Eloquent and provocative drawings, exquisitely reproduced, provide an intimate encounter with these two daring Austrian masters. Gustav Klimt and Egon Schiele were two of the most daring and controversial artists in Vienna during the culturally turbulent decades around the turn of the 20th century. They worked out their provocative depictions of the human body, created in a search for psychological truth as well as physical realism, in the direct and intimate medium of drawing. In Klimt_s studies, the distinctive character or unsettling emotional resonance of the person portrayed comes through in the artist_s delicate, sinuous lines. The striking presence of the individual in Schiele_s more finished drawings, often rendered with extreme frankness and bold colouration, pulses with dramatic immediacy. Although Klimt was almost thirty years Schiele_s senior, he quickly recognized and encouraged the younger artist_s extraordinary talent. The sixty important works exquisitely reproduced in large format in this volume reach from each artist_s early academic studies to more incisive and unconventional explorations of nature, psychology, sexuality and spirituality. By giving viewers access to these artists_ worlds, this album of unforgettable drawings provides a direct connection to the minds of two master draftsmen exploring the limits of representation, as well as the shock of recognition at seeing our own inner lives caught on paper.

Exploring the paintings of the key artists of the Secessionist Movement within the context of Vienna at the turn of the 20th century, this book, which comprises over 200 colour images, pays special attention for the first time to the contribution made by Koloman Moser to the painting revolution.

In this volume, Jane Kallir, author of numerous books on Egon Schiele, including the catalogue raisonne of his oeuvre, offers a survey of the artist's life and work featuring paintings, colored drawings, and photographs. The majority of the works presented here are from the collection of the Albertina in Vienna.

Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years-dying quite suddenly of influenza in 1918 just as World War I came to an end-he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst. Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, "Egon Schiele's Portraits," was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published "Schiele in Prison," an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell-a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, "Killing for Klimt," is followed by "The Schiele Slaughters."

Publisher, poet, and aesthete, Scofield Thayer (1889–1982) led an intense public life that included the editorship of the prominent avant-garde journal the Dial and often contentious friendships with literary luminaries such as T. S. Eliot and E. E. Cummings. In the early 1920s, Thayer went to Vienna, where he was analyzed by Sigmund Freud. He also embarked on an art-buying spree throughout the capitals of Europe, acquiring (among many other things) a number of highly erotic works on paper by Gustav Klimt, Egon Schiele, and Pablo Picasso. Though these artists were little known or appreciated in America at the time, and though the especially provocative nature of the drawings and watercolors put them outside the mainstream, these works have now taken their place as erotic masterpieces, collected with remarkable foresight and vision. Obsession showcases 52 of these rarely seen works, presenting them within the context of Thayer’s remarkable life and tempestuous times while enhancing our understanding of these three modernist masters. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

A century after his death, Egon Schiele continues to stun with his contorted lines, distorted bodies, and eroticism. This XXL-sized book features the complete catalogue of his paintings from 1909-1918. Nearly 600 illustrations are presented, many of them newly photographed, alongside expert insights and Schiele's personal writings in this...

The period between the two World Wars is characterised in the arts by international networks that transcended political and ideological borders. A lively artistic exchange took place, stimulating constructive, expressionist, and fantastic tendencies. An increasingly important role was played by magazines that disseminated new positions. The outbreak of World War II abruptly interrupted these cosmopolitan art networks. This publication examines the fascinating, artistically fruitful epoch between the wars. Exhibition: Unteres Belvedere/Orangerie, Vienna, Austria (23.03.-26.08.2018) / BOZAR - Centre for Fine Arts, Brussels, Belgium (21.09.2018-20.01.2019). -- Publisher's website.

Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. This volumes proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work.