Ankhesenamun finally has the Eye of Horus although she has given up almost everything to secure it. She returns to Egypt to reclaim her throne and restore a more humane monarchy. But she underestimates the power of the Eye. It won’t be content with a queen. The Eye wants more. It wants everything. The only thing Ankhesenamun has left to give is herself. Blending history and fantasy, The Amarna Age series is set in 18th Dynasty Egypt where the old gods have been worshipped for thousands of years and magic is a matter of belief. For readers of historical fantasy who enjoy magical realism and an ancient world setting.

One minute, Hattie Williams is in a museum, sketching Hatshepsut's gold necklace, first female Pharaoh of Egypt; and the next, she's sent back in time to ancient Egypt. Soon, Hattie learns three things: She's become Hatshepsut, the heir to the thone wants her dead, and she's falling hopelessly in love with Senemut, Hetshepsut's steward.

The first in a trilogy about the descendants of the last true king of Egypt who revolt against foreign rule.

"Explores the lives of six remarkable female pharaohs, from Hatshe psut to Cleopatra--women who ruled with real power ... What was so special about ancient Egypt that provided women this kind of access to the highest political office? What was it about these women that allowed them to transcend patriarchal obstacles? What did Egypt gain from its liberal reliance on female leadership, and could today's world learn from its example?"--

A fascinating look at the artistically productive reign of Hatshepsut, a female pharaoh in ancient Egypt

“The best book I’ve read in years.” —Christine Feehan The incomparable C.L. Wilson brings her phenomenal Tairen Soul novels to Avon Books! Lord of the Fading Lands is the first book in the epic romantic adventure that combines sweeping fantasy with breathtaking paranormal romance. USA Today and New York Times bestseller C. L. Wilson dazzles with a magnificent, heart-soaring tale of passion and great destiny—of the tormented Fey King Rain, the woodcutter’s daughter Ellysetta, who would be queen, and their eternal quest for true love in the mystical Fading Lands.

It’s drow god vs. drow god in this thrilling second installment of the Lady Penitent series When drow goddesses Lolth and Eilistraee sit down to a game of sava, they play for control of the dark elves of Faerûn and their own immortality. Unable to resist such high stakes, Kiaransalee—the goddess of the dead and of vengeance—asks to join the fray, turning the game into an even more cutthroat race for power. Though the goddesses' drow pawns will survive the game, the very nature of what it means to be a dark elf may change forever.

In recent decades, the relation between Egyptian and Greek praises of the goddess Isis has received much scholarly attention. The present study, however, focuses on six Demotic hymns and praises directed to this goddess: P. Heidelberg dem. 736 verso, O. Hor 10, Theban Graffiti 3156, 3462, 3445, and P. Tebt. Tait 14. These texts from the second century BC to the second century AD are re-edited in facsimile, transliteration and translation. A commentary to each document discusses philological matters, providing improved readings in some instances. For the first time, the six texts are analyzed comparatively in regard to formal features and content. The concept of Isis that is outlined by the Demotic sources is set against Isis' role as described by other Egyptian sources (such as temple inscriptions or theophoric personal names) and by Greek eulogies of the goddess. An appendix offers an overview of other Demotic hymns and praises addressed to various divinities.

Nefertari, the favorite queen of Rameses II, was buried about 3,200 years ago in the most exquisitely decorated tomb in Egypt's Valley of the Queens. Discovered in 1904 by Italian explorer Ernesto Schiaparelli, the tomb had deteriorated to a disastrous extent when emergency consolidation began in 1986. The six-year conservation project of the GCI and the Egyptian Antiquities Organization was completed in 1992. In this fascinating exploration of the tomb, John McDonald takes the reader through each chamber, describing the hieroglyphic messages depicted in the brilliant wall paintings and discussing the images within the context of Egyptian beliefs. He also offers insights into the life of Nefertari, the development and symbolism of royal tombs, and the construction and decoration of the tombs. House of Eternity is illustrated with historic black-and-white images and more recent color photographs that reveal the vibrant beauty of the wall paintings. In November 1995 the tomb was reopened to the public. Because of the potential for damage and deterioration to the fragile wall paintings caused by increased humidity, carbon dioxide, and microbiological activity introduced by visitors to the tomb, the number permitted to enter daily is strictly controlled by the Egyptian authorities. This book results from a desire of the GCI to enrich visitors' experience by providing a detailed descriptive walk-through of the tomb while conveying a strong message regarding the need for conservation and continuous monitoring to ensure the long-term survival of the tomb's paintings. Visitors to the tomb and the armchair traveler alike will find House of Eternity to be an excellent resource for understanding Nefertari's journey to the afterlife and for appreciating the extraordinary depictions of that journey on the walls of Nefertari's tomb.