Winner of the National Book Critics Circle Award in Fiction Finalist for the PEN Faulkner Award In this literary masterwork, Louise Erdrich, bestselling author of the National Book Award-winning The Round House and the Pulitzer Prize nominee The Plague of Doves, wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture. North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich. The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them. LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal. But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole. Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

La La Rose, a young girl's stuffed rabbit, gets lost in Luxembourg Gardens.

A beautifully designed celebration of the iconic French fashion brand Rouje and its visionary founder Jeanne Damas In this glamorous, inspiring book, Jeanne Damas shares her vision for a timeless, free, sensuous, and proud femininity through the story her designs tell. As the designer of the ready-to-wear brand Rouje, she uses her very distinct visual language to create a book bursting with life. Life in Rouje gathers for the first time the iconic pictures of the Rouje ad campaigns, archival photographs never before published, as well as a backstage glimpse of the photo shoots and of the day-to-day life of Damas. The pages introduce the heroines who personify the designer's universe and lifestyle, including models and actresses of all generations and nationalities (such as Léa Seydoux, Isabelle Adjani, Maya Thurman-Hawke, Emma Corrin and Emmanuelle Béart), and the close circle of women in her life. Featuring scenes from Paris to the south of France, from Tangier to California, this book gathers all of Rouje's most iconic photographs together for the first time. Throughout, Damas's own handwritten notes, quotes, and collages punctuate the pages, like a modern, elegant scrapbook.

Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.

Julian Charles Chamberie left New Orleans with his father as a 10 year old boy after the unexpected death of his mother, vowing never to return. Now 24 years old, Julian is compelled to return to the Chevalier Mansion of New Orleans at the request of his 116 year old great-grandmother, Lela Chevalier Roberts, to order her affairs prior to her death. However, Julian soon discovers he is the "business" she wishes to order. Lela embarks on her mission to prepare Julian's soul for his role in the apocalyptic end time prophecy of Le Baton. Lela transports Julian to 19th century Louisiana with the story of her father and slave owner, Augustus Chevalier, and the angels and demons who molded and manipulated not only Augustus' life, but the destiny of Chevalier family, both slave and free, black and white.

Argues that the 13th-century French poem can best be understood not by trying to resolve or choosing among the diverse meanings within it or among the myriad of interpretations by scholars and medieval and modern readers, but to accept those differences and reflect on our own willingness to accept to reject those meanings as a guide for a love or morality. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR

The first truly in-depth, interdisciplinary study of philosophical questions in the seminal medieval literary work, the Roman de la Rose.

Neuf dieux gouvernaient jadis le monde, jusqu'à ce qu'une ultime trahison ne les mène à leur perte. Depuis, le monde se meurt et seul le retour des Dieux disparus pourra le sauver. Le Royaume de Piedre est déchiré par des guerres intestines depuis que le Basilic a été retrouvé mort. La Confrérie de la Rose-Noire cherche le moyen de détruire ce dernier pour de bon, tandis que l'Ordre de la Rose-Blanche désespère de trouver le moyen de lui rendre toute sa puissance. La dernière réincarnation mortelle en date du Dieu disparu de la Mort est le Prince Culebra, autrement appelé le Prince-Basilic. Harcelé par des assassins, l'un de ses amants mort, l'autre disparu, Culebra passe ses journées empli de désespoir, parfaitement conscient que ses prédécesseurs ont tous connu la mort de seulement deux façons : l'assassinat ou le suicide.