*SECOND EDITION with new cover *International bestseller A beautiful nurse, a handsome recluse and an evil PI equals one deadly adventure. When palliative care nurse Rhianna McLeod is given a gift of a dream holiday to the Bahamas from her dying patient, billionaire JT Lance, Rhianna has no idea that her 'holiday' will include being stranded on a private island with Jonathan, an irritating but irresistibly handsome recluse. Or that she'll fall head over heels for the man. Jonathan isn't happy to discover a drop-dead gorgeous redhead has invaded his island. But his anger soon turns to attraction. After one failed marriage, he has guarded his heart, but Rhianna's sudden appearance makes him yearn to throw caution to the wind. To live fully in the present, Rhianna must resolve her own murky past, unravel the secret that haunts JT, foil the plans of a sleazy, blackmailing private investigator and help Jonathan find his muse. Only then can Rhianna find the love she's been searching for, and finally become...Lancelot's Lady. By international bestselling author Cheryl Kaye Tardif, writing as Cherish D'Angelo *Winner of the 2010 Textnovel Editor's Choice Award. 2009 Semi-finalist in the Dorchester Publishing "Next Best Celler" contest.

Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.

The rise and proliferation of Arthurian prose romances in France in the thirteenth century is attested most notably by the enormous corpus of Old French Arthurian prose romances known as the Vulgate Cycle. According to most scholars, the Vulgate Cycle in its original form comprised three prose romances: the Roman de Lancelot en prose, the Roman de la Queste del Saint Graal and the Roman de la Mort le Roi Artu. At a later stage, two other prose romances conceived as preliminary works to the original trilogy were added to the cycle: the Estoire del Saint Graal and the Vulgate Merlin. This group of Old French Arthurian romances has survived in nearly one hundred manuscripts and was translated into almost all major Western European languages. Of the three extant Middle Dutch translations of the Lancelot en prose, Orlanda Lie has chosen the (only) verse translation (preserved on two leaves of parchment, the so-called Rotterdam Fragments) as the starting point for a comparison between the Middle Dutch, the Middle High German and the Old French Lancelot en prose versions. In this comparative analysis only a small portion of the extensive Lancelot en prose (namely, those sections that are parallel to the content of the Rotterdam Fragments) will be involved. The relation of the consulted French manuscripts to the Dutch and German Lancelot translations are ascertained in the light of insights gained from an investigation into the manuscript tradition of the Lancelot en prose sections which qualify for a comparison with the two Middle Dutch fragments. Although the main emphasis of this study falls on the manuscript tradition of the Lancelot en prose, a brief discussion of some of the important stylistic and structural characteristics of the Lancelot trilogy as a whole is presented, especially since it is more than likely that the scope and complexity of the work has also influenced (directly of indirectly) its manuscript tradition. A diplomatic and a critical edition of the Rotterdam Fragments as well as a translation in modern English are included in this volume.

Guinevere, the queen consort of the legendary King Arthur, struggles against her love for the beloved Sir Lancelot.

"The story of the passionate, adulterous, tragic love of Lancelot and Guenevere is at once the perfect expression of "courtly love" and its inversion. Lancelot, the superhuman stranger in King Arthur's court, sacrifices everything in service of his king, and yet also falls secretly in love with Arthur's queen, the most beautiful woman in all of Britain. That this spotless knight, who repeatedly saves Arthur and his world from destruction, should also be the fateful underminer of the king's self-confidence and, ultimately, a terrible weapon in the hands of Arthur's great adversary Galehaut, is a contradiction that has fascinated the Western mind for hundreds of years." "The Arthurian legend that most of us know comes from Malory and The Once and Future King. But there are also several books of Old French romance, the most detailed of which, the thirteenth-century "Book of Galehaut," gives a surprising and unfamiliar version. It is a double love story - the tale not only of Lancelot's love for Guenevere, but also the love of Galehaut, the Lord of the Distant Isles, for Lancelot. It is the achievement of Patricia Terry and Samuel N. Rosenberg, both seasoned translators of medieval romance, to tease out from the French sources the essential story of Lancelot, Guenevere, Galehaut, and Arthur, and, without distorting the original, retell it for today's reader. Their rich, subtle, and deeply moving narrative is complemented by evocative wood engravings by Judith Jaidinger, the most distinctive visual interpreter of Arthurian legend since Arthur Rackham and Howard Pyle."--BOOK JACKET.

The intricate structure and the many different narrative threads of the Prose Lancelot are here skilfully analysed, showing them to be a major new development in literary technique. Thematically and as a narrative technique, interlace, the complex weaving together of many different story-telling strands, comes to its full development in the intriguing conclusion of the Prose Lancelot. The Grail appearson the horizon and although Lancelot's love for Guenevere still makes him the best knight in the world, it becomes clear that this very love disqualifies him from the Grail Quest. Meanwhile, the adventures of a myriad Arthurian knights continue to be followed. This study explains how the interlace works and shows that it is the perfect vehicle for the relation of the events. It discusses the division of the narrative into threads, their interweaving, convergence and divergence, the gradual introduction of the Grail theme and its first climax (the begetting of Galahad), the distribution of information to the audience, the use of dramatic irony and emotions, and many other aspects of this major innovation in story-telling technique. Dr FRANK BRANDSMA is Senior Lecturer in Comparative Literature (Middle Ages) in the Department of Modern Languages at Utrecht University.

Parts one and two of Lancelot cover Lancelot s boyhood and his admission to Arthur s court, where he falls immediately in love with Guenevere. The adventures and quests which follow, including his friendship with the tragic Galehaut, take us to the point where he becomes a companion of the Round Table. --Book Jacket.

In Walker Percy: Books of Revelations, Gary M. Ciuba examines how Percy's apocalyptic vision inspires the structure, themes, and strategies of his fiction. This book explores the unity of the southern novelist's fiction by focusing on its religious and artistic design—one of the first studies to approach Percy's work from this perspective. Ciuba considers Percy's six published novels—The Moviegoer, The Last Gentleman, Love in the Ruins, Lancelot, The Second Coming, and The Thanatos Syndrome—and also offers the first extended critical analysis of his unpublished work “The Gramercy Winner.” Although the novels are often seen as increasingly satiric jeremiads about the possible doom of America, Ciuba argues that Percy's fiction is principally shaped by a demythologized and partially realized form of eschatology. This apocalyptic vision has less to do with the end of the external world than with the demise of the protagonists' internal worldviews. According to Ciuba, Percy does more than offer direly comic warnings about the end of the world; he shows how the world actually ends and then may begin again in the everyday lives and extraordinary loves of his astonished seers.

This book explores the rich, complex, literary tradition of the medieval go-between. Idealized going between usually leads to marriage and it develops a new dimension of the much debated question of courtly love and woman's part in it. Chaucer's Pandarus's place in this go-between tradition is a tour de force.

A comprehensive encyclopedia of characters, places, objects, and themes found in the legends of King Arthur and the Knights of the Round table. Draws from all significant source between Gildas' De Excidio Britanniae written about 540 AD and Tennyson's 19th-century Idylls of the King, including versions from throughout Europe. The entries range from a short identifying sentence to nearly ten pages for the king himself. Each is referenced to a source, which are presented in a endtable showing author and tit date, form, and langua description; keywords from the entries; and recent editions, a vital bit of information such references usually neglect. The cross-referencing is fairly good, often done as a full entry identifying a name as a variant of another, so the lack of an index is not a problem. Distributed in the US by Taylor and Francis. Annotation copyrighted by Book News, Inc., Portland, OR