The Korean experience changed the way Americans viewed war. The lack of a clear-cut victory inspired filmmakers to try to make sense of fighting another country's civil war and risking American lives for an unpopular cause. This filmography details more than 90 English-language films. Each entry includes complete cast and credit listings, a plot synopsis, evaluation, review snippets, and notice of video availability. This book places each film in its historical context, assesses the essential truthfulness of each film and evaluates its entertainment value, and discusses how--and why--Korean War films differ from other Hollywood war genres. Four appendices list the films by chronology; production company and studio; level of historical accuracy; and subject and theme. Additional appendices list films with incidental references to the Korean War; documentaries on the Korean War; and South Korean films about the war. Photographs, a bibliography, and an index are included.

Written by a knowledgeable film critic and Korean War scholar, this is the only guide exclusively devoted to the study of Hollywood and television films based on the Korean War, 1950-1953. It opens with eight short essays, discussing the appeal of the war film genre, government and filmmaker cooperation, the isolation of Korean War films from other war films, why John Wayne didn't make a Korean War film, the other actors who did, the plots of Korean War films, television and Korean War films, and the myths resulting from films. Eighty-four films are then discussed in alphabetically arranged entries. The entries include production unit, color status, producer, director, screenwriter, actors and actresses, movie length, and the author's numerical rating of the film. The commentary places each film within the context of other war films, the Korean War, trends in Hollywood, and the social and political realities of the United States. The films also are listed chronologically. Producers, directors, screenwriters, actors, and actresses are indexed by responsibility and are included in the general index. The book also provides a list of 109 documentary films available for public viewing.

“The authors of the bestselling Halsey’s Typhoon do a fine job recounting one brutal, small-unit action during the Korean War’s darkest moment.” —Publishers Weekly November 1950, the Korean Peninsula. After General MacArthur ignores Mao’s warnings and pushes his UN forces deeper into North Korea, his 10,000 First Division Marines find themselves surrounded and hopelessly outnumbered by 100,000 Chinese soldiers near the Chosin Reservoir. Their only chance for survival is to fight their way south through the Toktong Pass, a narrow gorge that will need to be held open at all costs. The mission is handed to Captain William Barber and the 234 Marines of Fox Company, a courageous but undermanned unit of the First Marines. Barber and his men climb seven miles of frozen terrain to a rocky promontory overlooking the pass, where they will endure four days and five nights of nearly continuous Chinese attempts to take Fox Hill. Amid the relentless violence, three-quarters of Fox’s Marines are killed, wounded, or captured. Just when it looks like they will be overrun, Lt. Colonel Raymond Davis, a fearless Marine officer who is fighting south from Chosin, volunteers to lead a daring mission that will seek to cut a hole in the Chinese lines and relieve the men of Fox. This is a fast-paced and gripping account of heroism in the face of impossible odds.

In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.

NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • From America’s “forgotten war” in Korea comes an unforgettable tale of courage by the author of A Higher Call. “In the spirit of Unbroken and The Boys in the Boat comes Devotion.”—Associated Press • “Aerial drama at its best—fast, powerful, and moving.”—Erik Larson Devotion tells the inspirational story of the U.S. Navy’s most famous aviation duo, Lieutenant Tom Hudner and Ensign Jesse Brown, and the Marines they fought to defend. A white New Englander from the country-club scene, Tom passed up Harvard to fly fighters for his country. An African American sharecropper’s son from Mississippi, Jesse became the navy’s first Black carrier pilot, defending a nation that wouldn’t even serve him in a bar. While much of America remained divided by segregation, Jesse and Tom joined forces as wingmen in Fighter Squadron 32. Adam Makos takes us into the cockpit as these bold young aviators cut their teeth at the world’s most dangerous job—landing on the deck of an aircraft carrier—a line of work that Jesse’s young wife, Daisy, struggles to accept. Deployed to the Mediterranean, Tom and Jesse meet the Fleet Marines, boys like PFC “Red” Parkinson, a farm kid from the Catskills. In between war games in the sun, the young men revel on the Riviera, partying with millionaires and even befriending the Hollywood starlet Elizabeth Taylor. Then comes the conflict that no one expected: the Korean War. Devotion takes us soaring overhead with Tom and Jesse, and into the foxholes with Red and the Marines as they battle a North Korean invasion. As the fury of the fighting escalates and the Marines are cornered at the Chosin Reservoir, Tom and Jesse fly, guns blazing, to try and save them. When one of the duo is shot down behind enemy lines and pinned in his burning plane, the other faces an unthinkable choice: watch his friend die or attempt history’s most audacious one-man rescue mission. A tug-at-the-heartstrings tale of bravery and selflessness, Devotion asks: How far would you go to save a friend?

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 44. Chapters: The Manchurian Candidate, Sayonara, Love Is a Many-Splendored Thing, List of book-based war films, Inchon, Big Fish, John Ford filmography, MASH, Taegukgi, The Young and The Brave, The Bridges at Toko-Ri, The Hunters, Battle Hymn, Welcome to Dongmakgol, Men in War, The Steel Helmet, Forward March Hare, Retreat, Hell!, All the Young Men, Time Limit, Take the High Ground!, The Rack, At War with the Army, One Minute to Zero, Pork Chop Hill, War Hunt, A Hill in Korea, Going All the Way, Fixed Bayonets!, The Marines Who Never Returned, MacArthur, Battle Circus, Battle on Shangganling Mountain, War Is Hell, The Nun and the Sergeant, Marines, Let's Go, Japanese War Bride, Submarine Command, Hold Back the Night, I Want You, Prisoner of War, Men of the Fighting Lady, The Hook, Sniper's Ridge, The Crime of Korea, Crevecoeur, Sergeant Ryker, Cease Fire. Excerpt: A list of films that are based on war books. 1945-1950 1946-1949 1946-1954 1947-1989This section deals with the confrontational elements of the Cold War, including mutual suspicion and espionage.Actual combat operations, such as proxy wars supported by the two sides, are handled in their own sections. The famous 1935 Alfred Hitchcock version is set during the interwar years. (analogous to the Berlin Airlift)1980 1954 October 1962 The fictional defeat of the US by the bowmen of the Duchy of Grand Fenwick. 1947 February 1946 1948-1949 1948-1960 1950-1953 1953-ongoing 1952 1952-1960 1953-1959 28 May 1957 28 December 1958 - 1 January 1959 1961 1954 1954-1962 1955-1959 1956 1956 1957-1975(See also the First Indochina War) 14-18 November 1965 18 August 1966 1968 1967-1975 1960-1966 (including the Katangan Secession and the Simba Rebellion) 1960-1970? 1966-1967 1966-1980 1966-1998 1967 1967-1970...

South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era’s most glamorous and popular women’s pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han’s films took shape within a “free world” network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han’s sophisticated style with careful attention to key issues of modernity—such as feminism, cosmopolitanism, and consumerism—in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Captain Cleve Connell has already made a name for himself among pilots when he arrives in Korea during the war there to fly the newly operational F–86 fighters against the Soviet MIGs. His goal, like that of every fighter pilot, is to chalk up enough kills to become an ace. But things do not turn out as expected. Mission after mission proves fruitless, and Connell finds his ability and his stomach for combat questioned by his fellow airmen: the brash wing commander, Imil; Captain Robey, an ace whose record is suspect; and finally, Lieutenant Pell, a cocky young pilot with an uncanny amount of skill and luck. Disappointment and fear gradually erode Connell's faith in himself, and his dream of making ace seems to slip out of reach. Then suddenly, one dramatic mission above the Yalu River reveals the depth of his courage and honor. Originally published in 1956, The Hunters was James Salter's first novel. Based on his own experiences as a fighter pilot in the Korean War, it is a classic of wartime fiction. Now revised by the author and back in print on the sixty–fifth anniversary of the Air Force, the story of Cleve Connell's war flies straight into the heart of men's rivalries and fears.