To the world she was spoiled debutante Brenda Banks - but Brenda was bored with the normal life, so she donned her stylish dress, cape and heels, and became LADY LUCK - that ever-in-fashion crimefighter and hero. LADY LUCK spent 44 issues in SMASH COMICS before she had her own 5-issue run. This is a special collection for those who already have her stories from SMASH COMICS. This will complete your collection! If you already have THE COMPLETE LADY LUCK (GWANDANALAND COMICS #105) you don't need this - you have it all!Looking for just her SMASH COMICS stories? That's Gwandanaland Comics #12! THE COMPLETE LADY LUCK? Gwandanaland Comics #105!GWANDANALAND COMICSWe specialize in character collections - many for the first time in print; we also publish individual issues from the past as well as complete comic title series'. We take your requests and create special collections never gathered together before! At Gwandanaland Comics we take the extra time to give you the best quality possible!NEW TITLES DAILY - WRITE FOR [email protected] ONLINE? INCLUDE THE WORD "GWANDANALAND" TO MAKE SURE YOU HAVE THE MOST COMPLETE COLLECTION, THE HIGHEST QUALITY PAGES, AND THE BEST VALUE! WHAT WOULD YOU LIKE TO SEE IN PRINT?

Nobody suspected that Lady Luck was actually Brenda Banks, a "debutante crime buster bored with social life" who decided to become a "modern lady Robin Hood." Her costume was not that of a traditional comic book vigilante; it looked like something that a Will Eisner femme fatale would wear. It was an emerald green gown, a green hat, and a green silk veil that hung over her face to disguise her identity. She solved blackmail cases, spy cases, kidnappings, and any other cases that came her way. As Brenda Banks, she was in love with Police Chief Hardy Moore; ironically, Moore's job was to bring in Lady Luck. Lady Luck is a fictional, American comic-strip and comic book crime fighter and adventuress created and designed in 1940 by Will Eisner with artist Chuck Mazoujian (1917-2011). Through 1946, she starred in a namesake, four-page weekly feature published in a Sunday-newspaper comic-book insert colloquially called "The Spirit Section". The feature, which ran through November 3, 1946, with one months-long interruption, was reprinted in comic books published by Quality Comics. A revamped version of the character debuted in 2013 in DC Comics's Phantom Stranger comic. Lady Luck was ranked 84th in Comics Buyer's Guide's "100 Sexiest Women in Comics" list. Created and designed in 1940 by Will Eisner (who wrote the first two Lady Luck stories under the pseudonym "Ford Davis") with artist Chuck Mazoujian, Lady Luck appeared in her namesake, four-page weekly feature published in a Sunday-newspaper comic-book insert colloquially called "The Spirit Section". This 16-page, tabloid-sized, newsprint comic book, sold as part of eventually 20 Sunday newspapers with a combined circulation of as many as five million, starred Eisner's masked detective the Spirit and also initially included the feature Mr. Mystic, plus filler material. Writer Dick French took over scripting after these first two episodes. Later, writer-artist Nicholas Viscardi (later known as Nick Cardy) took over the feature from the May 18, 1941 strip through Feb. 22, 1942, introducing Lady Luck's chauffeur and assistant, Peecolo.[5] Though his Lady Luck stories were credited under the house pseudonym Ford Davis, Viscardi would subtly work in the initials "NV" somewhere into each tale. Writer-artist Klaus Nordling followed, from the March 1, 1942 to March 3, 1946 strip, when "Lady Luck" was temporarily canceled. After briefly being replaced by the humor feature "Wendy the Waitress" by Robert Jenny, "Lady Luck" returned from May 5 to November 3, 1946, under cartoonist Fred Schwab. "Lady Luck" stories were reprinted in the Quality Comics comic book Smash Comics #42-85 (April 1943 - Oct. 1949), whereupon the series changed its title to Lady Luck for five more issues. Nordling providing new seven- to 11-page stories in Lady Luck #86-90 (Dec. 1949 - Aug. 1950), with Gill Fox drawing the covers. Occasional backup features were "Lassie" by writer-artist Bernard Dibble and the humor features "The Count", by Nordling, and "Sir Roger", by Dibble or, variously, Bart Tumey. Lady Luck was revived alongside Eisner characters John Law, Nubbin, and Mr. Mystic in IDW Publishing's Will Eisner's John Law: Dead Man Walking, a 2004 collection of new stories by writer-artist Gary Chaloner.. This Archive contains Lady Luck adventures from: Smash Comics #42-85 Lady Luck #86-90 Approx 308 pages.

To the world she was spoiled debutante Brenda Banks - but Brenda was bored with the normal life, so she donned her stylish dress, cape and heels, and became LADY LUCK - that ever-in-fashion crimefighter and hero. LADY LUCK spent 44 issues in SMASH COMICS before she had her own 5-issue run. This is a special collection for those who already have her stories from LADY LUCK #86-90, which was published some years ago. This will complete your collection!Looking for just her LADY LUCK #86-90 stories? That's Gwandanaland Comics #14! THE COMPLETE LADY LUCK? Gwandanaland Comics #105!GWANDANALAND COMICSWe specialize in character collections - many for the first time in print; we also publish individual issues from the past as well as complete comic title series'. We take your requests and create special collections never gathered together before! At Gwandanaland Comics we take the extra time to give you the best quality possible!NEW TITLES DAILY - WRITE FOR [email protected] ONLINE? INCLUDE THE WORD "GWANDANALAND" TO MAKE SURE YOU HAVE THE MOST COMPLETE COLLECTION, THE HIGHEST QUALITY PAGES, AND THE BEST VALUE! WHAT WOULD YOU LIKE TO SEE IN PRINT

DigiCat Publishing presents to you this special edition of "Lady Luck" by Hugh Wiley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The ultimate history of the greatest period in comic book superheroes, from the birth of the genre in the early thirties to the postwar lull in the late forties.