Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research.

Table of Contents Acknowledgments Introduction Reflecting on a Set of Personal and Political Criteria 1 Pt. 1 Expanding the Scope of Sadomasochism Ch. 1 Exploring Sadomasochism in the American Context 15 Ch. 2 Defining a Basic Dynamic: Parodoxes[sic] at the Heart of Sadomasochism 43 Ch. 3 Combining the Insights of Existentialism and Psychoanalysis: Why Sadomasochism? 69 Pt. 2 Sadomasochism in Its Social Settings Ch. 4 Employing Chains of Command: Sadomasochism and the Workplace 93 Ch. 5 Engendering Sadomasochism: Dominance, Subordination, and the Contaminated World of Patriarchy 125 Ch. 6 Creating Enemies in Everyday Life: Following the Example of Others 155 Ch. 7 A Theoretical Finale 187 Epilogue 215 Notes 223 Index 231

Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research.

A New York Times Notable Book Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. A Most-Anticipated book of 2021 as selected by * Marie Claire * O, The Oprah Magazine * Cosmopolitan * Time * The Millions * The Advocate * Autostraddle * Refinery29 * Shape * Town & Country * Book Riot * Literary Hub * Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors. The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a sex theater in early-20th century Paris. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.

This edited collection brings together two strands of current discussions in gender research through the concept of creativity. First, it addresses creativity in the context of the family, by exploring changing and newly emergent family forms and ways of creating and maintaining intimate relationships. Creativity here is understood not as just “newness or originality,” but as that which, in the words of Eisler and Montouri (2007), “supports, nurtures, and actualizes life by increasing the number of choices open to individuals and communities.” One aim of this book, therefore, is to investigate the social, collaborative, and creative interactions in contemporary family and kin formations in Europe. Second, the volume examines how new media and technologies are entering and shaping everyday family lives. Technological transformations and adaptions have not only enabled the creation of new forms of families and ways of family living, but also challenged the established constellations of gender and family arrangements. The present volume addresses these issues from multiple perspectives and in different contexts, and explores the involvement of different actors. By problematizing the creativity of becoming and “doing” family and kinship, the authors acknowledge the increasing fluidity of gender identities, the evolving diversity of relationships, and the permeation of technology into daily life.

In the practice of constructing the idea of home and the emotions surrounding it, sensory experiences and materiality intertwine to form layers of memory and affective atmospheres. People in different life stages and situations create continuity and a sense of home by engaging with materiality and objects in their own unique way. Reconstructing Homes takes on a multidisciplinary approach of sensory ethnography, visual methods and autoethnography methodologies to explore affective engagements with materiality in the context of home and the idea of belonging.

`My Other Self¿ is an intrepid anthology of the secret and sometimes bizarre sexual lives quietly practised by millions of everyday people. As these ordinary folk tell their stories it becomes obvious that the world of kinky sex is far from the exclusive domain of rock stars, movie goddesses and politicians. Angela Lewis spent four years researching a diverse range of websites, forums and online communities catering to devotees of all kinds of sexual peccadilloes. These are the stories of the people she met along the way. They live in ordinary neighbourhoods, have jobs, careers and children just like the next person, but very quietly lead far from ordinary sex lives. The result is an absorbing guide to the secret lives of those enjoying a wide range of interests from latex, leather, teeth and diapers, to spanking and hairy armpits and opens the conversation around a wide range of sexual practices in a way that is neither sensational nor confronting. The book covers an extraordinarily comprehensive inventory of fantasies and fetishes which it explains in both an informative and highly readable way. As well as real-life stories and insights, it contains explanatory background information, links to related interests as well as jargon and search terms. Lack of understanding and tolerance for difference means that most people whose sexual interests are outside the mainstream need to hide their true selves from family, friends and colleagues. This book hopes to promote diversity and understanding and open the conversation around a wide range of sexual practices. The author wrote for an audience just like herself, an average person with a spouse, kids and mortgage who has never set foot in a bondage dungeon but wouldn't mind knowing what all the bits are for!

Kink-Affirming Practice is an essential guide on how clinicians can ethically and effectively integrate elements of their client’s BSDM identities and practices into their treatment planning, creative interventions, and client self-care. Embracing both an anthropological understanding of this diverse yet still marginalized community, as well as a sex-positive approach to mental health, Stefani Goerlich recognizes the ways in which specific power exchange dynamics can evoke positive behavioral changes in clients, and guides the reader in how to integrate these concepts into their clinical work. Chapters discuss the foundations of BDSM, what is meant by kink-affirming practice, the purpose of claiming power and ceding control, integrating and reclaiming identities, dominant/submissive personas, and the benefits of caregiving kink, such as pet play. It practically discusses how to conduct a kink-affirming risk assessment, as well as exploring topics like ethical and health boundary setting, how to gain informed consent, and the unique issues that arise when clinicians catch themselves romancing the kink. This book is invaluable reading for professionals working with clients who engage in BDSM activities, such as marriage and family therapists, sex therapists, clinical social workers, and counselors. It may also be useful reading for students on both undergraduate and graduate level human sexuality and sexuality courses.

Delving into reflective and auto-ethnographic perspectives which explore subjective responses to the influence of the representation and treatment of evil women, Divergent Women is ultimately a celebratory reclamation of the concept of feminine transgression.

Claudette, an exotic dancer with the stage name Candy, is a girl with voracious sweet tooth who has become jaded by her illustrious career. She has always loved the notion of living the fairy tale, happy endings and all, but the men who frequent the club have crushed that fantasy. After all, who really wants a real relationship with a stripper? Tired of meaningless flings, she has made her life an endless cycle of working and hanging out with her friends, Z and Britt, at their favorite dive bar until the wee hours of the morning keeping her mind occupied and away from romantic dreams. Besides, candy and desserts are far better than sex anyway. That’s what Claudette keeps telling herself. But things are not always as they seem, and Z and Britt see that. Will Claudette heed their advice? Will she go back to her comfortable ways to forget it all? Or just maybe, Claudette will be surprised by the unexpected and find that her fairytale is even better than she ever could have imagined, proving that sex, and maybe love, can be oh so sweet including candy and kink.