Easy-to-follow illustrated instructions show how to create more than 50 awesome, airborne objects — everything from simple bag kites to Vietnamese, Snake, Dutch, Dragon, Bullet, Delta, and Flowform flyers.

Provides step-by-step instruction for designing a variety of kites, and offers tips on material selection and flying techniques.

The family from Dim Sum for Everyone! is back for a new outing– building and flying their own kite! The wind is blowing. It is a good day for kites! The whole family makes a trip to the local craft store for paper, glue, and paint. Everyone has a job: Ma-Ma joins sticks together. Ba-Ba glues paper. Mei-Mei cuts whiskers while Jie-Jie paints a laughing mouth. Dragon eyes are added and then everyone attaches the final touch . . . a noisemaker! Now their dragon kite is ready to fly. Kite Flying celebrates the Chinese tradition of kite making and kite flying and lovingly depicts a family bonded by this ancient and modern pleasure.

This book gives a visual explanation of the physics of kites in flight and with many pictures and related exercises for you to try. With 125 pictures, illustrations, and 65 exercises it answers the questions: Are tails required on a kite? How can I improve the flight of my kite? What are the forces that act on my kite? What changes can I try? Do kites glide? What are some applications of kites that I can explore? Quotes: "You have done a wonderful job. I think a lot of people will find this very useful for teaching and for getting their kites to fly! I wish I had had this book when I was a kid." John Bognar, PhD. "It's fun. An excellent resource and learning tool for students and educators. An enjoyable stepping stone into the physics of flight. I highly recommend this book." Christine Traboulssi, Kite builder "It is fantastic! This is a comprehensive and readable discussion covering many unknowns of kite flying... the author brings a wealth of experience and practices to fliers of all ages." Geoff Bland, NASA

"For Robert Carter, life in his coastal Maine hometown is comfortably predictable. But in 1976, on his first day of eighth grade, he meets Nathan Tilly, who changes everything. Nathan is confident, fearless, impetuous--and fascinated by kites and flying. Robert and Nathan's budding friendship is forged in the crucible of two family tragedies, and as the boys struggle to come to terms with loss, they take summer jobs at the local rundown amusement park. It's there that Nathan's boundless capacity for optimism threatens to overwhelm them both, and where they learn some harsh truths about family, desire, and revenge"--Amazon.com.

The day that David moved to Fivehills, The first thing he noticed was the kites. Little kites, big kites Eagle kites, pig kites Golden Frog kites with car headlights for eyes Mirror kites singing the sky back at itself... David knows that to fit in at Fivehills, he needs a kite. But when he makes one, the other kids of the town aren't too impressed. They say it needs this, then it needs that, then it needs something else... soon David's kite doesn't feel like his any more. But David remembers what his Grandpa said - "Let's see what we've already got. More often than not, we'll find the answer inside" and learns that when you're happy with yourself, friends will follow.

A Kite for Melia is a picture book about love, friendship, and connection.

Oliver seeks his eccentric great-uncle Gilbert's help in creating a kite for the all-important kite festival, but when Gilbert suddenly disappears, Oliver is guided by one of Gilbert's kites in a quest through different worlds to find him.

A Kite in the Wind is an anthology of essays by 20 veteran writers and master teachers. While the contributors offer specific, practical advice on such fundamental aspects of craft as characterization, character names, the first person point of view, and unreliable narrators, they also give extended, thoughtful consideration to more sophisticated topics, including “imminence,” or the power of a sense of beginning; creating and maintaining tension; “lushness”; and the deliberate manipulation of information to create particular effects. The essays in A Kite in the Wind begin as personal investigations — attempts to understand why a decision in a particular story or novel seemed unsuccessful; to define a quality or problem that seemed either unrecognized or unsatisfactorily defined; to understand what, despite years of experience as a fiction writer, resisted comprehension; and to pursue haunting, even unanswerable questions. Unlike a how-to book, the anthology is less an instruction manual than it is an intimate visit with twenty very different writers as they explore topics that excite, intrigue, and even puzzle them. Each discussion uses specific examples and illustrations, including both canonical stories and novels and writing less frequently discussed, from the 19th, 20th, and 21st centuries, by both American and international authors. The contributors share their hard-earned insights for beginning and advanced writers with humility, wit, and compassion. The first section of the book focuses on narration, with particular attention paid to various kinds of narrators; the second, on strategic creation and presentation of character; the third, on some of the roles of the visual, beginning with establishing setting; and the fourth, on structural and organizational issues, from movement through time to the manipulation of information to create mystery and suspense. Contributors include Wilton Barnhardt, Andrea Barrett, Charles Baxter, Karen Brennan, Maud Casey, Lan Samantha Chang, Robert Cohen, Stacey D’Erasmo, Judy Doenges, Anthony Doerr, C. J. Hribal, Michael Martone, Kevin McIlvoy, Alexander Parsons, Frederick Reiken, Steven Schwartz, Dominic Smith, Debra Spark, Megan Staffel, Sarah Stone, and Peter Turchi.