A New York University psychologist argues that the mind is a "kluge"-a clumsy, cobbled-together contraption-as he ponders the accidents of evolution that caused this structure and what we can do about it.

The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge “prolific” would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter. In Toward Fewer Images, Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media—noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.

A revelatory revisionist biography of Alexander Graham Bell — renowned inventor of the telephone and powerful enemy of the deaf community. When Alexander Graham Bell first unveiled his telephone to the world, it was considered miraculous. But few people know that it was inspired by another supposed miracle: his work teaching the deaf to speak. The son of one deaf woman and husband to another, he was motivated by a desire to empower deaf people by integrating them into the hearing world, but he ended up becoming their most powerful enemy, waging a war against sign language and deaf culture that still rages today. The Invention of Miracles tells the dual stories of Bell’s remarkable, world-changing invention and his dangerous ethnocide of deaf culture and language. It also charts the rise of deaf activism and tells the triumphant tale of a community reclaiming a once-forbidden language. Katie Booth has researched this story for over a decade, poring over Bell’s papers, Library of Congress archives, and the records of deaf schools around America. Witnessing the damaging impact of Bell’s legacy on her deaf family set her on a path that upturned everything she thought she knew about language, power, deafness, and technology.

With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.

A blogger details corruption on a South Pacific island while its denizens intermingle in this novel by the acclaimed author of Gone Tomorrow. This captivating novel intertwines the stories of several inhabitants on Saipan, America’s least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on “trial separation” from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan (“America”) to escape hunger. Their voices circle the enthralling element of Saipan—and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling. Praise for The Master Blaster “This is not a young man's book; it’s the work of a writer who has seen the world, literally and figuratively, for a long time. The Master Blaster is tinged with thoughts of mortality, but they are offset by a bon vivant’s occasional flash of gratitude and beauty.” —Janet Maslin, New York Times “Delving deep into his rich setting, P.F. Kluge patiently lays out a tale of intrigue and ignorance worthy of Graham Greene.” —Stewart O’Nan, author of Wish You Were Here “Fear, violence, sex, and money blow like trade winds across this Fantasy Island, a microscopic petri dish of greed and race sweltering in the American Pacific. Kluge is among our finest novelists, and he flexes his muscles over this postage stamp of territory. Like all the greats before him, he saves his best line for last, in this his greatest book.” —Tony D’Souza, author of Mule “Recommended . . . for its interesting character development, plot twists, and “gotcha” ending.” —Booklist

The classic novel that gave rise to a movie franchise. “A warm, entertaining, and highly evocative story of youth, music, and growing up in the 1950s.” —The Philadelphia Inquirer Eddie and his Jersey-bred band, The Parkway Cruisers, were going places. With an album and a few minor hits to their credit the future seemed bright until Eddie died in a fiery car crash. Twenty years later a British rock band turns their old songs into monumental fresh hits. With this comes a surge of interest in the surviving Cruisers and in a rumored cache of tapes that Eddie made before he died. That’s when the killing starts . . . “An excellently crafted book. The dialogue is sharp, the book is packed with exquisite description and a surprise ending.” —Sunday Journal and Star “Eddie and the Cruisers seems at first glance to be only a smartly written novel about nostalgia for the music of the late 1950s. It quickly proves, however, to be a remarkably good suspense story, full of vivid characters and some hilarious dialogue.” —St. Louis Post-Dispatch “Sparkling dialogue, wonderful characterizations and a plot which dazzles.” —Enterprise Sun “[A] good mix of everyday blues with old-time bebop.” —Booklist

In 1967 the Peace Corps sent P. F. Kluge to paradise - or so the American possessions in Micronesia seemed. His assignment was as noble as it was adventurous: to help the people of those half-forgotten Pacific islands move from old to new, so that paradise would have prosperity and freedom as well as physical beauty. He immersed himself in the lives of the diverse peoples of the islands. He composed speeches for their leaders. He wrote a stirring manifesto that became the Preamble to the Constitution of Micronesia. He began a friendship with a man who would one day be president of Palau. And then, a generation later, P. F. Kluge went back. . . . The result is a book the New Yorker called "remarkably effective," the Economist deemed "terrific"; a book Smithsonian Magazine found to be "written from the heart." The Edge of Paradise shows the impact and ironies of America's presence in an undeveloped part of the world, how perhaps there's no way "a big place can touch a little one without harming it."

Part mystery, part love story, part mordant commentary on America's waning presence in the world, this hugely entertaining novel tells the story of a trio of Elvis impersonators working out of the Graceland club in Olongapo, Phillipines. In their act, Baby Elvis, Dude Elvis and Biggest Elvis incarnate the King's evolving life. Their popularity grows. In a tawdry town, this successful act becomes almost an obsession. But there are those that think Biggest Elvis has to go. Re-envisioning the life of America's greatest hero, this is an edgy and evocative novel.

It was on April 30, 1945 that the Red Army occupied Berlin, Hitler committed suicide in his underground bunker and the United Nations was being founded in San Francisco. Alexander Kluge covers this single historic day and unravels its passing hours across the different theatres of the Second World War, including the life of a small German town occupied by American forces and the story of two SS officers stranded on the forsaken Kerguelen Islands. The collective experiences Kluge paints here are jarring, poignant and imbued with meaning.