Jack Denham, grandson of moviemaker Carl Denham (who brought Kong to New York in 1933) clashes with a ruthless business magnate, Carlton Hemming, as both attempt to clone the giant ape, Kong, from blood samples discovered by a high-steel worker in 1999. Succeeding beyond their wildest dreams, it is quickly apparent the cloned ape belongs back in his native wilderness and not the wilds of New York. The final life-and-death struggle is played out on Skull Island—a lost world in the Indian ocean, full of monstrous creatures—where the original Kong was found over 70 years ago.

All things must die. If death will come regardless, then we do not need to fear it or to run from it. We can live instead. The priests of Vatu are locked in an endless cycle of life, death, and rebirth. Their constant reincarnations are defined by service to the dark spirit, hatred for each other, and ruling the world of eternal night in which they live, broken only by a single day each year when Vatu releases the Sun. They have suffered and enjoyed this existence for millennia, for an eternity... until now. In the Tower of the Sun at the centre of the world, the reborn Utas returns to fulfill his destiny to become High Priest. He has scarcely completed his education, however, when a shocking secret of his resurrection emerges. Now questioning everything he knows, he takes a path never before followed in his long existence. Yet darkness and pain still shadow everything he does, and all his attempts at freedom seem only to lead back to Vatu. Can Utas ever escape hatred and death, or will darkness forever rule his heart as it does the shadowed land?

She, with her bare hands, could only wish for a pair of people to ascend to the throne. Unexpectedly, her husband had her in his heart. He broke her flesh and bones, crippled her muscles and bones, cut her into pieces so that she wouldn't be stiff even if she died. She, the direct daughter of the Prime Minister, was born to be a fool. When she was reborn, her beauty was peerless and she looked down upon the world.

Provides a complete historic overview of the sounds of the entire English-speaking Caribbean region, bringing together informative essays on the development of a range of music styles and the industry's top performers. Original.

The heavens and earth are the army, I am the general, Hong Yu is the official, and I am the king. The Heaven and Earth, the determinant of destiny. A heaven's pride level expert of this era had to bear the blessing of the Five Gods, changing his fate in a way that defied the will of the heavens. In the blink of an eye, the world had been turned upside down. Hot blood is eternal, passion is in all directions, fight with me to the sky! Fight! 

I actually transmigrated to the Wasteland and became the Celestial Emperor? Hehe, Nuwa, Loess, Yaochi, Changxi, Western Queen Mother, Sanxiao ... Aren't countless fairies all mine? I am Haotian? Haotian, who had been bullied by a saint and kicked under the table by a monkey? No, as the Celestial Emperor, I shall rule the world! Could it be that this world was ruled by a king? Could it be that this man was a king's subordinate?

The year's finest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Peter Atkins, Cliver Barker, Glen Hirschberg, Joe Hill and Caitlin R. Kiernan. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.

Cultures of Yusin examines the turbulent and yet deeply formative years of Park Chung Hee’s rule in South Korea, focusing on the so-called Yusin era (1972–79). Beginning with the constitutional change that granted dictatorial powers to the president and ending with his assassination, Yusin was a period of extreme political repression coupled with widespread mobilization of the citizenry towards the statist gospel of modernization and development. While much has been written about the political and economic contours of this period, the rich complexity of its cultural production remains obscure. This edited volume brings together a wide range of scholars to explore literature, film, television, performance, music, and architecture, as well as practices of urban and financial planning, consumption, and homeownership. Examining the plural forms of culture’s relationship to state power, the authors illuminate the decade of the 1970s in South Korea and offer an essential framework for understanding contemporary Korean society.

It combined the Primordial Spirit of his previous life and cultivated to the Great Dao of Immortality. Whoever wanted to block his way would have no mercy!