LA REINE MARGOT (1845) is a novel of suspense and drama which recreates the violent world of intrigue, murder, and duplicity of the French Renaissance. This revised edition of the classic translation of 1846 is richly annotated. An Introduction sets Dumas and his works in their literary, historical, and cultural context.

A riveting account of the Saint Bartholomew’s Day Massacre, its origins, and its aftermath, this volume by Barbara B. Diefendorf introduces students to the most notorious episode in France’s sixteenth century civil and religious wars and an event of lasting historical importance. The murder of thousands of French Protestants by Catholics in August 1572 influenced not only the subsequent course of France’s civil wars and state building, but also patterns of international alliance and long-standing cultural values across Europe. The book begins with an introduction that explores the political and religious context for the massacre and traces the course of the massacre and its aftermath. The featured documents offer a rich array of sources on the conflict — including royal edicts, popular songs, polemics, eyewitness accounts, memoirs, paintings, and engravings — to enable students to explore the massacre, the nature of church-state relations, the moral responsibility of secular and religious authorities, and the origins and consequences of religious persecution and intolerance in this period. Useful pedagogic aids include headnotes and gloss notes to the documents, a list of major figures, a chronology of key events, questions for consideration, a selected bibliography, and an index.

An outstanding work of history, it throws light on the life in French court and presents the butchery of St. Bartholomew's Day. The book also offers a commentary on the trends, customs and royal life at the end of 16th century. Marguerite de Valois engrosses the reader with her lucid and eloquent style of writing. Captivating!...

The riveting true story of mother-and-daughter queens Catherine de' Medici and Marguerite de Valois, whose wildly divergent personalities and turbulent relationship changed the shape of their tempestuous and dangerous century. Set in magnificent Renaissance France, this is the story of two remarkable women, a mother and daughter driven into opposition by a terrible betrayal that threatened to destroy the realm. Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for thirty years. Her youngest daughter Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control. When Catherine forces the Catholic Marguerite to marry her Protestant cousin Henry of Navarre against her will, and then uses her opulent Parisian wedding as a means of luring his followers to their deaths, she creates not only savage conflict within France but also a potent rival within her own family. Rich in detail and vivid prose, Goldstone's narrative unfolds as a thrilling historical epic. Treacherous court politics, poisonings, international espionage, and adultery form the background to a story that includes such celebrated figures as Elizabeth I, Mary, Queen of Scots, and Nostradamus. The Rival Queens is a dangerous tale of love, betrayal, ambition, and the true nature of courage, the echoes of which still resonate.

Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.

This vintage book contains a classic historical romance by the author of "The Three Musketeers". This gripping and action-packed romance will greatly appeal to anyone who has read and enjoyed Alexandre Dumas's other works, and is one not to be missed by the discerning collector of antiquarian literature. The chapters of this book include: "The Latin of M. De Guise", "Queen Margot's Bed-Chamber", "The Poet King", "The Evening of the 24th August", "The Massacres", "The Assassins", "The Hawthorn", "Confidences", "How it Comes About That Certain Keys Open Doors for Which they Were Not Intended", etcetera. Alexandre Dumas (1802 - 1870) was a famous French writer whose books have been translated into almost 100 languages, and he remains one of the most widely read French authors of all time. Other famous works by this author include: "The Count of Monte Cristo" and "Twenty Years After". We are republishing this vintage work now in an affordable, modern edition, complete with a specially commissioned new biography of the author.

It's the winter of 1564 and the beautiful young Princess Margot is summoned to her mother's household, where her true education begins in earnest. Known across Europe as Madame la Serpente, Queen Catherine is an intimidating and unmoving presence in France, even as her country recovers from the first of many devastating religious wars. Among the crafty nobility of Queen Catherine's royal court, Margot learns the intriguing and unspoken rules she must live by to please her manipulative family. Eager to be an obedient daughter, Margot embraces her role as a pawn to be married off to the most convenient bidder. Despite her loyalty, Margot finds herself charmed by the powerful and charismatic Duc de Guise and falls for him even as she is promised to another. Finally setting aside her happiness for duty, Margot leaves the man she loves for Henri of Navarre, a Huguenot leader and a notorious heretic. Yet Queen Catherine's schemes are endless, and Margot's brother plots vengeance in the streets of Paris. Forced to choose between her family and what's right, Margot at last finds the strength within herself to forge her own destiny. Médicis Daughter is historical fiction at its finest, weaving a unique coming-of-age story and a forbidden love with one of the most dramatic and violent events in French history.

Although France has produced many great writers, none have been as widely read as Alexandre Dumas. His stories have been translated into nearly a hundred languages and have inspired more than 200 films. Dumas wrote novels and historical chronicles filled with adventure, which sparked the imagination of the public. Alongside The Three Musketeers and The Count of Monte Cristo, Queen Margot is one of Alexandre Dumas' great classics. In Queen Margot, Dumas heavily utilizes significant historical events that took place in France, such as the assassination of Gaspard II de Coligny, the St. Bartholomew's Day Massacre, the practice of judicial torture, which was common at the time, among others. Queen Margot is a great novel that deserves to be read, not only for its literary quality but also for the intense historical moment that permeates the narrative and its characters.

Julianne Pidduck's "Cine-File" does justice to this film, examining it as part of an influential recent cycle of French historical 'super-productions' including "Cyrano de Bergerac" and "Germinal" and exploring its social and political contexts, in particular how "La Reine Margot"'s depiction of Renaissance religious intolerance offers a haunting allegory for twentieth-century French and European experience."--Jacket.