Domestic advice literature is rich in information about design, ideals of domesticity, consumption and issues of identity, yet this literature remains a relatively neglected resource in comparison with magazines and film. Design at Home brings together etiquette, homemaking and home decoration advice as sources in the first systematic demonstration of the historical value of domestic advice literature as a genre of word and image, and a discourse of dominance. This book traces a transatlantic domestic dialogue between the UK and the US as the chapters explore issues of design, domesticity, consumption, social interaction and identity markers including class, gender and age. Areas covered include: • the use of domestic advice by historians • relationships between advice, housing and the middle class • links between advice and gender • advice and the teenage consumer Design at Home is essential reading for students and scholars of cultural and social history, design history, and cultural studies.

Addresses the evidence for the belief that enjoyment of fashion is necessarily inconsistent with feminist values, from a feminist point of view. This book begins by establishing that many feminists hold this belief, and argues that disagreeing does not mean claiming that feminism was unnecessary or that it is rendered redundant by social mores.

This student-friendly text provides a comprehensive exploration of the methods and approaches employed within design scholarship, drawing upon influences from history, art history, anthropology and interdisciplinary studies such as science and technology studies and material culture studies. Drawing connections between these methods and the evolving landscape of design, the book expands design culture beyond traditional outcomes to encompass areas like design for social innovation, digital design, critical design, design anthropology and craftivism. Additionally, the book introduces novel theoretical frameworks to facilitate discussions on contemporary designers’ work, including new materialism, object-oriented ontology and decolonization. This comprehensive overview of methods and approaches will enable students to select the most appropriate methodological tools for their own research. It is an ideal guide for both undergraduate and postgraduate students in design, design culture, design history, design studies and visual culture.

Described as ‘an interesting and thought provoking book’ this autobiography by Keith A. Elliott MBE shares his career in the Metropolitan Police over 38 years from the late 1950’s to the late 1990’s uniquely in London’s West End dealing with many of the daily incidents and criminal acts as a front line police officer and where he was introduced to many elevated and influential members of society. On leaving the police he also uniquely set up and ran a consultancy to the film industry making a contribution to over 75 films including the ‘Harry Potter’ series, ‘V’ for Vendetta’ using his knowledge and persuasive ability to obtain agreements on behalf of the film companies and at the same time ensuring that film directors and assistant directors and crew abided by the agreements negotiated with the authorities in London and the Counties. This process enabled the author to witness from the public perspective point of view the changing the changing role and performance of the police leading to the present day. Coming from a humble background and childhood beset with poverty , deprivation and bullying he entered into a career in the police where he worked to make a difference for over 38 years and beyond.

The refinement of the past meets the pragmatism of the present in this sparkling portrayal of modern etiquette. In an era where traditional norms are often sidelined, Debrett's New Guide to Etiquette and Modern Manners emerges as a beacon of hope, tactfully intertwining the timeless elegance of decorum with a modern twist to fit the intricacies of the twenty-first century. From the simplicity of basic table manners to the sophisticated protocols required at high-profile diplomatic gatherings, the expertly curated advice is both practical and easy to implement. Celebrating the charm, allure, and perpetual importance of traditional courtesy, this guide is more than a manual; it's an ode to the civility of a bygone era and a definitive guide on carrying forth its spirit into the contemporary world.

A mother writes to her faraway daughter: "I keep all your letters. Someday you might want to do something with them." Those words foretold Shared Histories, although neither woman would live to see the book. This is the first known published collection of letters to include correspondence between civilian family members on both sides of the Atlantic during World War II. Separated for most of their adult lives, Virginia Dickinson Reynolds and her daughter, Virginia Potter, wrote to each other for nearly forty years. This selection from their long exchange is filled with unguarded reflections on current events, fashion, food, travel, domestic life, leisure, and the upheaval of war. Readers will also encounter various prominent English people and members of the aristocracy, the American southern elite, and such familiar names as Martha Graham, Walt Disney, and Ellen Glasgow. Both women were born in Richmond, Virginia, and raised in privileged circumstances. Virginia Dickinson Reynolds was the child of a Confederate Army officer and was also a distant cousin of poet Emily Dickinson. Virginia Potter traveled widely until she married an English Army officer and settled in his country. The women's intensely close bond shines through Shared Histories as, from time to time, do their class-conscious, Anglo-Saxon sensibilities. Sometimes poignant, sometimes bristling, always candid, these letters portray private worlds of tradition confronted with global change.

An international panel of celebrity experts record their choices for the bestof what's happening and where around the globe. Illustrated.