A dizzying trip through the mind(s) of the provocative and influential thinker Nick Land. During the 1990s British philosopher Nick Land's unique work, variously described as “rabid nihilism,” “mad black deleuzianism,” and “cybergothic,” developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of “continental philosophy” —a route that was implacably blocked by the academy. However, Land's work has continued to exert an influence, both through the British “speculative realist” philosophers who studied with him, and through the many cultural producers—writers, artists, musicians, filmmakers—who have been invigorated by his uncompromising and abrasive philosophical vision. Beginning with Land's early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume collects together the papers, talks and articles of the mid-90s—long the subject of rumour and vague legend (including some work which has never previously appeared in print)—in which Land developed his futuristic theory-fiction of cybercapitalism gone amok; and ends with his enigmatic later writings in which Ballardian fictions, poetics, cryptography, anthropology, grammatology and the occult are smeared into unrecognisable hybrids. Fanged Noumena gives a dizzying perspective on the entire trajectory of this provocative and influential thinker's work, and has introduced his unique voice to a new generation of readers.

Whilst out walking one day in the shade at the age of thirty-six, with the First World War looming, Edward Thomas decided to become a poet. In the few years that followed, believing he belonged nowhere, he tramped across rolling chalk downland, stitching himself to the landscape. Gently slanting from the door of his stone cottage, the South Downs – a range of chalk hills that extend across the southeastern coastal counties of England from Hampshire in the west to Sussex in the east – became day by day the mainspring of his poetry. As a perennial poet and essayist of the South Downs, Edward Thomas remains an enduring presence a century later in the downland he trampled daily, treading and documenting a series of paths around the village of Steep, East Hampshire, where he lived until enlisting. Arranging itself around a number of journeys in pursuit of the early twentieth century poet and nature writer, this book provides a personal and moving tale of encountering literature in landscape, retreading Edward Thomas’s footprints from the beginning of his epically creative final four years, to the site where he died in 1917, during the Battle of Arras.

In this anthology, 40 poets offer poems inspired by protected lands in New England, and 11 land trusts tell the stories of how and why they do this vital work. From farmland trusts to wilderness preserves, from community land trusts to those protecting vital environmental systems, each organization has a vital piece of the puzzle of how humans can live in harmony with the rest of Nature. Writing the Land is an attempt to honor nature and our relationship with it in a way that is as equitable and transparent as it is deep and entangled. We intend to be as inclusive-to humans and places-as we hope the mantle of protection that land trusts offer can be. Our work will never be complete but gains strength, depth, beauty, and energy in a multitude of voices.

Aldo Leopold's classic work A Sand County Almanac is widely regarded as one of the most influential conservation books of all time. In it, Leopold sets forth an eloquent plea for the development of a "land ethic" -- a belief that humans have a duty to interact with the soils, waters, plants, and animals that collectively comprise "the land" in ways that ensure their well-being and survival. For the Health of the Land, a new collection of rare and previously unpublished essays by Leopold, builds on that vision of ethical land use and develops the concept of "land health" and the practical measures landowners can take to sustain it. The writings are vintage Leopold -- clear, sensible, and provocative, sometimes humorous, often lyrical, and always inspiring. Joining them together are a wisdom and a passion that transcend the time and place of the author's life. The book offers a series of forty short pieces, arranged in seasonal "almanac" form, along with longer essays, arranged chronologically, which show the development of Leopold's approach to managing private lands for conservation ends. The final essay is a never before published work, left in pencil draft at his death, which proposes the concept of land health as an organizing principle for conservation. Also featured is an introduction by noted Leopold scholars J. Baird Callicott and Eric T. Freyfogle that provides a brief biography of Leopold and places the essays in the context of his life and work, and an afterword by conservation biologist Stanley A. Temple that comments on Leopold's ideas from the perspective of modern wildlife management. The book's conservation message and practical ideas are as relevant today as they were when first written over fifty years ago. For the Health of the Land represents a stunning new addition to the literary legacy of Aldo Leopold.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

A new kind of rancher and a new kind of environmentalist, Linda M. Hasselstrom speaks with an eloquent simplicity in Land Circle while exploring her visceral connection with the land and the people of the Great Plains. A true voice from the heartland, Hasselstrom urges the preservation of a vanishing way of life and declares in unequivocal terms the intrinsic value of the plains. She vividly portrays both the landscape and the local sensibilities, exploring ''Where Neighbor Is a Verb,'' but also ''Why One Peaceful Woman Carries a Pistol.'' These essays, well balanced by her award-winning poems, touch on elemental themes such as grief, loss, and respect for nature with a universality that is relevant to all of our lives.

Land is embedded in a multitude of material and cultural contexts, through which the human experience of landscape emerges. Ethnographers, with their participative methodologies, long-term co-residence, and concern with the quotidian aspects of the places where they work, are well positioned to describe landscapes in this fullest of senses. The contributors explore how landscapes become known primarily through movement and journeying rather than stasis. Working across four continents, they explain how landscapes are constituted and recollected in the stories people tell of their journeys through them, and how, in turn, these stories are embedded in landscaped forms.

First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.

This book is dedicated to the notion that human lives are enriched by participation in a social community that is integrated into the natural landscape of a particular place. The writers explore the loss of community, the philosophical foundations of communities, Amish communities, and the current renewal of community life.

"Words From the Land spans the full range of the contemporary nature writing genre. In this expanded edition, Stephen Trimble adds five writers to the fifteen included in the original edition, including selections both from well-known masters and from vital new writers who focus on our relationship with the earth. A new preface brings his critical commentary up to date. In his fascinating introduction, and in biographical sketches of each contributor, Trimble illuminates the practice and spirit of this work, the fruit of 'the naturalist's trance'. Trimble explores how the writers learn their profession, how they meet day-by-day challenges, and how they feel about their craft. The interaction between the essays and the introduction provides an unusual perspective on these writers who connect the worlds of story and landscape."--Publisher's description.