This book examines the practice of poetry in the devotional Vaiṣṇava tradition inspired by Śrī Kṛṣṇa Caitanya (1486-1533), through a detailed study of the Sanskrit poetic works of Kavikarṇapūra, one of the most significant sixteenth-century Caitanya Vaiṣṇava poets and theologians. It places his ideas in the context both of Sanskrit literary theory (by exploring his use of earlier works of Sanskrit criticism) and of Vaiṣṇava theology (by tracing the origins of his theological ideas to earlier Vaiṣṇava teachers, especially his guru Śrīnātha). Both Kavikarṇapūra's poetics as well as the style of his poetry is in many ways at odds with those of his time, particularly with respect to the place of phonetic ornamentation and rasa. Like later early modern theorists, Kavikarṇapūra reaches back to the earliest Sanskrit poeticians whom he attempts to harmonise with the theories current in his time, to develop a new poetics that values both literary ornamentation and the suggestion of emotion through rasa. This book argues that the reasons of and purposes for Kavikarṇapūra's literary innovations are firmly rooted in his unique Vaiṣṇava theology, and exemplifies this through a careful reading of select passages from the Ānanda-vṛndāvana, his poetic retelling of Kṛṣṇa's play in Vṛndāvana.

Sanātana Gosvāmī wrote Bṛhad-vaiṣṇava-toṣaṇī, an elaborate commentary on the Tenth Canto to explain in detail what Śrīdhara Svāmī covered briefly, and to give devotional meaning where Śrīdhara Svāmī gave brahmanvada explanations. Jīva Gosvāmī wrote Laghu-vaiṣṇava-toṣaṇī as a summary version of Bṛhad-vaiṣṇava-toṣaṇī. The commentaries on first eight chapters of the Tenth Canto are virtually the same but after that point there are increasing differences. Ultimately this commentary is approximately same size as the Bṛhad-vaiṣṇava-toṣaṇī. He completed this work in Śakābda 1504.

Journeys are voyages of discovery, infinitely enriching explorations of the self and of the universe. Journeys can take you to the Himalayas, across oceans, into the wilderness of forests and to the farthest corners of the earth and the human mind. Such journeys are sagas of the human spirit and of endurance the will to break free from the mundane and the familiar. This unique volume of twenty-two essays, photoessays and critical texts brings together accounts of epic heroes and saints, pilgrims and trekkers, journalists and photographers, historians and folklorists. They are travellers who chart their course across vast seas and countries other than their own in search of the unknown and the exotic. While their narratives may be deeply personal, they are, ultimately, accounts of voyages that are universal. At times these are private confessions that transcend details of geography and conquest to express the solitude of the traveller. This volume also includes moving accounts of spiritual journeys that delve into the recesses of the mind like those of Akkamahadevi, Bulle Shah, Nanak, and countless poets, singers and saints and journeys typical of the Indian tradition those of the yogi prince, renouncing the illusionary nature of the finite world to attain immortality. And finally, there is the journey through life by those who are touched by a moment of revelation which transforms their inner and outer selves. Here we follow the path taken by a writer, an artist, a dancer and an activist as they speak of transformation. Deeply felt, revelatory and inspiring, the writings in Journeys explore voyages both finite and infinite journeys into the unknown and into the inner psyche that are a reaffirmation of the power of the human spirit and imagination.

Sanskrit text with English translation on manifestation of Krishna, Hindu deity and devotion (bhakti) presenting viewpoint of the Chaitanya school in Vaishnavism.

Saṅkalpa Kalpadruma

The two works, Vidagdha-mādhava and Lalita-mādhava were written by Śrīla Rūpa Gosvāmī. The Vidagdha-mādhava describes pastimes in Vṛndāvana, and the the pastimes in Lalita-mādhava begins in Vṛndāvana and ends in Dvārakā. Both of them, praised by Rāmānanda Rāya and Caitanya Mahāprabhu for its excellent verses, wonderfully describe the emotions of the highest rasa.Vidagdha-mādhava, a seven-act play was completed by Śrīla Rūpa Gosvāmī in the 1533 A.D. This work concerning Kṛṣṇa, friend of the gopīs, is permeated with ornaments in the form of conversations. The land within Vṛndāvana has become the arena for the performance of the drama. The spring season in which the moon has become newly red in response has become the suitable time.