Winner of the Pulitzer Prize for History (1976). The extraordinary biography of a pioneer hero of the frontier Southwest from the author of Great River. Originally published in 1975, this Pulitzer Prize for History–winning biography chronicles the life of Archbishop Jean Baptiste Lamy (1814–1888), New Mexico’s first resident bishop and the most influential, reform-minded Catholic official in the region during the late 1800s. Lamy’s accomplishments, including the endowing of hospitals, orphanages, and English-language schools and colleges, formed the foundation of modern-day Santa Fe and often brought him into conflict with corrupt local priests. His life story, also the subject of Willa Cather’s Death Comes for the Archbishop, describes a pivotal period in the American Southwest, as Spanish and Mexican rule gave way to much greater influence from the United States and Europe. Historian and consummate stylist Paul Horgan has given us a chronicle filled with hardy, often extraordinary adventure, and sustained by Lamy’s magnificent strength of character. “Lamy of Santa Fe stands as a beacon in American biography.” —James M. Day, author of Paul Horgan “Lamy of Santa Fe is a classic work. Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid portrayal of the Southwest’s political, social and cultural traditions will find [this book] rewarding . . . the historical and literary heritage of Americans in general will be the richer for Mr. Horgan’s painstaking effort.” —Southwestern Historical Quarterly

Noted scholar, student of New Mexican culture, and teacher Father Tom Steele has tracked down all the existing manuscript sermons of Jean Baptiste Lamy (1814-88), the first bishop of Santa Fe and the model for the title character of Willa Cather's novel Death Comes for the Archbishop. Lamy has been the subject of devotion, rumor, and attack for over a hundred years. In this new book Steele selects important and characteristic sermons and uses them to decipher the real Lamy, public and private. This book builds on previous scholarly work about Lamy, including Paul Horgan's Lamy of Santa Fe, and presents new information and insight based on Lamy's own writings. A fully searchable CD-ROM (for both PC and MAC) of Lamy's complete sermons in English and Spanish is also available.

The myth is the story of how the chapel acquired its spiral staircase through the intervention of a mysterious white-bearded carpenter who came in answer to the sister's prayers. The author has tracked down the mystery. While St Joseph may not have been directly involved, a miracle of sorts did bring Santa Fe this lovely small Gothic structure with stained glass windows.

The Pulitzer Prize– and Bancroft Prize–winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe. Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations—Native American, Spanish, Mexican, and Anglo-American—that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing. “Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole.” —The Boston Sunday Herald “Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit.” —Allan Nevins, author of Ordeal of the Union “One of the major masterpieces of American historical writing.” —Carl Carmer, author of Stars Fell on Alabama

This is a book of scenes and portraits from three centuries of the society of Santa Fe, New Mexico, the city which was for so long the northernmost capital of Spain in the New World. Since its foundation in 1610, it has known a variety of social life and an enlivening contrast, and a commingling of several different races. This volume tries to describe that life in the sequence of time during periods of significant change and throughout a succession of conquests from early Spanish colonial times to the present.

"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears inWilla Cather on Writing, a collection of essays and letters first published in 1949. In the course of it Cather writes, with grace and piercing clarity, about her own fiction and that of Sarah Orne Jewett, Stephen Crane, and Katherine Mansfield, among others. She concludes, "Art is a concrete and personal and rather childish thing after all—no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself—a game of make-believe, of re-production, very exciting and delightful to people who have an ear for it or an eye for it."