Since its original publication in 1993, this powerful collection has served as a vivid gateway to the history, society, and culture of contemporary South Korea, reflecting the poignant motif of exile in Korea's experience of modernity. This new edition has been expanded to include four new stories--Scarlet Fingernails (1987) by Kim Minsuk; The Last of Hanak'o (1992) by Ch'oe Yun, one of Korea's most important living writers; Conviction (2003) by Ch'oe Such'ol; and From Powder to Powder (2004) by Kim Hun--adding two important women's voices and extending the anthology's range into the new millennium. None of the stories in this expanded edition remains in print in any other volume, and Conviction and From Powder to Powder appear here in English for the first time.

In the year 2034, Theo Quderian, a French physicist, made an amusing but impractical discovery: the means to use a one-way, fixed-focus time warp that opened into a place in the Rhone River valley during the idyllic Pliocene Epoch, six million years ago. But, as time went on, a certain usefulness developed. The misfits and mavericks of the future—many of them brilliant people—began to seek this exit door to a mysterious past. In 2110, a particularly strange and interesting group was preparing to make the journey—a starship captain, a girl athlete, a paleontologist, a woman priest, and others who had reason to flee the technological perfection of twenty-second-century life. Thus begins this dazzling fantasy novel that invites comparisons with the work of J.R.R. Tolkien, Arthur C. Clarke, and Ursula Le Quin. It opens up a whole world of wonder, not in far-flung galaxies but in our own distant past on Earth—a world that will captivate not only science-fiction and fantasy fans but also those who enjoy literate thrillers. The group that passes through the time-portal finds an unforeseen strangeness on the other side. Far from being uninhabited, Pliocene Europe is the home of two warring races from another planet. There is the knightly race of the Tanu—handsome, arrogant, and possessing vast powers of psychokinesis and telepathy. And there is the outcast race of Firvulag—dwarfish, malev-o olent, and gifted with their own supernormal skills. Taken captive by the Tanu and transported through the primordial European landscape, the humans manage to break free, join in an uneasy alliance with the forest-dwelling Firvulag, and, finally, launch an attack against the Tanu city of light on the banks of a river that, eons later, would be called the Rhine. Myth and legend, wit and violence, speculative science and breathtaking imagination mingle in this romantic fantasy, which is the first volume in a series about the exile world. The sequel, titled The Golden Torc, will follow soon.

"Marcia Freedman's lively first-person account of her fourteen years in Israel, the story of a modern Jewish woman's longing to be at home in the homeland of the Jews. Founder of the women's liberation movement, former member of the Knesset, she examines the contradictions between idealistic vision and flawed reality in her adopted country."--BOOK JACKET.

Tibet, “the roof of the world,” had been aloof and at peace for most of its 2,100 years. But in 1932, the Thirteenth Dalai Lama, in his final testament, warned: “It may happen that here, in the center of Tibet, religion and government will be attacked both from without and from within.” By the time his successor was enthroned in 1950, the Chinese occupation had begun. In this gripping account, John F. Avedon draws on his work and travels with the Fourteenth Dalai Lama to bring us the riveting story of Tibet and its temporal and spiritual leader. Included is an extensive interview with the Dalai Lama, who speaks about the conditions in Tibet, the mind of a Buddha, and the events of his life. Rigorously researched, passionately written, the original edition of In Exile from the Land of Snows was instrumental in launching the modern Tibet movement when it was published in 1984. Now, some three decades later, Avedon’s testimony is more wrenching and relevant than ever.

A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

History of the Walloons, the French-speaking people of present-day Belgium, whose ancestors fled to the Netherlands, England, Sweden and the Americas to flee religious persecution during the Protestant Reformation.

The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co-exist within the same literary works. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism.

What is a homeland and when does it become a national territory? Why have so many people been willing to die for such places throughout the twentieth century? What is the essence of the Promised Land? Following the acclaimed and controversial The Invention of the Jewish People, Shlomo Sand examines the mysterious sacred land that has become the site of the longest-running national struggle of the twentieth and twenty-first centuries. The Invention of the Land of Israel deconstructs the age-old legends surrounding the Holy Land and the prejudices that continue to suffocate it. Sand’s account dissects the concept of “historical right” and tracks the creation of the modern concept of the “Land of Israel” by nineteenth-century Evangelical Protestants and Jewish Zionists. This invention, he argues, not only facilitated the colonization of the Middle East and the establishment of the State of Israel; it is also threatening the existence of the Jewish state today.