“Poignant and important.” —Refinery29 “A bright and sparkly celebration of love and self-acceptance.” —Kirkus Reviews Judy Blume meets RuPaul’s Drag Race in this funny, feel-good debut novel about a queer teen who navigates questions of identity and self-acceptance while discovering the magical world of drag. Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town. Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there. From debut author Tanya Boteju comes a poignant, laugh-out-loud tale of acceptance, self-expression, and the colorful worlds that await when we’re brave enough to look.

“Poignant and important.” —Refinery29 “A bright and sparkly celebration of love and self-acceptance.” —Kirkus Reviews Judy Blume meets RuPaul’s Drag Race in this funny, feel-good debut novel about a queer teen who navigates questions of identity and self-acceptance while discovering the magical world of drag. Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town. Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there. From debut author Tanya Boteju comes a poignant, laugh-out-loud tale of acceptance, self-expression, and the colorful worlds that await when we’re brave enough to look.

“A searing portrait of self-discovery; soulful and captivating.” —Kirkus Reviews Whip It meets We Are Okay in this vibrant coming-of-age story about a teen girl navigating first love, identity, and grief as she immerses herself in the colorful, brutal, beautiful world of roller derby—from the acclaimed author of Kings, Queens, and In-Betweens. To Daya Wijesinghe, a bruise is a mixture of comfort and control. Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart. So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get. The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.

A major re-examination of an important period in British history

The image, status and function of queens and empresses, regnant and consort, in kingdoms stretching from England to Jerusalem in the European middle ages. Did queens exercise real or counterfeit power? Did the promotion of the cult of the Virgin enhance or restrict their sphere of action? Is it time to revise the early feminist view of women as victims? Important papers on Emma of England, Margaret of Scotland, coronation and burial ritual, Byzantine empresses and Scandinavian queens, among others, clearly indicate that a reassessment of the role of women in the world of medieval dynastic politics is under way. Contributors: JANOS BAK, GEORGE CONKLIN, PAUL CROSSLEY, VOLKER HONEMANN, STEINAR IMSEN, LIZ JAMES, KURT-ULRICH JASCHKE, SARAH LAMBERT, JANET L. NELSON, JOHN C. PARSONS, KAREN PRATT, DION SMYTHE, PAULINE STAFFORD, MARY STROLL, VALERIE WALL, ELIZABETH WARD, DIANA WEBB.

Tender, moving, heartfelt and warm (and sporadically scandalous and outrageous too), these are the private messages between people in love. Yet they are also correspondence between the rulers of nations. From Henry VIII's lovelorn notes to Anne Boleyn and George IV's impassioned notes to his secret wife, to Queen Victoria's tender letters to Prince Albert and Edward VIII's extraordinary correspondence with Wallis Simpson - these letters depict romantic love from its budding passion to the comfort and understanding of a long union (and occasionally beyond to resentment and recrimination), all set against the background of great affairs of state, wars and the strictures of royal duty. Here is a chance to glimpse behind the pomp and ceremony, the carefully curated images of royal splendour and decorum, to see the passions, hopes, jealousies and loneliness of kings and queens throughout history. By turns tender, moving, heartfelt and warm (and sporadically scandalous and outrageous too), these are the private messages between people in love. Yet they are also correspondence between the rulers of nations, whose actions (and passions) changed the course of history, for good and bad. This morning I received your dear, dear letter of the 21st. How happy do you make me with your love! Oh! my Angel Albert, I am quite enchanted with it! I do not deserve such love! Never, never did I think I could be loved so much. Queen Victoria to Prince Albert (28 November 1839)

For years d’Artagnan shared his adventures with his three comrades—Athos, Porthos, and Aramis—but now, in Between Two Kings, the First Musketeer returns to the forefront. This is truly d’Artagnan’s novel, bringing to a dramatic climax the story that began when he first arrived in Paris thirty years earlier in The Three Musketeers. This brand-new translation of Between Two Kings immediately picks up the story and themes of Blood Royal, where d’Artagnan tries to thwart destiny by saving England’s Charles I; now, he will be instrumental in the restoration of his son, Charles II, the first of the two kings of the title. Disappointed in the irresolution of young Louis XIV, d’Artagnan takes a leave of absence from the King’s Musketeers and ventures to England with a bold plan to hoist Charles II onto his throne, a swashbuckling escapade in which he is unwittingly assisted by his old comrade Athos. D’Artagnan returns triumphant to France, where he is recalled to service by the second king, Louis XIV, who is now finally ready to take full advantage of the extraordinary talents of his officer of musketeers. This newly translated volume by Lawrence Ellsworth is the first volume of Alexandre Dumas’s mega-novel Le Vicomte de Bragelonne, the epic finale to the Musketeers Cycle, which will end with the justly-famous The Man in the Iron Mask. This marks the first significant new English translation of this series of novels in over a century.

This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.

From Wall Street Journal, USA Today Bestselling and RITA® Award-winning Author Kennedy Ryan, comes a captivating second chance romance like only she can deliver... The boy who always felt like mine is now the man I can't have… Dig a little and you'll find photos of me in the bathtub with Ezra Stern. Get your mind out of the gutter. We were six months old. Pry and one of us might confess we saved our first kiss for each other. The most clumsy, wet, sloppy . . . spectacular thirty seconds of my adolescence. Get into our business and you'll see two families, closer than blood, torn apart in an instant. Twenty years later, my "awkward duckling" best friend from childhood, the boy no one noticed, is a man no one can ignore. Finer. Fiercer. Smarter. Taken. Tell me it's wrong. Tell me the boy who always felt like mine is now the man I can’t have. When we find each other again, everything stands in our way--secrets, lies, promises. But we didn't come this far to give up now. And I know just the move to make if I want to make him mine.

Covers more than 1000 rulers and two millennia of history