Annotation This is a major synthesis of the knowledge and practice of early modern English medicine, as expressed in vernacular texts set in their social and cultural contexts. The book vividly maps out some central areas: remedies (and how they were made credible), notions of disease, advice on preventive medicine and on healthy living, and how and why surgeons worked on the body. In particular, two of the most high-profile diseases of the age--the pox and the plague--are discussed in detail, and their treatment analyzed.

This is a major synthesis of the knowledge and practice of early modern English medicine in its social and cultural contexts. The book vividly maps out some central areas: remedies (and how they were made credible), notions of disease, advice on preventive medicine and on healthy living, and how surgeons worked upon the body and their understanding of what they were doing. The structures of practice and knowledge examined in the first part of the book came to be challenged in the later seventeenth century, when the 'new science' began to overturn the foundation of established knowledge. However, as the second part of the book shows, traditional medical practice was so well entrenched in English culture that much of it continued into the eighteenth century. Various changes did however occur, which set the agenda for later medical treatment and which are discussed in the final chapter.

An investigation of the role which the English book trade played in an important transitional period in early modern medicine.

Medical writing tells us a great deal about how the language of science has developed in constructing and communicating knowledge in English. This volume provides a new perspective on the evolution of the special language of medicine, based on the electronic corpus of Early Modern English Medical Texts, containing over two million words of medical writing from 1500 to 1700. The book presents results from large-scale empirical research on the new materials and provides a more detailed and diversified picture of domain-specific developments than any previous book. Three introductory chapters provide the sociohistorical, disciplinary and textual frame for nine empirical studies, which address a range of key issues in a wide variety of medical genres from fresh angles. The book is useful for researchers and students within several fields, including the development of special languages, genre and register analysis, (historical) corpus linguistics, historical pragmatics, and medical and cultural history.

The early modern period is a particularly fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history.

This volume presents, for the first time, a critical edition of the works of the early modern English physician John Cotta. No mere country doctor, Cotta spoke out eloquently and courageously against what he saw as abuses in medicine and injustices in the prosecution of witchcraft. Read by important thinkers such as Robert Burton in England, and by colonial administrators in New England, Cotta helped shape two of the most important debates of his time. Included are the full texts of Cotta’s Short Discovery and The Trial of Witchcraft, both books painstakingly edited and annotated. Also included is a detailed introduction dealing with Cotta’s medical and religious contexts, his extensive learning and much more.

The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.

This book examines how the experiences of hearing voices and seeing visions were understood within the cultural, literary, and intellectual contexts of the medieval and early modern periods. In the Middle Ages, these experiences were interpreted according to frameworks that could credit visionaries or voice-hearers with spiritual knowledge, and allow them to inhabit social roles that were as much desired as feared. Voice-hearing and visionary experience offered powerful creative possibilities in imaginative literature and were often central to the writing of inner, spiritual lives. Ideas about such experience were taken up and reshaped in response to the cultural shifts of the early modern period. These essays, which consider the period 1100 to 1700, offer diverse new insights into a complex, controversial, and contested category of human experience, exploring literary and spiritual works as illuminated by scientific and medical writings, natural philosophy and theology, and the visual arts. In extending and challenging contemporary bio-medical perspectives through the insights and methodologies of the arts and humanities, the volume offers a timely intervention within the wider project of the medical humanities. Chapters 2 and 5 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

From popular fiction to modern biomedicine, the tropics are defined by two essential features: prodigious nature and debilitating illness. That was not always so. In this engaging and imaginative study, Hugh Cagle shows how such a vision was created. Along the way, he challenges conventional accounts of the Scientific Revolution. The history of 'the tropics' is the story of science in Europe's first global empire. Beginning in the late fifteenth century, Portugal established colonies from sub-Saharan Africa to Southeast Asia and South America, enabling the earliest comparisons of nature and disease across the tropical world. Assembling the Tropics shows how the proliferation of colonial approaches to medicine and natural history led to the assemblage of 'the tropics' as a single, coherent, and internally consistent global region. This is a story about how places acquire medical meaning, about how nature and disease become objects of scientific inquiry, and about what is at stake when that happens.

Suman Seth reveals how histories of medicine, empire, race and slavery intertwined in the eighteenth-century British Empire.