The first thing I remember is... falling. A young man arrives in a dying city with seashells in his pockets. He doesn't know who he is, or how he got here. He goes by the only name he can think of: Lanark. Lanark is a portrait of the outsider artist as a young man, an exploded life story like no other. This theatrical re-imagining of Alasdair Gray's classic novel takes us from the Dragon Chambers to the Cathedral of Unthank, from the post-war Glasgow School of Art to the sinister underground Institute, from the heavenly city of Provan to the hellish Elite Café, combining science-fiction, realism, fantasy, and playful storytelling. 'Insanely ambitious... a heady, unsettling, unpredictable dream... this is a darkly playful and intriguingly dislocated evening in which chronological time, theatre's fourth wall, character conventions and all expectations get smashed.' Guardian Lanark: A Life in Three Acts was conceived in collaboration by David Greig and Graham Eatough and adapted for the stage in collaboration with the creative team. It was presented as a co-production between the Citizens Theatre and the Edinburgh International Festival at the Edinburgh International Festival 2015.

This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.

Beginners tells the story of three families trapped in a waterlogged holiday cottage over summer. The children are bored. The adults are down the pub. So far so normal. An extraordinary Easter Holiday show for everyone who has ever wanted to be understood.

It's a tax write-off. This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there. Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting. Waiting. Waiting long enough for time to start eating away at them. To lose all sense of it. To start seeing things in the dark outside. Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

'Electrifying . . . This four-hour epic of ambition and power is a sinewy reworking of Aeschylus that explodes into a cacophonous climax.' GUARDIAN ***** Aeschylus' Oresteia opens with Agamemnon sacrificing his daughter to the gods; an act which sets in motion a bloody cycle of revenge and counter-revenge. When he in turn is killed at the hands of his wife Clytemnestra, their son Orestes takes up the mantle of avenging his father, continuing the bloodshed until peace is ultimately found in the rule of law. Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies. Winner: Best New Play, Critics' Awards for Theatre in Scotland This Restless House premiered at the Citizens Theatre, Glasgow, in April 2016 in a co-production with the National Theatre of Scotland.

With honesty, humour and occasional anger, performer Bette Bourne tells the playwright Mark Ravenhill about his brave and flamboyant life. Crafted from transcripts of a series of long, private conversations, actor Bette Bourne reminisces and replays scenes from his life from a postwar childhood,a stint as a classical actor in the late 60s, to living in a drag commune in Notting Hill and being an active member of the Gay Liberation Front. Bette then talks about his touring with the New York based Hot Peaches cabaret group and founding his own cabaret troop, Bloolips, which redefined the term gay theatre by creating their very own unique celebration of dramatic and colourful homosexuality. The piece, in three parts, marks a different series of events in Bette's life to reveal both a portrait of a pioneering, radical individual and a historical document of the struggles and achievements of gay liberation.

How do I even start? It's a mental story. Ah know, Ah know, everyone says that – 'ma life's pure mental'. But honestly – a guy drowns, a man eats a live pigeon (though Ah might no have time for that), a woman gets set on fire, right before my eyes! But before we get tae aw that, Ah should tell you ma name. Right. So, ma name, is. . . Pip. Pip is just your average wee guy – happy with his lot and not much of a complainer (though you really wouldn't blame him if he was!). Regularly tortured and terrified, in what is, it must be said, a truly hard life, he still finds time to laugh, smile and dream of a brighter future, even though no-one expects anything of him. Or so he thinks. . . Nae Expectations is Gary McNair's fresh look at the Dickens classic, with a Glasgow tongue and a gallus spirit. Follow young Pip as he battles with monstrous adults, the class system and, most of all, his inner demons as he tries to work out who he is, what he wants to be and how to find his own way in the world. This edition was published to coincide with the world premiere at Glasgow's Tron Theatre, in October 2023.

People find me. When it's dark. 1863. An asylum. A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there. When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate. But as the woman's past begins to reveal itself, so do new powers neither are prepared for. Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre. This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.

When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.