Marks the long-awaited arrival—in English—of a masterful voice in Mexican and noir fiction Death in Veracruz is a gritty and atmospheric noir centered on the so-called oil wars of the late 1970s, which pitted the extremely powerful and corrupt government-owned oil cartel against the agrarian landowners in the Tabasco region of Southern Mexico. This novel, translated for the first time in English since its publication 30 years ago, concerns a journalist who investigates the death of a colleague and friend Rojano in a bizarre shooting incident that takes place in a small rural village, and who finds himself up against crooked police and petty government officials bought by the oil conglomerate. But, as he gets deeper and deeper into this Mexican Heart of Darkness, he finds Rojano was not all he seemed, and neither was his widow with whom he falls into a doomed affair. Death in Veracruz.

Waking up in Mictlan, the underworld entrance of the North, nearly dead from an evil witch's attack—this is where James Endredy's gripping true account of his experience with the witches of Veracruz begins. As the apprentice of a powerful curandero, or healer, Endredy learns the dangerous magic and mystical arts of brujería, a nearly extinct form of Aztec witchcraft, and his perilous training is fraught with spiritual trials and tests. Taught how to invoke spirits of the underworld for assistance and use dream trance to "fly," Endredy is subjected to the black magic of a brujo negro and left alone in the graveyard of the brujo masters to fight for his life. He is also called upon to do battle with the most sinister of all witches—el Brujo de Muerte, the Witch of Death. Upon becoming a curandero himself, Endredy takes on harrowing real-life cases: healing a young man possessed by the spirit of an Aztec warrior, rescuing a teenage girl from a Mexican drug cartel, and hunting down a vampire witch terrorizing a small community.

Recounts President Woodrow Wilson's abortive efforts to preserve democracy in Mexico amid political chaos.

Five hundred years ago, the army of conquest led by Hernan Cortés marched hundreds of miles across a rugged swath of land from Veracruz on the Mexican Caribbean to the capital city of the Aztecs, now Mexico City. This journey was the catalyst for profound cultural and political change in Mesoamerica. Today, many Mexicans view the Ruta de Cortés as a symbol of an event that forever changed the course of their history. But few U.S. Americans understand how the conquest still affects Mexicans’ national identity and their relationship with the United States. Following the route of Hernán Cortés, In the Shadow of Cortés offers a visual and cultural history of the legacy of contact between Spaniards and indigenous civilizations. The book is a reflective journey that presents a diversity of voices, images, and ideas about history and conquest. Specialist in Mexican culture Kathleen Ann Myers teams up with prize-winning translators and photographers to offer a unique reading experience that combines accessible interpretative essays with beautifully translated interviews and dozens of historical and contemporary black-and-white and color images, including some by award-winner Steven Raymer. The result offers readers multiple perspectives on these pivotal events as imagined and re-envisioned today by Mexicans both in their homeland and in the United States. In the Shadow of Cortés offers an extensive visual narrative about conquest and, ultimately, about Mexican history. It traces the symbolic geography of the conquest and shows how the historical memory of colonialism continues to shape lives today.

Much of the so-called Age of Santa Anna in the history of independent Mexico remains a mystery and no decade is less well understood than the years from 1835 to 1846. In 1834, the ruling elite of middle class hombres de bien concluded that a highly centralised republican government was the only solution to the turmoil and factionalism that had characterised the new nation since its emancipation from Spain in 1821. The central republic was thus set up in 1835, but once again civil strife, economic stagnation, and military coups prevailed until 1846, when a disastrous war with the United States began in which Mexico was to lose half of its national territory. This study explains the course of events and analyses why centralism failed, the issues and personalities involved, and the underlying pressures of economic and social change.

In the 1890s, Spanish entrepreneurs spearheaded the emergence of Córdoba, Veracruz, as Mexico’s largest commercial center for coffee preparation and export to the Atlantic community. Seasonal women workers quickly became the major part of the agroindustry’s labor force. As they grew in numbers and influence in the first half of the twentieth century, these women shaped the workplace culture and contested gender norms through labor union activism and strong leadership. Their fight for workers’ rights was supported by the revolutionary state and negotiated within its industrial-labor institutions until they were replaced by machines in the 1960s. Heather Fowler-Salamini’s Working Women, Entrepreneurs, and the Mexican Revolution analyzes the interrelationships between the region’s immigrant entrepreneurs, workforce, labor movement, gender relations, and culture on the one hand, and social revolution, modernization, and the Atlantic community on the other between the 1890s and the 1960s. Using extensive archival research and oral-history interviews, Fowler-Salamini illustrates the ways in which the immigrant and women’s work cultures transformed Córdoba’s regional coffee economy and in turn influenced the development of the nation’s coffee agro-export industry and its labor force.

Land of the Cosmic Race is a richly-detailed ethnographic account of the powerful role that race and color play in organizing the lives and thoughts of ordinary Mexicans. It presents a previously untold story of how individuals in contemporary urban Mexico construct their identities, attitudes, and practices in the context of a dominant national belief system. The book centers around Mexicans' engagement with three racialized pillars of Mexican national ideology - the promotion of race mixture, the assertion of an absence of racism in the country, and the marginalization of blackness in Mexico. The subjects of this book are mestizos - the mixed-race people of Mexico who are of Indigenous, African, and European ancestry and the intended consumers of this national ideology. Land of the Cosmic Race illustrates how Mexican mestizos navigate the sea of contradictions that arise when their everyday lived experiences conflict with the national stance and how they manage these paradoxes in a way that upholds, protects, and reproduces the national ideology. Drawing on a year of participant observation, over 110 interviews, and focus-groups from Veracruz, Mexico, Christina A. Sue offers rich insight into the relationship between race-based national ideology and the attitudes and behaviors of mixed-race Mexicans. Most importantly, she theorizes as to why elite-based ideology not only survives but actually thrives within the popular understandings and discourse of those over whom it is designed to govern.

Young readers are guided on a journey to the city of Veracruz in Mexico with the help of young traveler Agustina.

Witness to War presents a compelling visual record of a young American man’s venture in Mexico as the country veered into revolution in the early 1900s. Walter Elias Hadsell, a skilled photographer who had recently graduated as a mining engineer, documented a critical period of foreign investment in Mexico’s mining industry and, in the process, captured scenes of Mexican life in other cities. Susan Toomey Frost draws from an extensive collection of Hadsell’s original photographic prints to narrate his ten years in Mexico. The images in Witness to War follow him from his time as a mining engineer in Mexico to his 1917 return to mining in Arizona, his home state. Planning for a future career in photography, Hadsell soon acquired the Kodak franchise for Veracruz, Mexico’s most important port since colonial times. He documented the damage done in Mexico City during a ten-day uprising in 1913 that led to the assassination of Mexican president Francisco Madero. Veracruz became a vortex for U.S. interference in the Mexican Revolution when President Woodrow Wilson invaded the country in 1914 in an attempt to thwart Mexico's successor president and to favor opposing forces. Hadsell, as a resident American citizen, had immediate access to the military operation as it unfolded. His images are essential historical records of Wilson’s intervention in Mexican affairs. Hadsell’s camera recorded images of a defenseless city disrupted by the landing of thousands of American troops. With no exit plan, U.S. forces remained for seven months before abruptly departing. Hadsell’s personal life took a tragic turn with the death of his wife, who left him with three young children, all born in Mexico. He endured another tragedy with the loss of his Veracruz studio during a period of anti-Americanism, though he ultimately left a rich legacy documenting U.S.-Mexico relations at a critical time.