Meet one of Japan's most popular characters of all time—Kitaro, the one-eyed monster boy Meet Kitaro. He’s just like any other boy, except for a few small differences: he only has one eye, his hair is an antenna that senses paranormal activity, his geta sandals are jet-powered, and he can blend into his surroundings like a chameleon. Oh, and he’s a yokai (spirit monster)! With all the offbeat humor of an Addams Family story, Kitaro is a lighthearted romp in which the bad guys always get what’s coming to them. Kitaro is bestselling manga-ka Shigeru Mizuki’s most famous creation. The Kitaro series was inspired by a kamishibai, or storycard theater, entitled Kitaro of the Graveyard. Mizuki began work on his interpretation of Kitaro in 1959. Originally the series was intended for boys, but once it was picked up by the influential Shonen magazine it quickly became a cultural landmark for young and old alike. Kitaro inspired half a dozen TV shows, plus numerous video games and films, and his cultural importance cannot be overstated. Presented to North American audiences for the first time in this lavish format, Mizuki’s photo-realist landscapes and cartoony characters blend the eerie with the comic. Translated from the Japanese by Jocelyne Allen.

More bizarre and hilarious adventures with everyone's favorite one-eyed boy! In the fourth installment of Shigeru Mizuki’s Kitaro series readers meet a whole new cast of yokai monsters, including a giant Cyclops, the villainous Blackbeard, and a malefic sea captain who attempts to summon hell on Earth. The lead adventure “Yokai Cloth,” follows Kitaro and his gang as they intercept a plot by Chinese yokai who want to enslave the Japanese population to turn the country into a yokai paradise, bringing forth the largest yokai battle yet! But anyone familiar with Kitaro knows that even the toughest yokai squad is no match for him. With the help of a few friends and some funky magic, Kitaro will do everything in his power to outwit and outplay all who challenge him. Drawn & Quarterly’s kid-friendly edition showcases stories from the golden age of Kitaro, now available for the very first time in English. It also features a bonus “History of Kitaro” essay and more yokai files by the award-winning series translator and Mizuki scholar Zack Davisson. Comedy, folklore, horror, and action meld in Kitaro’s Strange Adventures, epitomizing the whimsical all-age stories that make Kitaro one of Japan’s most celebrated and beloved characters. Translated from the Japanese by Zack Davisson.

The spooky yokai boy Kitaro is back for his sixth book, and this time he has a pile of monsters to beat! Featuring seven stories by Japan’s beloved monster master Shigeru Mizuki, Kitaro’s Yokai Battles features some of Kitaro’s strangest foes yet—including his good pal Nezumi Otoko who decides that he should be the star of the comic! With friends like these...who needs enemies? But enemies seem to be all Kitaro has. He faces off against villains like the yokai Hoko—who has an evil scheme to corner the market on pickled daikon radish—and the Amifuri Tengu, who always brings the rain. Things get hairy in “The Great Hair Battle,” when Medama Oyaji’s friend Kemedama begs for Kitaro’s help against an attack of giant wigs. The massive mud monster Dorotabo gets down and dirty with Kitaro, and the red-tonged Akashita swoops down from above. These are just a few yokai from the hilarious cast of characters in Kitaro’s Yokai Battles! The seven stories in this 150+ page volume are collected from the late-60s golden age of Gegege no Kitaro. The stories appear in English for the first time in a kid-friendly edition; uncut and unedited, with translations by Mizuki-scholar Zack Davisson. In addition to all these pages of fun, there are bonus features like “Yokai Files,” which introduces the folklore of Japan’s monsters; and the sixth installment of the “History of Kitaro” essay by series translator Zack Davisson. Kitaro’s Yokai Battles is the perfect blend of humor and horror! Translated from the Japanese by Zack Davisson an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.

Nishida Kitaro (1870–1945) is considered Japan's first and greatest modern philosopher. As founder of the Kyoto School, he began a rigorous philosophical engagement and dialogue with Western philosophical traditions, especially the work of G. W. F. Hegel. John W. M. Krummel explores the Buddhist roots of Nishida's thought and places him in connection with Hegel and other philosophers of the Continental tradition. Krummel develops notions of self-awareness, will, being, place, the environment, religion, and politics in Nishida's thought and shows how his ethics of humility may best serve us in our complex world.

This is the definitive work on the first and greatest of Japan's twentieth-century philosophers, Nishida Kitaro (1870-1945). Interspersed throughout the narrative of Nishida's life and thought is a generous selection of the philosopher's own essays, letters, and short presentations, newly translated into English.

Nishida Kitarô, Japan's premier modern philosopher, was born in 1870 and grew to intellectual maturity in the final decades of the Meiji period (1868–1912). He achieved recognition as Japan's leading establishment philosopher during his tenure as professor of philosophy at Kyoto University. After his retirement in 1927, and until his death in 1945, Nishida published a continuous stream of original essays that can best be described as intercivilizational, a meeting point of East and West. His final essay, "The Logic of the Place of Nothingness and the Religious Worldview," completed in the last few months before his death, is a summation of his philosophy of religion and has come to be regarded as the foundational text of the Kyoto school. It is one of the few places in his writings where Nishida draws openly and freely on East Asian Buddhist sources as analogs of his own ideas. Here Nishida argues for the existential primordiality of the religious consciousness against Kant, while also critically engaging the thought of such authors as Aristotle, the Christian Neo-Platonists, Spinoza, Fichte, Hegel, Barth, and Tillich. He makes it clear that he is also indebted to Pascal, Kierkegaard, and Dostoievsky as well as to Nâgârjuna, the Ch'an masters, Shinran, Dôgen, and other Buddhist thinkers. This book--a translation of the most seminal work of Nishida's career--also includes a translation of his "Last Writing" (Zeppitsu), written just two days before his death.

Intelligibility and the philosophy of nothingness. Three philosophical essays. Translated with an introduction by Robert Schinzinger.

In recent years several books by major figures in Japan's modern philosophical tradition have appeared in English, exciting readers by their explorations of the borderlands between philosophy and religion. What has been wanting, however, is a book in a Western language to elucidate the life and thought of Nishida Kitaro (1870-1945), Japan's first philosopher of world stature and the originator of what has come to be called the Kyoto School. No one is more qualified to write such a book than Nishitani Keiji, whose lifetime coincides with the rise and flowering of the Kyoto School and whose own critical contribution to Japanese thought has been so important. Nishida Kitaro is a translation of essays Nishitani wrote about his teacher from 1936 to 1968 and published as a book in 1985. This series of meditations by one master on another provides a remarkable, living portrait of Nishida the person and conveys the enthusiasm he aroused in his students. Examining Nishida's most important work, An Inquiry into the Good, Nishitani penetrates to the core of his thought and presents it in language that is a marvel of clarity.

"An Inquiry into the Good, the earliest work of Kitarō Nishida, established its author as the foremost Japanese philosopher of the twentieth century. The book represents the foundation of Nishida's philosophy, which reflects both his deep study of Zen Buddhism and his thorough analysis of Western philosophy. In this important new translation, two scholars -- one Japanes and one American -- have worked together to present a lucid and accurate rendition of this basic work. They have also included an enlightening introduction and ample notes to aid the Western reader. Nishida sets forth the notion of "pure experience"--The concept that pure, or direct, experience precedes the separation of subject and object and is true reality. He next considers reality, investigating its relation to thinking, volition, and intuition. The Good, which Nishida considered to be the realization of our internal demands or ideals, is analyzed in the light of the nature of reality and pure experience. In conclusion, Nishida suggests a theory of God as the unifier of the universe and the universe as an expression of God. Throughout he touches upon the work of Western philosophers such as Kant, Hegel, Fichte, William James, and John Dewey in order to explicate his ideas"-- Front flap.

Kitaro faces off against a swamp monster, a paper screen come to life, and an army of mythical raccoon dogs Kitaro and the Great Tanuki War features adventures of Shigeru Mizuki’s beloved yokai boy. In the epic title story, Kitaro battles the tanuki, a Japanese animal that features prominently in the country’s yokai legends. The furry beasts draw on the power of the blood moon to awaken the monstrous catfish that lives in the depths of the Earth. The twisting of the catfish causes earthquakes that threaten to destroy all of Japan. With his yokai allies captured, Kitaro is the only one left who can take on the great tanuki and his army. Will he be up for the challenge? This volume contains two additional stories about traditional folklore monsters as seen through Mizuki’s whimsical and genre-defining lens. In “Mokumokuren,” Kitaro faces off against a paper screen come to life, while “The Obebenuma Yokai” introduces a grisly swamp creature. Kitaro and the Great Tanuki War showcase the golden age of Gegege no Kitaro series from the 1960s – and have never appeared in English before. D+Q’s Kitaro series celebrates Mizuki’s expert blend of folklore, comedy, and horror, sharing the all-ages stories that made Kitaro one of Japan’s most beloved characters. This kid-friendly edition also features a “History of Kitaro” essay by award-winning series translator and Mizuki scholar Zack Davisson. Translated from the Japanese by Zack Davisson.