Raised by three strange sisters, Albia has never known the secrets of her parentage. But when Macbeth seeks out the weird sisters to foretell his fate, his life is entangled with his unknown daughter's. When Albia foresees the terrible future, she becomes determined to save Macbeth's rival-and the man she loves-from her murderous father. Klein's seamlessly drawn tale makes it seem impossible that Albia was not part of Shakespeare's original play.

From towering crags to misted moors and formidable fortresses, Lady Macbeth transports readers to the heart of eleventh-century Scotland, painting a bold, vivid portrait of a woman much maligned by history. Lady Gruadh—Rue—is the last female descendant of Scotland’s most royal line. Married to a powerful northern lord, she is widowed while still carrying his child and forced to marry her husband’s murderer: a rising warlord named Macbeth. As she encounters danger from Vikings, Saxons, and treacherous Scottish lords, Rue begins to respect the man she once despised. When she learns that Macbeth’s complex ambitions extend beyond the borders of the vast northern region, she realizes that only Macbeth can unite Scotland. But his wife’s royal blood is the key to his ultimate success. Determined to protect her son and a proud legacy of warrior kings and strong women, Rue invokes the ancient wisdom and secret practices of her female ancestors as she strives to hold her own in a warrior society. Finally, side by side as the last Celtic king and queen of Scotland, she and Macbeth must face the gathering storm brought on by their combined destiny. This is Lady Macbeth as you’ve never seen her.

Tessa macFindlaech is sent to her uncle's castle to learn proper behavior, but events soon change her fate. Captured by an English spy, she's thrust into a different world, where she must stand up for herself and ignore her stubborn Highland heart.

From the acclaimed author of Lies We Tell Ourselves, Robin Talley, comes a Shakespeare-inspired story of revenge and redemption, where fair is foul, and foul is fair. Maria Lyon and Lily Boiten are their school’s ultimate power couple—but one thing stands between them and their perfect future: campus superstar Delilah Dufrey. Golden child Delilah is a legend at exclusive Acheron Academy, and the presumptive winner of the distinguished Cawdor Kingsley Prize. But Delilah doesn’t know that Lily and Maria are willing to do anything—absolutely anything—to unseat Delilah for the scholarship. After all, it would lock in Maria’s attendance at Stanford—and assure her and Lily four more years in a shared dorm room. Together, Maria and Lily harness the dark power long rumored to be present on the former plantation that houses their school. But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what’s imagined, the girls must attempt to put a stop to the chilling series of events they’ve accidentally set in motion.

This book analyses the ways contemporary fiction writers draw on Shakespeare - the man, his work and his cultural legacy.

Ambitious Lady Macbeth tries to win the throne of Scotland for her husband while her banished daughter Albia, who was raised by three weird sisters, falls in love, learns of her parentage, and seeks to free Scotland from tyranny.

Text and children's art present the story of William Shakespeare's Macbeth.

The Lady Macbeth of the Mzinsk District deals with the theme of the subordinate role expected from women in 19th-century European society. Also it revolves around adultery, provincial life and the planning of murder by a woman, hence the title inspired by the Shakespearean character Lady Macbeth from his play Macbeth.

Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.