A catalog of an exhibit held at the Hunterdon Art Museum, Clinton, NJ, Sept. 23, 2018- Jan. 6, 2019. The exhibit displays contemporary fiber art made using lacemaking techniques, principally bobbin lace and needle lace. Forty-one works by twenty-eight artists representing eleven nationalities explore the range of effects possible from these very fluid textile techniques. Bobbin lace and needle lace techniques developed in the late 16th century and evolved rapidly with the demands of aristocratic fashion. No longer economically viable for use in apparel and housewares these sophisticated techniques are being used by artists in a variety of fibers and filaments in unlimited colors and textures to interpret their world. Lacemaking techniques are very mathematical in nature, appealing to artists with mathematical and scientific training. Many of the works in the show explore scientific subjects and philosophical questions posed by living in a highly technological society. This exhibit combines the work of contemporary lace pioneers of the lace revival of the 1970s with exciting new work by a generation of artists who were impacted by them. An essay, Czech Contemporary Lace and Mil¿a Eremiá¿ová, by Dagmar Beckel-Machyckova, tells the fascinating story of how Communism nurtured the Czech contemporary lace movement, providing a uniquely nurturing setting for creative lacemaking to flourish during the second half of the twentieth century. Lieve Jerger's essay, The Carriage of Lost Love 1977-2018 describes Jerger's work making a life size carriage in copper wire bobbin lace, a project that is still ongoing.Other artists include Manca Ahlin, Jane Atkinson, Daniela Banatova, J Carpenter, Choi+Shine, Jill Nordfors Clark, Pierre Fouché, Laura Friesel, Alex Goldberg, Maggie Hensel-Brown, Ágnes Herczeg, Ros Hills, Veronika Irvine, Nava Lubelski, Dorie Millerson, Penny Nickels, Wako Ono, E.J.Parkes, Lenka Suchanek, Lauran Sundin, Olivia Valentine, Nicole Valsesia-Lair, Denise Watts, Louise West and Ashley Williams.

The supportive, detailed guide that crafters want for frustration-free learning of all the basics, including core techniques and 40 different patterns.

Vol.2: Pattern manual 1580-1640. "This book trains you to be a pattern maker. You will learn the most common drafts for men and women from the years 1580-1640"--Publisher's description.

Step-by-step instructions, carefully graded projects for creating Torchon, Bedfordshire, Braided, Modern, other exquisite laces. 26 patterns including motifs for bookmarks, edgings, inserts, corners, medallions. 229 illustrations, including over 50 3-color stitch diagrams.

The Technique of Bobbin Lace is perfect for the novice as well as the experienced needleworker. From choosing thread, to winding bobbins, to mounting your finished showpiece, here is your complete guide to mastering bobbin lace.

Tonder bobbin lace originates in Southwest Jutland. This book contains a range of traditional patterns taken from the author's own collection, provided with photographs, prickings, line drawings and diagrams. The first section of the book looks at the history of Tonder bobbin lace, which dates from around 1600 and was a thriving industry in the Tonder district until the second half of the 19th century. Stories are told of the characterful lives of some of the lacemakers. This book features many of the patterns of the first half of the 19th century as well as a list of museums and suppliers and a brief dictionary of lace terms in Danish and English.

Radical Lace & Subversive Knitting examines the work of a diverse group of contemporary artists who have reformed knitting and lacemaking by experimenting with innovative techniques and materials. The works, which were largely created for an exhibition

As a sequel to her Technique of Bobbin Lace, Pamela Nottingham has compiled a work on the technique of making and designing Torchon lace. This simple geometric lace was introduced into England in the second half of the 19th century and its popularity among lacemakers has continued to this day.

Austin never realized he was painting his life with shades of gray, until Keaton came along and injected a rainbow of color. Keaton is a tornado of chaos and paint, which turns out to be more exciting than I ever would've imagined. I love my organized, predictable life...or at least I thought I did. But what started as a casual hookup is slowly becoming so much more, and I find myself loving the beautiful mess more than I expected. Can two people so different really make it work once feelings get involved?**** This is a stand alone story and was originally published as Kiss and Run in the Valentine's Inc series. It has since undergone significant changes and doubled in length.