Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflected by prevailing cultural traditions of representation and interpretation? Can an individual maintain a unique and distinctive spatial imagination in the face of dominant trends in perception and interpretation? What are the environmental implications of how we see landscape? The book reviews how landscape is at once conceptual and perceptual, illuminating several important themes including the temporality of space, the mediations of place that form the response of an observer of a landscape, and the development of response in any single life from early, partial thoughts to more considered ideas in maturity. Chapters provide suggestive and culturally nuanced propositions from varying points of view on ancient and modern landscapes and seascapes and on how individuals or societies have arranged, conceptualized, or imagined circumambient space. Opening up issues of landscape, seascape, and spatiality, this volume commences a wide-ranging critical discussion that includes various approaches to literature, history and cultural studies. Bringing together research from diverse areas such as ecocriticism, landscape theory, colonial and postcolonial theory, hybridization theory, and East Asian Studies to provide a historicized and global account of our ecospatial imaginations, this book will be useful for scholars of landscape ecology, ecocriticism, physical and social geography, postcolonialism and postcolonial ecologies, comparative literary studies, and East Asian Studies.

Seascape studies have developed in response to questions arising from composite correlations such as coastal, island and marine research, social requirements, landscape design and planning, marine ecology, and environment and resource management. This global volume is the first comprehensive overview to provide a solid foundation on the concept of seascape, with the latest research findings from leading experts across a variety of fields, offering a holistic approach to seascape linking nature with culture, and theory with practice. Divided into six parts, it includes over 30 chapters from contributors around the world. Pioneering methods with illustrated case studies from the Mediterranean, Scandinavia, North Sea, North America and Asia serve as examples for future seascape development, conservation and governance. An important and extremely timely resource, the Routledge Handbook of Seascapes provides academics, practitioners, NGOs, consultants and government officials with a broad overview of current research and practice for future application and advance worldwide.

"John Steinbeck's Salinas Valley. Richard Wright's Chicago. Leslie Marmon Silko's New Mexico. Readers often have strong connections with literary places like these. And some works of literature can even change our understanding of the world we live in. But can place also change our view of literature? Site-Reading advances a place-based approach to literature, reading classic texts through the twin lenses of geographical awareness and environmental thought. This book highlights recent developments in ecocriticism and geocriticism to argue for a theory of "ecospatiality" with nature, space, and story as the three elements of place. Site-Reading reconsiders well-known works of twentieth-century American prose and shows how social and environmental issues always overlap. Travel writer William Least Heat-Moon, whose work embodies the ecospatial perspective, portrays his experiences with place on the local, regional, and continental scales. Classic novels by Silko, Willa Cather, and Ana Castillo-usually discussed in isolation-converge in a way that maps diverse cultural perspectives and environmental threats onto the shared geography of Central New Mexico. A reading of Steinbeck's Salinas Valley Watershed texts investigates the impacts of literary tourism in "Steinbeck Country" before drilling down into Steinbeck's portrayals of spatial development and environmental history. And an innovative analysis of Native Son shows how Richard Wright uses cartographic details to decry the spatial/racial politics of South Side Chicago in the 1930s. In this book, Lowell Wyse shows how place provides the grounds for both human experience and critical practice. By bringing together concepts like literary cartography, deep mapping, and bioregionalism in an "ecospatial" approach, Site-Reading not only maps new terrain between ecocriticism and geocriticism, but also shows why place matters-in the world and in the text"--

Unique cross-cultural and multimedial approach to class identity and precarity in literature, theatre, and film Contemporary culture not merely reflects ongoing societal transformations, it shapes our understanding of rapidly evolving class realities. Literature, theatre, and film urge us to put the question of class back on the agenda, and reconceptualize it through the lens of precarity and intersectionality. Relying on examples from British, French, Spanish, German, American, Swedish and Taiwanese culture, the contributors to this book document a variety of aesthetic strategies in an interdisciplinary dialogue with sociology and political theory. Doing so, this volume demonstrates the myriad ways in which culture opens up new pathways to imagine and re-imagine class as an economic relation, an identity category, and a subjective experience. Situated firmly within current debates about the impact of social mobility, precarious work, intersectional structures of exploitation, and interspecies vulnerability, this volume offers a wide-ranging panorama of contemporary class imaginaries.

Modern Ecopoetry: Reading the Palimpsest of the More-Than-Human World explores the fruitful dialogue between poetry and the more-than-human world from various critical standpoints in modern English-writing poets from diverse backgrounds such as the USA, the UK, Canada, India, and Pakistan.

A consideration of the theme of demons as teachers in early English literature.

This reference investigates the role of landscape in popular works and in doing so explores the time in which they were written. Literary Geography: An Encyclopedia of Real and Imagined Settings is an authoritative guide for students, teachers, and avid readers who seek to understand the importance of setting in interpreting works of literature, including poetry. By examining how authors and poets shaped their literary landscapes in such works as The Great Gatsby and Nineteen Eighty-Four, readers will discover historical, political, and cultural context hidden within the words of their favorite reads. The alphabetically arranged entries provide easy access to analysis of some of the most well-known and frequently assigned pieces of literature and poetry. Entries begin with a brief introduction to the featured piece of literature and then answer the questions: "How is literary landscape used to shape the story?"; "How is the literary landscape imbued with the geographical, political, cultural, and historical context of the author's contemporary world, whether purposeful or not?" Pop-up boxes provide quotes about literary landscapes throughout the book, and an appendix takes a brief look at the places writers congregated and that inspired them. A comprehensive scholarly bibliography of secondary sources pertaining to mapping, physical and cultural geography, ecocriticism, and the role of nature in literature rounds out the work.

This collection explores the interpretation of historical fiction through fictional representations of the past in an Asian context. Emphasising the significance of region and locality, it explores local networks of political and cultural exchanges at the heart of an Asian polity. The book considers how imagined pasts converge and diverge in developed and developing nations, and examines the limitations of representation at a time when theories of world literature are shaping the way we interpret global histories and cultures. The collection calls attention to the importance of acknowledging local tensions—both within the historical and cultural make-up of a country, and within the Asian continent—in the interpretation of historical fiction. It emphasizes a broad-spectrum view that privileges the shared historical experiences of a group of countries in close proximity, and it also responds to the paradigm shift in Asian Studies. Discussing how local conditions shape and create expectations of how we read historical fiction and working with the theme of fictionality and locality, the volume provides an alternative framework for the study of world literature.

This book addresses the intersections between the interdisciplinary realms of Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates the multi-layered, polyvocal ways in which artistic expressions render ecological connections, drawing on scholars working in collaboration with Indigenous artists from all walks of life, including film, literature, performance, and other forms of multimedia to expand existing conversations. Both local and global in its focus, the volume includes essays from multiethnic and Indigenous communities across the world, visiting topics such as Navajo opera, Sami film production history, south Indian tribal documentary, Maori art installations, Native American and First Nations science-fiction literature and film, Amazonian poetry, and many others. Highlighting trans-Indigenous sensibilities that speak to worldwide crises of environmental politics and action against marginalization, the collection alerts readers to movements of community resilience and resistance, cosmological thinking about inter- and intra-generational multi-species relations, and understandings of indigenous aesthetics and material ecologies. It engages with emerging environmental concepts such as multispecies ethnography, cosmopolitics, and trans-indigeneity, as well as with new areas of ecocritical research such as material ecocriticism, biosemiotics, and media studies. In its breadth and scope, this book promises new directions for ecocritical thought and environmental humanities practice, providing thought-provoking insight into what it means to be human in a locally situated, globally networked, and cosmologically complex world.

Anthropocene Ecologies of Food provides a detailed exploration of cross-cultural aspects of food production, culinary practices, and their ecological underpinning in culture. The authors draw connections between humans and the entire process of global food production, focusing on the broad implications these processes have within the geographical and cultural context of India. Each chapter analyzes and critiques existing agricultural/food practices, and representations of aspects of food through various media (such as film, literature, and new media) as they relate to global issues generally and Indian contexts specifically, correcting the omission of analyses focused on the Global South in virtually all of the work that has been done on "Anthropocene ecologies of food." This unique volume employs an ecocritical framework that connects food with the land, in physical and virtual communities, and the book as a whole interrogates the meanings and implications of the Anthropocene itself.