What stories do we tell about America’s once-great industries at a time when they are fading from the landscape? Pennsylvania in Public Memory attempts to answer that question, exploring the emergence of a heritage culture of industry and its loss through the lens of its most representative industrial state. Based on news coverage, interviews, and more than two hundred heritage sites, this book traces the narrative themes that shape modern public memory of coal, steel, railroading, lumber, oil, and agriculture, and that collectively tell a story about national as well as local identity in a changing social and economic world.

American popular magazines play a role in our culture similar to that of public historians, Carolyn Kitch contends. Drawing on evidence from the pages of more than sixty magazines, including Newsweek, Rolling Stone, Black Enterprise, Ladies' Home Journal, and Reader's Digest, Kitch examines the role of journalism in creating collective memory and identity for Americans. Editorial perspectives, visual and narrative content, and the tangibility and keepsake qualities of magazines make them key repositories of American memory, Kitch argues. She discusses anniversary celebrations that assess the passage of time; the role of race in counter-memory; the lasting meaning of celebrities who are mourned in the media; cyclical representations of generational identity, from the Greatest Generation to Generation X; and anticipated memory in commemoration after crisis events such as those of September 11, 2001. Bringing a critically neglected form of journalism to the forefront, Kitch demonstrates that magazines play a special role in creating narratives of the past that reflect and inform who we are now.

Quit your bitching-they've heard you already! You read Skinny Bitch and it totally rocked your world. Now you want to know, "What can I cook that's good for me, but doesn't taste like crap?" Well, lucky for you, the Bitches are on the case. Self-proclaimed pigs, Rory and Kim understand all too well: Life without lasagna isn't a life worth living; chocolate cake is vital to our survival; and no one can live without mac "n cheese-no one. So can you keep to your SB standards and eat like a whale? Shit yeah, bitches. To prove it, Rory and Kim came up with some kick-ass recipes for every craving there is: Bitchin' Breakfasts PMS (Pissy Mood Snacks) Sassy Soups and Stews Grown-up Appetizers Comfort Cookin' Hearty Ass Sandwiches Happy Endings (Desserts) And a ton more! They are all so good (and easy to make) you're gonna freak out. Seriously. What are you waiting for? Get your skinny ass in the kitchen!

From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.

KITCH & ARTE Contemporary Art & Infographics Created by Barbara Kennedy How something that oozes out of a thin aluminum tube and onto a primed flat white canvas can convince you of the presence of a three-dimensional world, this translucent paste that conveys the fragrances of pasture and ocean, forest and rain, was to me holy. And I wanted to affect that. I wanted to paint. To see light; to manipulate light; to share it with those who believe, and show it to those who do not. Pundits were hard at work convincing me that a mathematical equation or physical methodology (a logarithm) could produce the same work and, with just as much depth of execution and feeling. Yet, I have never viewed a computer-generated piece of art that evoked me to tears. My work had already crossed over the line that divided art and craft. I was into feeling it organically, not just looking at a scene, owning it, or trading it. Painting with the tip of my nose was not outside my stream of executions, or behaviors, a critic once observed. "ART IS (r)-EVOLUTION. EDUCATION IS A PROCESS."

Combining factual biography with the imaginative structure of the novel, Anthony Joseph gets to the heart of the man behind the music and the myth, to present a holistic portrait of the calypso icon Lord Kitchener. Born into colonial Trinidad in 1922 as Aldwyn Roberts, 'Kitch' emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post-war Britain. In the process, Kitch single-handedly popularised the calypso in Britain. Joseph spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone in Queen's Park Savannah. It was a pivotal meeting in which the great calypsonian outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph's unique biography of the Grandmaster.

Kitch-iti-kipi (The Big Spring) is one of Michigan's most popular tourist attractions. Many folk tales exist about this natural wonder found deep in the woods of the Upper Peninsula. Many of those stories were admittedly made up by John I. Bellair, a local businessman in the 1920s, in an effort to attract more visitors to the area. But what is the authentic Native American legend of Kitch-iti-kipi?The story in this book has been passed down orally in the author's Native American family for more than one hundred years. Although Natives seldom write down their folklore, the author's great-great-aunt actually did write this legend in a published booklet which was found when she passed away in 1969. That booklet was the author's inspiration for this book.The Legend of Kitch-iti-kipi reads like a Native version of Romeo and Juliet. In it, the deep love between a handsome brave and a young maiden drives a powerful chief to act out his jealousy. The results are tragic for all three!

What does the sacrament of baptism mean in your child's life - and yours? In Taking the Plunge, parents explore how the Baptismal Covenant helps to shape the experience of raising children. What are you promising when you baptize your child? Why are "please" and "thank you" theological words, not simply polite things to say? Anne Kitch writes with a light touch and includes plenty of real-life stories.