The fairies are back, but this time they don’t just want your teeth . . . Granny Weatherwax and her tiny coven are up against real elves. There’s a full supporting cast of dwarfs, wizards, trolls, Morris dancers and one orangutan. It’s Midsummer Night — no time for dreaming. And lots of hey-nonny-nonny and blood all over the place.

This book offers the first ever academic study of women's cricket in Britain from its origins in the 18th century to the present day. Through use of interviews with many former players, the book argues that women's cricket was a site of feminism across its history and an important source of empowerment to women who participated in the sport.

Miss Marjorie Montmorency-James was very lovely, very young, and very impressionable . . . which is why she fell in love with Lord Philip's picture in the newspaper. Little did she suspect that she would soon meet Lord Philip in the flesh. For what would a daughter of the middle class be doing rubbing shoulders with the mobility?

“A gripping love story . . . the perfect read for anyone looking to lose themselves in a flawless romantic novel”—from the author of When a Duke Says I Do (Fresh Fiction). Locked away by her reclusive and intensely protective father, the recently deceased “Mad Lord of Northumberland,” Melissa is beautiful and educated but painfully naïve about the real world—and the dark secrets of her birth. Now in the care of her uncle, the Earl of Braddock, she must prepare to enter London society and find a proper husband, a task that grows complicated when she falls for the one man she can never have. Just as a promising new life begins to eclipse her tragic past, she'll find herself consumed by a forbidden love that could destroy it all . . . Praise for When a Duke Says I Do “Goodger's Regency debut abounds with quiet charm.”—Publishers Weekly “One of the most sweetly emotional stories I've read in ages . . . truly pulls at the heartstrings.”—All About Romance

Not only an artistic and breathtaking view of Lancre but also an interesting and informative guide to one of the Discworld's more, er, picturesque kingdoms. Granny Weatherwax, Nanny Ogg and Magrat Garlick live there. Lancre could hardly be somwhere ordinary, could it? Magic glues the Discworld together and a lot of it ends up in Lancre, principal Kingdom of the Ramtop Mountains. Between Uberwald and Whale Bay, the Octarine Grass Country and the Windersins Ocean lies the most exciting and dangerous terrain in all Discworld. The Ramtops supply Discworld with most of its witches and wizards. The leaves on the trees move even when there is no breeze. Rocks go for a stroll in the evening. Even the land, at times, seems alive. The mapp may be only two-dimensional, but watch it very carefully and you might just see it jostle about a bit.

At the beginning of the twelfth century, the region around Paris had a reputation for being the land of unruly aristocrats. Entrenched within their castles, the nobles were viewed as quarrelling among themselves, terrorizing the countryside, harassing churchmen and peasants, pillaging, and committing unspeakable atrocities. By the end of the century, during the reign of Philip Augustus, the situation was dramatically different. The king had created the principal governmental organs of the Capetian monarchy and replaced the feudal magnates at the royal court with loyal men of lesser rank. The major castles had been subdued and peace reigned throughout the countryside. The aristocratic families remain the same, but no longer brigands, they had now been recruited for royal service. In his final book, the distinguished historian John Baldwin turned to church charters, royal inventories of fiefs and vassals, aristocratic seals and documents, vernacular texts, and archaeological evidence to create a detailed picture of the transformation of aristocratic life in the areas around Paris during the four decades of Philip Augustus's reign. Working outward from the reconstructed biographies of seventy-five individuals from thirty-three noble families, Baldwin offers a rich description of their domestic lives, their horses and war gear, their tourneys and crusades, their romantic fantasies, and their penances and apprehensions about final judgment. Knights, Lords, and Ladies argues that the aristocrats who inhabited the region of Paris over the turn of the twelfth century were important not only because they contributed to Philip Augustus's increase of royal power and to the wealth of churches and monasteries, but also for their own establishment as an elite and powerful social class.

A seemingly fragile beauty, Zelda Rawle is anything but the pliant heiress the Faircombe family expected. Once her wedding to the heir is over, she intends to carry out her own plans. They don't include the towering enigma that is the estate's shepherd. Lord Geoffrey Eliot will play his sheep-herding part as long as it takes to learn Miss Rawle's secrets. The laughing, peculiar Miss Rawle would make a poor lady of Faircombe, and he's made an unbreakable promise to protect his family. The closer the mismatched pair become, the greater the danger that Zelda will miss her chance at her lifelong dream - and that Geoffrey will shatter his family by falling in love with the woman intended for his brother. A sweet and sensual romance of two people who had to meet to find the world at their feet. *** He Stole the Lady is a historical regency romance novel with steamy moments and sweet ones, of about 430 pages. It features a big man with an even bigger heart, a woman who loves whiskey and saying what she thinks, an estate full of animals and the icy spring of 1814. No cliffhanger, and a Happily Ever After! He Stole the Lady is a standalone book! But fans of the series will appreciate seeing old friends again. Lord Geoffrey makes a very large Cinderella. Enjoy a good English country estate? Follow up He Stole the Lady with Letty and Michael's love story in Not Like a Lady!

The Lucent Library of Historical Eras gives young readers a window on important eras in world history. Individual titles in every multi-volume set present a historical perspective and a vivid picture of the cultural, political, and social life of the era. The 5-volume Elizabethan England Library, for example, examines the rich literary and cultural life of sixteenth-century England, the age of Shakespeare and Queen Elizabeth I. Fully documented primary and secondary source quotations enliven the text, and each set includes well-organized primary source documents valuable for student research and reports. Annotated bibliographies Maps and photographs Informational sidebars Detailed indexes

An allegorical morality comedy about criminality and the rivalries between London, Lincoln and Spain. This play is an exercise by a young dramatist who is grappling with understanding philosophical and legal concepts by simplifying these into personifications. Three Lords of London (called Pleasure, Pomp and Policy) declare their superiority with puffing emblems and insist that they have an innate right to marry the three Ladies of London (Love, Lucre and Conscience). The Ladies have been imprisoned in the first part of this series (Three Ladies of London) for their sins, and Nemo has decided that he would only release them if precisely three suitors bid for all of their hands in marriage simultaneously. The Ladies are told to remain silent and to obey whoever is willing to marry them, or they would have to return to prison to be tortured by Sorrow. Thus, instead of the standard comedic objections from female characters to potential matches, the only obstacles to this pre-determined resolution are that the three Lords of Spain and the three Lords of Lincoln appear to also bid for the Ladies. The defeat of the Spaniards is presented in an exchange of insults about emblems and epithets during a meeting that alludes to the Spanish Armada attack. And the Lords of Lincoln are briskly defeated when they are told they merely deserve the symbolic stones the Ladies have been sitting on. The introductory remarks explain how Lords should be part of the main canon because it might be one of only three pre-“Shakespearean” British comedies. And a section presents an alternative explanation for the mystery of how the seven copies of Lords’ print-run ended up with strange combinations of varying typos. The annotations explain how the detail of Usury’s parents being Jewish has been misinterpreted by previous critics as anti-Semitic, when this passage actually summarizes the ethnic backgrounds of the actual members of the Ghostwriting Workshop, as the merchant-lender among them Sylvester was Jewish, and Percy was from a region near-Scotland and had been educated in France. And evidence is presented why the series that includes Lords and Ladies should be re-attributed away from “Robert Wilson” and to Percy. “Enhanced for academia with the inclusion of a 6 page listing of Acronyms, a 1 page Summary, a 23 page Exordium, 21 pages of Plot and Staging, a 104 page Text, and and 5 pages of Terms, References, Questions, and Exercises, The Three Lords and Three Ladies of London is Volume 10 of that Anaphora Literary Press British Renaissance Re-Attribution and Modernization series. A unique and unreservedly recommended addition to community, college, and university library Shakespeare, British, and Irish drama collections”. —Midwest Book Review, James Cox, The Theatre/Cinema Shelf Exordium Plot and Staging Text Terms, References, Questions, Exercises