Three nineteen-year-olds: an Indian, a German and an African ́prince ́, thrown together by fate, share a tiny Soho apartment in hippie London. There they enjoy their music and new found freedom until prejudice, the drug mafia, the Secret Service and the Summer of Love ruins it for them.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class. For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids from the Dead is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death. Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.

Unique among the world's fighting forces, the Legion remains one of its most mysterious, as well. Open to volunteers from around the world (men from some 150 countries fill its ranks), the Legion boasts an illustrious and exciting military history stretching from Europe to Africa and Latin America, from Vietnam and Algeria to Afghanistan; features a notoriously difficult selection and training process, accepting only 10 percent of applicants; and has traditionally required soldiers to enlist under assumed names. Soldiers swear allegiance not to France, but to the Legion, which has been romanticized in literature, song, and action movies as a place for men to prove their mettle or start their lives over. In this colorful, highly readable book, a blend of firsthand experience and interviews with former legionnaires, Nick Valldejuli gives an insider's perspective on what it means - and what it takes - to be a Légionnaire. Valldejuli, an English-born American who spent two years in the Legion, lifts the veil on who legionnaires are, what they do, where they serve, why they joined, and why they’re willing to die for France, which for most is a foreign country. Stories move from Algeria in the 1960s and the Balkans in the 1990s to more recent French operations in Afghanistan and former colonies in Africa. Drawing on his own experiences as well as those of members from various countries over the past fifty years (including several girlfriends of soldiers), his stories highlight the Legion’s intense camaraderie and its members’ fierce loyalty to this unique unit, in addition to the extreme mental and physical demands made of them, and the sacrifices of their families back home.

Leading feminist scholars and activists as well as new voices introduce and explore themes central to contemporary ecofeminism. Ecofeminism: Feminist Intersections with Other Animals and the Earth first offers an historical, grounding overview that situates ecofeminist theory and activism and provides a timeline for important publications and events. This is followed by contributions from leading theorists and activists on how our emotions and embodiment can and must inform our relationships with the more than human world. In the final section, the contributors explore the complexities of appreciating difference and the possibilities of living less violently. Throughout the book, the authors engage with intersections of gender and gender non-conformity, race, sexuality, disability, and species. The result is a new up-to-date resource for students and teachers of animal studies, environmental studies, feminist/gender studies, and practical ethics.

This new edition of Ecofeminism: Feminist Intersections with Other Animals and the Earth begins with an historical, grounding overview that situates ecofeminist theory and activism within the larger field of ecocriticism and provides a timeline for important publications and events. Throughout the book, authors engage with intersections of gender, sexuality, gender expression, race, disability, and species to address the various ways that sexism, heteronormativity, racism, colonialism, and ableism are informed by and support animal oppression. This collection is broken down into three separate sections: -Affect includes contributions from leading theorists and activists on how our emotions and embodiment can and must inform our relationships with the more-than-human world -Context explores the complexities of appreciating difference and the possibilities of living less violently -Climate, new to the second edition, provides an overview of our climate crisis as well as the climate for critical discussion and debate about ecofeminist ideas and actions Drawing on animal studies, environmental studies, feminist/gender studies, and practical ethics, the ecofeminist contributors to this volume stress the need to move beyond binaries and attend to context over universal judgments; spotlight the importance of care as well as justice, emotion as well as reason; and work to undo the logic of domination and its material implications.

This book considers issues of social and ecological significance through a masculinities lens. Earth – our home for aeons – is reeling. The atmosphere is heating up, causing reefs to bleach, fisheries to collapse, regions to flood and dry, vast tracts to burn, the polar ice caps to melt, ancient glaciers to retreat, biodiversity to decline exacerbated by the sixth great extinction, and more. Meanwhile, social and economic disparities are widening. Pandemics are cauterising glocal communities and altering our social mores. Nationalism is feeding divisiveness and hate, especially through men’s violence. Politically extreme individuals and groups are exalting freedom while scapegoating the marginalised. Such are the symptoms of an emerging (m)Anthropocene. This anthology contends with these alarming trends, pointing our attention towards their gendered origins. Building on our monograph Ecological Masculinities: Theoretical Foundations and Practical Guidance (2018), this collection of essays is framed as a dinner party conversation grouped into six discursive themes. Their views reflect a growing community of practice, whose combined efforts capture the most recent perspectives on masculine ecologisation. Together, they aim to help create a more caring world for all, moving the ecological masculinities conversation forward as it becomes an established, international, and pluralised field of study.

Australian feminist philosopher Val Plumwood coined the term “critical ecofeminism” to “situate humans in ecological terms and non-humans in ethical terms,” for “the two tasks are interconnected, and cannot be addressed properly in isolation from each other.” Variously using the terms “critical ecological feminism,” “critical anti-dualist ecological feminism,” and “critical ecofeminism,” Plumwood’s work developed amid a range of perspectives describing feminist intersections with ecopolitical issues—i.e., toxic production and toxic wastes, indigenous sovereignty, global economic justice, species justice, colonialism and dominant masculinity. Well over a decade before the emergence of posthumanist theory and the new materialisms, Plumwood’s critical ecofeminist framework articulates an implicit posthumanism and respect for the animacy of all earthothers, exposing the linkages among diverse forms of oppression, and providing a theoretical basis for further activist coalitions and interdisciplinary scholarship. Had Plumwood lived another ten years, she might have described her work as “Anthropocene Ecofeminism,” “Critical Material Ecofeminism,” “Posthumanist Anticolonial Ecofeminism”—all of these inflections are present in her work. Here, Critical Ecofeminism advances upon Plumwood’s intellectual, activist, and scholarly work by exploring its implications for a range of contemporary perspectives and issues--critical animal studies, plant studies, sustainability studies, environmental justice, climate change and climate justice, masculinities and sexualities. With the insights available through a critical ecofeminism, these diverse eco-justice perspectives become more robust.

Etchings in the Ether unfolds during a rain-lashed October evening on Vancouver Island's peninsula. Nearly three-hundred people gather at a rural Catholic school to hear charismatic author/physicist David Shaftesbury expound his gloriously anthropic principle of the universe. Even the local bishop is in attendance. Most have come simply to reinforce religious convictions. Some, like plumber Arthur Boorman, his family destroyed by an act of mindless violence, have come in search of solace and hope. Only one man, cynical sociology professor Charles Meade, sits in open judgement. A Stealth-like aircraft descends through the downpour. It settles onto the playing field behind the school. Robed figures disembark, beings who, though dying from the ravages of a relentless virus, have made a desperate journey across the galaxy to relay a fantastic message to the people of Earth. The physicist/evangelist and the entire audience are held captive, forced to listen while an alien intelligence outlines a terrifying reality behind life, evolution, form and behavior. The sadly repetitive human propensity for self-induced misery is all too explicitly explained. Even seemingly inexplicable phenomena such as school shootings are reduced to an immutable logic. A logic leaving no apparent room in the universe for God. A message is passed. The third and final act begins.