Robert Johnson è considerato tra i più grandi artisti blues di tutti i tempi. Tra i suoi brani più famosi ci sono “I Believe I Dust My Broom” e “Sweet Home Chicago”, quest’ultimo uno dei capisaldi della musica blues. Secondo la leggenda, Johnson acquisì il suo straordinario talento musicale siglando un patto con il diavolo. Morì all’età di 27 anni per sospetto avvelenamento, sebbene la verità sulla sua morte resti tutt’oggi un mistero irrisolto... “La Leggenda di Robert Johnson” racchiude l’intera opera del famoso bluesman nelle versioni originali scritte da Johnson.

Livy describes the Etruscans as filling the whole of ancient Italy with their power and influence. While Etruscan rule throughout large parts of the Italian peninsula endured for but a few centuries, Etruscan influence was so extensive that in some respects it continues into the present. Outside the Etruscan heartland, Rome itself was perhaps the best preserver of things Etruscan. The fourteen essays comprising this volume explore Etruscan Italy and examine the influence exerted by Etruscan civilization upon the cultures of Italy in Roman and post-Roman times. Represented are contributions from various disciplines which converge to employ multiple methodologies in a comprehensive approach to delineating the enduring themes of Etruscan Italy.

Sherri Franks Johnson explores the roles of religious women in the changing ecclesiastical and civic structure of late medieval Bologna, demonstrating how convents negotiated a place in their urban context and in the church at large. During this period Bologna was the most important city in the Papal States after Rome. Using archival records from nunneries in the city, Johnson argues that communities of religious women varied in the extent to which they sought official recognition from the male authorities of religious orders. While some nunneries felt that it was important to their religious life to gain recognition from monks and friars, others were content to remain local and autonomous. In a period often described as an era of decline and the marginalization of religious women, Johnson shows instead that they saw themselves as active participants in their religious orders, in the wider church and in their local communities.

Includes index.

This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.