René Lalique: Selections from the Steven and Roslyn Shulman Collection introduces the artistic innovations and legacy of renowned French Art Deco artist René Lalique. Born outside of Paris in 1860, Lalique was recognized as one of France's foremost Art Nouveau jewelry designers before turning to the material of glass in the early twentieth century. By the 1920s, Lalique's glass artwork embraced the new ideas and technologies that swept the United States and Europe. He brought an artistic aesthetic to new industries such as automotive and electrical products, as well as to new clienteles including the rising middle class and the increasingly independent female consumer. His legacy has influenced subsequent generations of designers and artists, in particular contemporary artists working in the medium of glass. Lalique's considerable imagination and eye for design is evident in the Steven and Roslyn Shulman Collection, one of the most comprehensive selections of Lalique glass in the United States. The collection features perfume bottles, vases, automobile mascots, and a wealth of other objects that exemplify the Art Deco style and celebrate Lalique's sense of design.

The eight volumes in this boxset reveal the manifold creative talents of René Lalique, an exceptional artist, Art Nouveau jeweler, and later Art Deco glassmaker, as well as those of his successors and the many people who perpetuate these skills in the present day. Illustrating previously unpublished works, Lalique retraces the history of Lalique and its founding family. For Lalique is a famous name: René, 'the inventor of the modern jewel', as Emile Gallé described him at the close of the nineteenth century. After working from home as a designer for large firms, Lalique opened his own workshop, where he created objects in the round using previously neglected materials, such as horn, semi-precious stones, enamel, and glass. These already featured the themes that would recur throughout his career: Female, Flora and Fauna, with the addition of a fourth 'F', Form, with the advent of Art Deco. From a very young age René Lalique enjoyed drawing, observing nature closely and making sketches. Although his most detailed works were undoubtedly his jewelry designs, drawing was to remain an indispensable prerequisite to his creations. Lalique found an outlet for his creative genius in all sorts of everyday objects, including lamps, paperweights and tableware, magnifying their importance and rendering them wholly exceptional today. René Lalique also turned his hand to decoration and the creation of monumental works. Whether designing the stained glass for a chapel, an imposing fountain for the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, or objects for railway trains or ocean liners, he was always keen to create with glass and to play with light.

These three elegant books showcase exquisitely beautiful collections of jewels and objets d'art, many from the world-famous auction house, Christie's. Lavishly illustrated with specially commissioned, full-color photographs, and covering several historical periods and styles, these volumes detail the finely crafted construction and materials used in each piece, as well as its individual history. See Faberge's famed Easter eggs. Lalique's masterpieces in glass, and a stunning collection of vintage and modern jewelry.

Showcases the work of the Art Nouveau glass craftsman and jewelry designer.

The set of jewels, drawings, objets d'art and glassware acquired by the Collector directly from the artist, with a single exception, between 1899 and 1927, is well representative of Lalique's work. René Lalique (1860-1945) and Calouste Gulbenkian (1869-1955) shared the experience of a time marked by the fascinating transition of the so-called Belle Époque - with its particular end-of-the-century spirit, present mainly on the remarkable set of Art Nouveau works. Both men were tied by friendship and mutual consideration, well evidenced in the words of the Collector: "My admiration for his unique work increased throughout the fifty years our friendship lasted... I am proud to own, I believe, the largest number of Lalique's works...".

The authors examine the artist's oeuvre and trace his development from goldsmith-jeweller to glassmaker. They also identify the key phases of his work in relation to the evolution of his technique.

A sumptuous volume that tells the story of how three iconic designers in prewar Europe created and marketed jewelry as art Fabergé, Tiffany, Lalique--these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture. The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world. Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. Published in association with the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (October 19, 2008 - January 19, 2009) Fine Arts Museums of San Francisco (February 7 - May 31, 2009)

The innovative genious of French artist René Lalique (1860-1945) is fully explored and documented in this volume which features one hundred and fifty objects created by the master jeweller . Symbols of the very idea of art nouveau, René Lalique's creations did not limit themselves simply to effecting a stylistic renewal of jewellery. Indeed, Lalique developed a unique form of art somewhere between applied arts, poetry, painting and literature. This volume highlights the technical and poetic contribution of Lalique through a comparison with the creations of such contemporaries and examines Lalique's creative process, through the presentation of a selection of decorative works that inspired him, photographs taken by him, preparatory sketches and life-size studies preceding the creation of a jewel. The authors also contextualize the work as regards the creative arts of the time (theater, literature, music, the glass industry) and the special relationship Lalique had with some of his contemporaries, such as actress Sarah Bernhardt. Through 150 creations---jewellery, glassware, accessories, paintings, photographs, designs for clothes---and authoritative essays, this monograph will illuminate the full range of this ingenious craftsman.