Lab Lit: Exploring Literary and Cultural Representations of Science is the first formal, systematic, scholarly investigation of laboratory literature from the perspective of literary studies. Lab Lit as a new genre has received a lot of public and media attention due to its compelling presentation of science practitioners and the relatable explanations of the scientific advancements that have shaped modern society and will continue to do so. However, the genre has been largely overlooked by scholars. This book is an introduction to the world of science for those who up till now have been immersed primarily in the world of literature. The anthology contains essays that discuss Lab Lit novels using a variety of analytical approaches. It also features theoretical essays that explore the social and literary backgrounds of Lab Lit and help the reader position the critical pieces within appropriate contexts.

'Stop what you are doing and go get Christina Lauren's My Favourite Half-Night Stand!' That's Normal The perfect friends to lovers romcom from the bestselling queen of romcoms, Christina Lauren! Millie has always been one of the guys. A professor at a respected university, she's great at witty backchat but terrible at getting personal. Like her four best male friends, she's perma-single. So when a routine university function turns into a black tie gala, they all make a pact to join an online dating service and find plus-ones. There's just one hitch: after making the pact, Millie and her best friend Reid secretly spend the sexiest half-night of their lives together, before deciding the friendship is better off strictly platonic. But online dating isn't for the faint of heart. While the guys are inundated with dream dates, Millie's profile attracts nothing but creeps. So she invents an alter ego in whose make-believe shoes she can be more vulnerable than she's ever been in person. But when Reid and her alter ego hit it off, Millie finds herself struggling to resist temptation - both online and off. Soon, Millie will have to face her worst fear - intimacy - or risk losing her best friend for ever. Find out why readers LOVE Christina Lauren: 'Pure, irresistible magic from start to finish' Emily Henry 'Witty and downright hilarious . . . perfect feel-good romantic comedy' Helen Hoang 'Pure joy' Sally Thorne 'What a joyful, warm, touching book! This is the book to read if you want to smile so hard your face hurts' Jasmine Guillory 'A sexy, hilarious rom-com . . . Perfect for fans of Jasmine Guillory and Sally Thorne' Booklist 'Christina Lauren hilariously depicts modern dating' Us Weekly

In the vein of Goodnight Moon, say "goodnight" to your lab in this picture book parody of a beloved classic. Perfect for scientists of all ages! It's been a long day at the lab for this scientist. Now it's time to say goodnight! Goodnight laser Goodnight notebook Goodnight picture of Einstein with a stern look While poking fun at the clutter and chaos of lab life, scientists of all ages will appreciate ending their day with this sweet parody. They'll be rested and ready to return to the world of research in the morning! This scientific parody book in the style of Goodnight Moon is a delight for little lab girls and guys. Goodnight Lab is written by Chris Ferrie, author of Quantum Physics for Babies and other books in the Baby University series. Parents and kids both will love the accurate descriptions of all the quirks of grownup laboratories. Readers who love the Lab Girl book or Nerdy Babies will adore this humorous and educational book for kids. This book is the perfect solution if you're looking for science baby gifts and physics gifts for curious kids.

“Science in fiction,” “geek novels,” “lab-lit”—whatever one calls them, a new generation of science novels has opened a space in which the reading public can experience and think about the powers of science to illuminate nature as well as to generate and mitigate social change and risks. Under the Literary Microscope examines the implications of the discourse taking place in and around this creative space. Exploring works by authors as disparate as Barbara Kingsolver, Richard Powers, Ian McEwan, Ann Patchett, Margaret Atwood, and Michael Crichton, these essays address the economization of scientific institutions; ethics, risk, and gender disparity in scientific work; the reshaping of old stereotypes of scientists; science in an evolving sci-fi genre; and reader reception and potential contributions of the novels to public understandings of science. Under the Literary Microscope illuminates the new ways in which fiction has been grappling with scientific issues—from climate change and pandemics to artificial intelligence and genomics—and makes a valuable addition to both contemporary literature and science studies courses. In addition to the editors, the contributors include Anna Auguscik, Jay Clayton, Carol Colatrella, Sonja Fücker, Raymond Haynes, Luz María Hernández Nieto, Emanuel Herold, Karin Hoepker, Anton Kirchhofer, Antje Kley, Natalie Roxburgh, Uwe Schimank, Sherryl Vint, and Peter Weingart.

"During his many long nights in the lab, scientist Andy O'Hara has plenty of time to wonder about the mysterious and beautiful Gina, first glimpsed in a lit window across the courtyard. He does not realize she is consumed by her vaccine research, concerned about her biotech company's financial problems, and about to become the prime target of animal rights activists. She is also distracted by a charming pharmaceutical mogul who offers funding for her work and a glamorous escape from her past mistakes." "When Andy finally meets Gina, his monotonous life starts to unravel. Soon he becomes embroiled in an increasingly complex web of deception as he scrambles to discover his rival's true intentions. When Gina abruptly disappears, Andy sets off to find her. But is it too late? Is there a more sinister reason behind Gina's involvement with the company? Is Gina's vaccine all it appears to be? And is Andy ready to acknowledge that there is more to life than work?"--BOOK JACKET.

Mapping the often surprising relationship between literature and geography.

Uses literature to understand and remake our ethics regarding nonhuman animals, old human beings, disabled human beings, and cloned posthumans Literary Bioethics argues for literature as an untapped and essential site for the exploration of bioethics. Novels, Maren Tova Linett argues, present vividly imagined worlds in which certain values hold sway, casting new light onto those values; and the more plausible and well rendered readers find these imagined worlds, the more thoroughly we can evaluate the justice of those values. In an innovative set of readings, Linett thinks through the ethics of animal experimentation in H.G. Wells’s The Island of Doctor Moreau, explores the elimination of aging in Aldous Huxley’s Brave New World, considers the valuation of disabled lives in Flannery O’Connor’s The Violent Bear It Away, and questions the principles of humane farming through reading Kazuo Ishiguro’s Never Let Me Go. By analyzing novels published at widely spaced intervals over the span of a century, Linett offers snapshots of how we confront questions of value. In some cases the fictions are swayed by dominant devaluations of nonnormative or nonhuman lives, while in other cases they confirm the value of such lives by resisting instrumental views of their worth—views that influence, explicitly or implicitly, many contemporary bioethical discussions, especially about the value of disabled and nonhuman lives. Literary Bioethics grapples with the most fundamental questions of how we value different kinds of lives, and questions what those in power ought to be permitted to do with those lives as we gain unprecedented levels of technological prowess.

Citizen Science Fiction draws on an interdisciplinary swath of literature and media to make the case that the science fiction genre can help rethink the pedagogical use of citizen science as a tool to interrogate our collective civic engagement with science and the incorporation of science into a rigorous, exciting writing-based curriculum. The book revolves around recent developments in specific scientific disciplines, including biology, ecology, computer science, astronomy, and cognitive science. Winter closely studies a range of science-fiction texts and tropes -- such as aliens, robots, clones, mind uploads, galactic empires -- for what they have to contribute to the ongoing scholarly discussion on psychological mindset and mindful argument, reading for probing inquiry and productive uncertainty in the age of the Anthropocene, reading for voice with a view to our digitally dominated future, and reading for threshold concepts in a scientifically driven society.

The idea that reading literature changes the reader seems as old as literature itself. Through the ages philosophers, writers, and literary scholars have suggested it affects norms, empathic ability, self-concept, beliefs, etc. This book examines what we actually know about these effects. And it finds strong evidence for the old claims. However, it remains unclear what aspects of the reading experience are responsible for these effects. Applying methods of the social sciences to this particular problem of literary theory, this book presents a psychological explanation based upon the conception of literature as a moral laboratory. A series of experiments examines whether imagining oneself in the shoes of characters affects beliefs about what it must be like to be someone else, and whether it affects beliefs about consequences of behavior. The results have implications for the role literature could play in society, for instance, in an alternative for traditional moral education.