Describes the joys of summer spent with family in Knoxville: eating vegetables right from the garden, going to church picnics, and walking in the mountains.

This third edition of Knoxville, Tennessee: A Mountain City in the New South includes a new preface and a valuable new chapter covering the period from the death of Cas Walker to the end of the administration of Madeline Rogero, Knoxville's first female mayor. Wheeler argues that, until very recently, like Jay Gatsby in The Great Gatsby (1925), Knoxvillians had fabricated for themselves a false history, portraying themselves and their city as the almost impotent victims of historical forces that they could neither alter nor control. The result of this myth has been a collective mentality of near-helplessness against the powerful forces of isolation, poverty, and even change itself. But Knoxville's past is far more complicated than that, for the city contained abundant material goods and human talent that could have been used to propel Knoxville into the ranks of the premier cities of the New South--if those assets had not slipped through the fingers of both the leaders and the populace. In all, Knoxville's history is the story of colliding forces--country and city, North and South, the poor and the elites as well as the story of colorful figures, including Perez Dickenson, Edward Sanford, George Dempster, Carlene Malone, Bill Haslam, and Madeline Rogero, among many, many more. While challenges related to public health, income inequality, racism, and the environment remain, Wheeler detects the possibility that the myth Knoxvillians have clung to may finally be fading. Downtown development by vibrant local entrepreneurs, a government more responsive than ever before, and an economy that endured a severe economic downturn only to turn out brighter than expected are all symptoms of a Knoxville that may be ready to take its place in the rising urbanism of twenty-first-century America.

"An insightful and well-written book. One of the best studies of local Jewish history extant."--Leonard Dinnerstein, University of Arizona For more than a century and a half, the Jewish citizens of the area in and around Knoxville, Tennessee, have maintained the rituals and traditions that define them as a separate people, even as they have blended quietly with their non-Jewish neighbors. Wendy Lowe Besmann paints a vivid picture of this community, bringing alive the stories of merchants, grocers, immigrants from Eastern Europe, and scientists and university professionals who have come to call the area home. Drawing on interviews and other sources, she traces the growth of local synagogues, explores the role of Jewish community centers, looks at how children were shaped by school and Temple life, and even recalls the community's summer vacations at nearby Neubert Springs. With broad historical sweep, Besmann examines what life was like for Knoxville's early Jewish community and how the events of their lives were affected by American expansion and depression, by social upheaval and urban migration. Successive waves of immigrants, from the traveling peddlers of the late nineteenth century to the doctors, lawyers, and engineers of the late twentieth, have both adapted to the culture of East Tennessee and shaped it in subtle ways. As they did in cities all over the South, Knoxville's Jewish population followed jobs, meaning that most of them did not grow up in the region. Besmann looks at topics as diverse as patterns of chain migration, the role of Jewish merchants in the Civil War, and the contributions of a Jewish-owned music store to the career of Elvis Presley. She describes the vital role of ritual and celebration in the community, from the importance placed on religious education to the songs played at bar mitzvahs. The Author: Wendy Lowe Besmann is a freelance writer whose work has been published in The New York Times, USA Today, The Atlantic, Self, and Better Homes & Gardens. She lives in Oak Ridge, Tennessee.

The waters of Tennessee are home to about three hundred species of fishes, the most diverse collection of freshwater fauna of any state in the country. This readable and authoritative book, first published in 1993, examines that diversity within the state's complex natural history. It not only synthesizes a wealth of scientific information but also presents a tremendous amount of original research. Species accounts provide information on the classification, identification, biology, distribution, taxonomy, and current status of Tennessee's fishes -- many of which are endangered. Taxonomic keys provide readers with guides for distinguishing species. Extensive use is made of high-quality photographs, range maps, and drawings. For this second printing, the authors have provided corrections and updated information. This data includes seven new species accounts and new distributional information.

From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this "golden age" can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in America's history. This fascinating new history of Knoxville, Tennessee, showcases more than two hundred of the best vintage postcards available.

"In this new edition, Wheeler argues that, like Jay Gatsby in The Great Gatsby (1925), Knoxvillians have fabricated for themselves a false history, portraying themselves and their city as the almost impotent victims of historical forces that they could neither alter nor control. The result of this myth, Wheeler says, is a collective mentality of near-helplessness against the powerful forces of isolation, poverty, and even change itself. But Knoxville's past is far more complicated than that, for the city contained abundant material goods and human talent that could have been used to propel Knoxville into the ranks of the premier cities of the New South - if those assets had not slipped through the fingers of both the leaders and the populace.

A City with a Violent Past: The predominant hue of the city's colorful past is blood red, and restless souls are rumored to inhabit the night. The streets have echoed with gunfire as Knoxville survived the violence of frontier times, the Civil War, and the shadowy gaslight decades when the elite classes strolled Gay Street while just down the hill in the saloon district known as the Bowery, murderers and thieves played their dark dangerous games. Join writer and history tour guide Laura Still on a journey into her home town's past as she tells the amazing true stories behind the ghostly phantoms and unquiet spirits that haunt Knoxville. Featuring: 75 photos and illustrations; 23 haunted houses and buildings; 10 spooky burial grounds; 81/2 hanged men; 3 tragic love stories; and 40 chapters of untimely death and mysterious phenomena. Storyteller Laura Still, a native Tennessean, is a published poet and playwright as well as storyteller and guide for her tour business, Knoxville Walking Tours. Foreword by columnist and Knoxville history author Jack Neely.

One of the most exuberant move palaces of the South, the Tennesse Theatre is a Jazz Age spectacle, a glimmer of a brifely extravagant era, a bold architectural celebration of an astonishing and suddenly popular new form of art. The motion picture changed the way Americans experienced their world,within its broad region, the Tennesseee became the superlative venue for that experiences. Despite its reputation as the finest, the most expensive, the theater with chandeliers and original art and antiques in its lobby, the Tennessee was also the largest, the busiest, and the most popular...Exclusiveness is one of the Tennessee's most effective illusions. After almost a century, the Tennessee is still obligatory on any trip to Knoxville, one of these sights you have to witness at least at once. Designed with dozens of shapes and countless colors to awe, it is distinct in appearance from every other theater in the world. It's a complex and fascinating artifact. But the Tennessee is also a practical edifice, a modern venue for classical music, opera, rock, jazz, bluegrass, and dozens of other genres that benefit from the old theater's excellent acoutiscs, praised in the national media for the quaility of its sound.