Following an initiation test to steal a priceless Fabergé egg, Kit Marlowe finds himself enrolled in a spy school for the descendants of famous families, based in the heart of London. It turns out his father’s ‘office job’ is a cover – he’s actually a spy – and Kit’s whole family have been lying to him about their past. As the school term starts, Kit joins his friends – Abigail Newton, Max Faraday, Eddie Austen and Leila Wedgewood – to learn all there is to know about espionage. His language skills may be unparallelled, but can he pass cryptanalysis, camouflage, hacking and forgery lessons? And as if school wasn't interesting enough, Kit manages to fall foul of a Russian oligarch, Mikhail Pasternak, after stealing a vial of Doomsday bugs which was hidden inside the jewel Kit was forced to steal. When Kit learns that Pasternak plans to indoctrinate leading figures from around the world to create a legion of death, he chooses to thwart the Russian and pits himself against a very dangerous and frightening adversary. In a thrilling climax, Kit faces Russian assassins that have broken into the school looking for Kit and the bugs. The game is on and Kit needs all his new skills to save his own life and those of his closest friends… C A Lockwood's debut novel takes a light-hearted and humorous look at the perils of being a not-so-normal teenager. Taking inspiration from Jonathan Stroud's Lockwood and Co. novels and Anthony Horowitz's Alex Rider series, The Doomsday Bug is the first of a trilogy of fast-paced thrillers that will appeal to readers aged 12 years and older.

With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados’s stunning debut brilliantly captures a summer of striving in New York City. Isa Epley, all of twenty-one years old, is already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York with her newly blond best friend looking for adventure. They have little money, but that’s hardly going to stop them. By day, the girls sell clothes on a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave between Brooklyn, the Upper East Side, and the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a system that wants you to do neither.

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Originally published: La Jolla, CA: WildStorm, 2003.

Winner of the Bancroft Prize Louisiana Endowment for the Humanities Book of the Year A Publishers Weekly Book of the Year “The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.” —Nicholas Lemann, New Yorker Hurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated. The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today. “Masterful...Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.” —New York Review of Books “If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.” —Los Angeles Review of Books