"In Land of Enchantment, Land of Conflict, David L. Caffey identifies patterns in the observations of fiction writers concerning relations among cultural groups, attitudes toward the law, the erosion of individual freedom, and the social effects of weather and climate. Caffey also explores variations in historical and literary portrayals of famous New Mexicans and examines various myths concerning the frontier West and its heroes.

Reproduction of the original: The Land of Enchantment by Lilian Whiting

"West of the American Dream is a multifaceted account of the search. Christensen shares his feelings of culture shock in east-central Texas as he meets the cowboy version of the blue-collar Texan and his Mexican American neighbours. He introduces readers to the convoluted history of poetry in Texas, a tradition, started by women, that shifted from a focus on the land to the quotidian habits of urban living. Using a unique dissection of the public ritual of a poetry reading, Christensen assesses the origins of modern poetry, the value of imagination in modernist and postmodernist verse, and what Texas poets achieved and how their work evolved after World War II."--Jacket.

This edited collection explores the many ways in which diverse individuals and groups—such as state and federal managers, First Peoples, ranchers, miners, oil and gas extraction industries, sports enthusiasts, environmentalists, local residents, and tourists—actively negotiate, contest, and collaborate on issues regarding public lands in the American West. Tracing these ever-morphing alliances and antagonisms, this volume highlights the recurring patterns within this diverse array of social actors.

"[A] thoughtful and compelling elegy to a troubled man, a broken love, and a broken dream of the west."—Leslie Jamison, New York Times bestselling author of The Empathy Exams An MSN Best Book of 2016 Set against the stark and surreal landscape of New Mexico, Land of Enchantment is a coming-of-age memoir about young love, obsession, and loss, and how a person can imprint a place in your mind forever. When Leigh Stein received a call from an unknown number in July 2011, she let it go to voice mail, assuming it would be her ex-boyfriend Jason. Instead, the call was from his brother: Jason had been killed in a motorcycle accident. He was twenty-three years old. She had seen him alive just a few weeks earlier. Leigh first met Jason at an audition for a tragic play. He was nineteen and troubled and intensely magnetic, a dead ringer for James Dean. Leigh was twenty-two and living at home with her parents, trying to figure out what to do with her young adult life. Within months, they had fallen in love and moved to New Mexico, the “Land of Enchantment,” a place neither of them had ever been. But what was supposed to be a romantic adventure quickly turned sinister, as Jason’s behavior went from playful and spontaneous to controlling and erratic, eventually escalating to violence. Now New Mexico was marked by isolation and the anxiety of how to leave a man she both loved and feared. Even once Leigh moved on to New York, throwing herself into her work, Jason and their time together haunted her. Land of Enchantment lyrically explores the heartbreaking complexity of why the person hurting you the most can be impossible to leave. With searing honesty and cutting humor, Leigh wrestles with what made her fall in love with someone so destructive and how to grieve a man who wasn’t always good to her.

Picturing a Different West addresses Willa Cather and Mary Austin as central figures in a women's tradition of the pictured West. Both Cather and Austin moved west in their youth and spent much of their lives there. Cather lived on the Great Plains, while Austin resided in California and the Southwest. Cather's travels repeatedly took her to the Southwest, and she wrote three novels with Southwestern settings. Starting with the masculine tradition of Western art that was prevalent when Austin and Cather launched their careers, Janis P. Stout shows how the authors challenged and revised that tradition. Rather than a West of adventure, violence, and conquest, open only to rugged and daring men, the authors envisioned a new West--not conventionally feminine so much as an androgynous space of freedom for women and men alike. Their vision of an alternative West and their alternative ways of thinking about and portraying gender are inseparable. Placing Cather and Austin alongside contemporaries Elsie Clews Parsons, Mabel Dodge Luhan, Georgia O'Keeffe, and Laura Gilpin, Stout emphasizes the visual nature of Austin's and Cather's personal experiences of the West and Southwest, their awareness of the prevailing visual representations of the West, and the visual nature of their books about the West, with respect to both prose style and illustrations. In closing, Stout demonstrates the continuance of their tradition in illustrated western books by Leslie Marmon Silko and by Margaret Randall and Barbara Byers.

Anyone who has even a casual acquaintance with the history of New Mexico in the nineteenth century has heard of the Santa Fe Ring—seekers of power and wealth in the post–Civil War period famous for public corruption and for dispossessing land holders. Surprisingly, however, scholars have alluded to the Ring but never really described this shadowy entity, which to this day remains a kind of black hole in New Mexico’s territorial history. David Caffey looks beyond myth and symbol to explore its history. Who were its supposed members, and what did they do to deserve their unsavory reputation? Were their actions illegal or unethical? What were the roles of leading figures like Stephen B. Elkins and Thomas B. Catron? What was their influence on New Mexico’s struggle for statehood? Caffey’s book tells the story of the rise and fall of this remarkably durable alliance.

The colonialist West has spoken for New Mexico since 1540 when Francisco Vasquez de Coronado traveled to Acoma Pueblo in his search for the legendary cities of gold. With the Spanish incursion, followed fifty-six years later by the first English-speaking colonists in New Mexico, began the representation of New Mexico from an outsider's perspective. The colonial West imagined itself to hold central claims to knowledge, so it knew its peripheries only as it encountered and articulated their presence to itself. This Western narrative, based on an imagined Western privilege to foundational or platonic knowledge, has become the dominant Euro-American discourse through which New Mexico has come to be known. The comparative study of this collection of travel and contact narratives traces the enforcement of--and resistance to--the Western myth of the Euro-American and European as normative, as well as the Hispanic and the native as Other. The author ably introduces the platonic quest as a new unifying thread that links each of these travel narratives to his argument that identity and claims to knowledge may be tested, recovered, or created in movement within New Mexico. The platonic journey has mostly been understood as an intellectual journey toward truth. This study expands upon the platonic journey to show that it may also, like the quest, be played out in geographical space. Travel Narratives from New Mexico will be a very valuable resource for students and scholars of literature, especially of the American Southwest and travel theory.

The country Frank Springer rode into in 1873 was one of immense beauty and abundant resources - grass and timber, wild game, precious metals, and a vast bed of commercial-grade coal. It was also a stage upon which dramatic and sometimes violent events played out. A lawyer and newspaperman for the Maxwell Land Grant company and a foe of the speculators known as ""the Santa Fe Ring,"" Springer found himself in the middle of the Colfax County War. A man of many sides, he typified the Gilded Age entrepreneurs who transformed the territorial American Southwest. As president of the Maxwell Land Grant company, Springer led in the development of mining, logging, ranching, and irrigation enterprises. His Supreme Court victory establishing title to the 1.7 million acre Maxwell grant earned him a reputation as a brilliant attorney.