by publisher.

This collection reissues 17 titles that provide an excellent overview of 18th century philosophy – as well as the debates that surround the topic. Featuring works on Berkeley, Hume, Kant and Rousseau, among others, the collection examines a host of philosophical arguments by the leading thinkers of the time. It is an essential reference collection.