The premise of Kitharologus is that Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.

The premise of Kitharologus is that "Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible". Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.

A concise booklet which presents a complete practicing methodology for guitarists. Topics discussed include the concepts of inner and outer poise, issues affecting practice, visualization and much more.

(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.

World-renowned tresero (tres player) Nelson Gonzalez explains tuning and playing of the Cuban tres guitar, offering tips for beginning to advanced players. As the instrument's name implies, the tres has three courses of double or triple strings and is used both as a lead and an accompaniment instrument. the author thoughtfully includes instructions for converting a normal 6-string guitar to a tres guitar, offering suggestions for appropriate string gauges.This may be the first book of its kind published outside of Cuba. the method contains Latin folksongs arranged for the beginning tres player plus examples of repeated, often syncopated underlying vamps called montunos. the book also presents all principal chords and scale patterns plus notation fundamentals- all beautifully illustrated with clear photos, diagrams and explanations. Written in standard notation only.Nelson Gonzalez is singularly qualified to write this book. Known in Latin music circles as the "Ambassador of the Cuban Tres Guitar", he has toured or recorded with a virtual Who's Who of Latin stars not to mention his own band, Son Mudano. His tres mastery is featured on dozens of recordings with such artists as Tito Puente, Gloria Estefan, Andy Garcia, Paul Simon, and Marc Anthony to name only a few.

Eight enchanting classical guitar duets by Italian guitar master Ferdinando Carulli (presented here for the first time in both standard notation and tablature). Includes: Andante (from Complete Method for Guitar, Op. 27), Largo (from Op. 34, No. 6), Theme (from Op. 48, No. 2), Andante (Op. 72, No. 24), Serenade (Op. 96, No. 1), Larghetto (from Op. 128, No. 3), The Nest and the Rose (Op. 333, No. 1), The Magic Lantern (Op. 333, No. 2).

(Music Sales America). An outstanding repertoire collection for solo guitar, featuring some of the best-known and loved pieces by Granados, Albeniz, Dowland, Granados, and others.

(Book). We proudly present the fifth edition of Maurice J. Summerfield's highly acclaimed ultimate reference book on the classical guitar. This brand new book features all the original biographical entries updated with new photographs where applicable, plus 100 new biographical entries in the players, composers and makers section for a total of over 485. This new edition gives the reader a full and clear picture of the classical guitar's development since the beginning of the nineteenth century. Also included are informative sections on composers, scholars, flamenco guitarists and guitar makers. The book's collection of several hundred photographs is the most complete to be published in one volume. There are extensive listings of the most important classical guitar recordings. The final section, Sources of Supply, guides readers to where they can obtain the books, recordings, music and magazines listed in the book. Without a doubt, this new edition will be the essential work of reference on the subject of classical guitar for years to come! "My sincere congratulations to Maurice Summerfield." Andres Segovia

Practicing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing. The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?