A love triangle, where two of the members attempt to murder the third. • King, Queen, Knave, like all Nabokov’s writing, bears the unmistakable stamp of his genius – brilliant, erotic, deliciously macabre, and wholly unique. “Fascinating…audacious and delightful.” – The New York Times The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed. “A simply overflowing sense of life.” – Life Magazine “A treat, a feast, the splendid work of a conscious and gifted artist.” – Book Week

'Vladimir Nabokov was a literary genius' David Lodge 'Of all my novels this bright brute is the gayest', Nabokov wrote of King, Queen, Knave. Comic, sensual and cerebral, it dramatizes an Oedipal love triangle, a tragi-comedy of husband, wife and lover, through Dreyer the rich businessman, his ripe-lipped ad mercenary wife Martha, and their bespectacled nephew Franz. 'If a resolute Freudian manages to slip in' - Nabokov darts a glance to the reader - 'he or she should be warned that a number of cruel traps have been set here and there...

A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.

Vladimir Nabokov described the literature course he taught at Cornell as "a kind of detective investigation of the mystery of literary structures." Leona Toker here pursues a similar investigation of the enigmatic structures of Nabokov's own fiction. According to Toker, most previous critics stressed either Nabokov’s concern with form or the humanistic side of his works, but rarely if ever the two together. In sensitive and revealing readings of ten novels, Toker demonstrates that the need to reconcile the human element with aesthetic or metaphysical pursuits is a constant theme of Nabokov’s and that the tension between technique and content is itself a key to his fiction. Written with verve and precision, Toker’s book begins with Pnin and follows the circular pattern that is one of her subject’s own favored devices.

Behind doors is another story. Behind doors you can do what you like. Sophia - rational, demure, and hiding a 'little weakness' - has recently married the charismatic Mr Zedland. But Zedland has secrets of his own and Sophia comes to suspect that her marriage is not what it seems. In cramped rooms in Covent Garden, Betsy-Ann shuffles a pack of cards. A gambler, dealer in second-hand goods, and living with a grave robber, her life could not be more different to Sophia's - but she too discovers that she has been lied to. As both women take steps to discover the truth, their lives come together through a dramatic series of events, taking the reader through the streets of 1760s London: a city wearing a genteel civility on its surface and rife with hypocrisy, oppression and violence lurking underneath.

Ben Marcus achieved cult status and gained the admiration of his peers with his first book, The Age of Wire and String. With Notable American Women he goes well beyond that first achievement to create something radically wonderful, a novel set in a world so fully imagined that it creates its own reality. On a farm in Ohio, American women led by Jane Dark practice all means of behavior modification in an attempt to attain complete stillness and silence. Witnessing (and subjected to) their cultish actions is one Ben Marcus, whose father, Michael Marcus, may be buried in the back yard, and whose mother, Jane Marcus, enthusiastically condones the use of her son for (generally unsuccessful) breeding purposes, among other things. Inventing his own uses for language, the author Ben Marcus has written a harrowing, hilarious, strangely moving, altogether engrossing work of fiction that will be read and argued over for years to come.

Times are changing in Rendelsham. The old King is dead, and the foolish Prince Florian has assumed the throne. Florian's mother, Queen Ysa of the House of Oak, still controls the land from behind the scences, but her job grows more difficult every day. Her unworthy, headstrong son is harder to control than her husband was, and she must spend more time than ever masking her own movements. Her husband's illegitimate daughter Ashen, heir to the nearly dead House of Ash, still causes trouble by her very existence, and must never be given an opening to the throne. The barbarian Sea-Rover clan presents problems from the edge of the Bog, Ysa's newest magical ally has been exposed as a traitor, and nothing is going as Ysa had planned. And still the unknown yet encroaching threat from the North continues to grow. Through births and deaths, marriages and duels, love and betrayal, magic and force, the four Houses of Rendelsham can only survive by the strength of their unity--but is unity possible in such a court of intrigue as this one?

The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed.