a set of visual and textual inquiries into the culture of Kowloon district in Hong Kong

Cultural districts are playing a key cultural and social role throughout the world in the twenty-first century. They offer an incomparable density of art and culture and have a profound influence on the development of cities and regions. ?World Culture Districts? presents the first-ever overview of this phenomenon, featuring fifteen of the most important cultural districts on six continents. The range of different kinds of cultural districts and their respective influence on space and society is revealed, and essays by international experts such as Gail Lord, Adrian Ellis, Matthias Sauerbruch and Louisa Hutton, Vitus H. Weh and Christian Strasser shed light on current issues surrounding their development and impact.00CULTURE DISTRICTS Alserkal Avenue Dubai, United Arab Emirates, LAC Lugano Arte e Cultura Lugano, Switzerland, Museumsinsel Berlin Berlin, Germany, Quartier des Spectacles Montréal, Quebec, Canada, The GoDown Arts Centre Nairobi, Kenya, Gorky Park and Garage Museum of Contemporary Art Moscow, Russia, M9 Mestre, Italy, MuseumsQuartier Wien Vienna, Austria, Southbank Centre London, United Kingdom, Töölönlahti Helsinki, Finland, Instituto Inhotim Brumadinho, Brazil, MASS MoCA North Adams, Massachusetts, USA, Poblenou District Barcelona, Spain, The Arts Centre Te Matatiki Toi Ora ?tautahi Christchurch, New Zealand, West Kowloon Cultural District Hong Kong, China.

This book presents an essential non-western geopolitical landscape and draws on the conceptual framework of critical geopolitics to discuss the views on terrorism held by various groups of Chinese people, including the elite, middle class, and masses. After investigating these views, the book posits that these Chinese geopolitical imaginaries cannot be fully understood using the extant geopolitical theories, including communism, nationalism, and realism. Accordingly, it subsequently seeks to adapt the Confucian geopolitical idea in order to theorize Chinese geopolitics. By doing so, the book reintroduces the historically embedded but long-ignored traditional Chinese political geography philosophies (in particular Confucian thinking) into efforts to explain Chinese geopolitics. In this regard, it promotes a specific and importantly Confucianism-based understanding of international security politics. The geopolitical model provided can also help to explain Chinese views on other major geopolitical issues.

While global cities have mostly been characterized as sites of intensive and extensive economic activity, the quest for global city status also increasingly rests on the creative production and consumption of culture and the arts. Arts, Culture and the

The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong's Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+'s new home is undoubtedly a milestone in the institution's ongoing story, yet it also marks an important moment to reflect on its development to date. The Making of M+ is an immersive visual encounter with the many stages of the museum's evolution. H. G. Masters, the book's guest editor, and Sulki & Min, its award-winning designers, present images and words relating to M+'s first three decades - starting with the reclamation of the land on which the M+ building stands. While the hundreds of images in the book document the programmes, collections, staff, audiences and architecture that have helped shape the museum, the texts have been carefully selected from key moments in the institution's formation, encompassing official pronouncements, staff mantras, public reactions, and snippets from the local and international press. Offering a wide range of perspectives and voices, The Making of M+ is an innovative companion to the creation of a remarkable cultural institution - the first of its kind in Hong Kong and Asia. With 360 illustrations in colour

An analysis of the protest rally and subsequent events will certainly be of interest to the general public in the territory as well as to the international community who is concerned with the developments of Hong Kong. The editor has lined up a team of top experts in the territory to discuss the pertinent issues, and their contributions constitute the first authoritative volume on the historic event. The academic experts involved will examine a broad range of subjects; and it is hoped that the readers will have a comprehensive understanding of the significant issues facing Hong Kong at this stage while examining the protest rally on 1 July 2003.This volume will be of interest to university students and academic in public administration and political science. Media professionals interested in the current affairs in Hong Kong will also find it a handy source of reference. Published by City University of Hong Kong Press. 香港城市大學出版社出版。

This insightful book provides a comprehensive survey of urban development in Hong Kong since 1841. Pui-yin Ho explores the ways in which the social, economic and political environments of different eras have influenced the city's development. From colonial governance, wartime experiences, high density development and adjustments before and after 1997 through contemporary challenges, this book explores forward-looking ideas that urban planning can offer to lead the city in the future. Evaluating the relationship between town planning and social change, this book looks at how a local Hong Kong identity emerged in the face of conflict and compromise between Chinese and European cultures. In doing so, it brings a fresh perspective to urban research, providing historical context and direction for the future development of the city. Hong Kong's urban development experience offers not only a model for other Chinese cities but also a better understanding of Asian cities more broadly. Urban studies scholars will find this an exemplary case study of a developing urban landscape. Town planners and architects will also benefit from reading this comprehensive book as it shows how Hong Kong can be taken to the next stage of urban development and modernisation.

The experience of Hong Kong’s innovative and creative industries and the challenges they face serves as an important case study for other Chinese and Asian cities that are actively developing their innovative and creative industries in the era of globalization. The return of sovereignty over Hong Kong back to China in 1997 has led to both collaboration and competition between the two places in innovative and creative sectors for the Greater China and Asian Regions. Hong Kong has remained unique in spite of the integration, but she has to strike a delicate balance between being simultaneously a Chinese and an international city. This book looks at different innovative and creative industries, such as international art and culture exhibition, innovative technology, digital entertainment, TV and movies, as well as government policy for innovative and creative industries, particularly the changing competitive landscape brought about by the latest Great Bay Area development. Drawing insights from cultural history, innovation economics, cultural policy studies, and cultural geography, this book explores the opportunities and challenges of Hong Kong's innovative and creative industries, in particular after the change of sovereignty in 1997. It demonstrates that the city’s legacy, and heavy government input in capital, do not guarantee their sustainable development. This is a book not only for policymakers or academics interested in innovative and creative industries but also to students contemplating a career in these areas in Hong Kong, the Greater China and the Asian Region.

Cultural heritage and contemporary arts benefit from being showcased in events. Arts-related events are each unique in reflecting local culture; they may be therefore spontaneous (street art and so on) or planned (i.e. studio tours or arts festivals). The Arts and Events explores the nature and complexity of managing arts events and fills a significant gap in the available literature. It investigates the history, development and management of arts events to offer much needed insight into creating economic, social and cultural capital. It therefore contributes to a greater understanding of how arts events can create a beneficial experience for the individual and the community as well as their future sustainable development. The title explores a broad range of events from around the globe including: inspirational events for building creative (social, cultural and human) capital; affirming events for encouraging links to cultural identity or heritage; pleasurable events that offer enjoyable recreational, leisure and touristic experiences; enriching events that create opportunities for personal growth and/or to sell products or experiences, and finally, celebratory events that enhance cultural diversity. This significant volume is a valuable source for researchers, policy-makers and managers of arts events around the globe.